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Direct and to the point: Richard Eyre believes that the 'theatreness' of theatre marks it apart from the other media

Art of the matter

Director Richard Eyre says it's time to rethink our ideas about what makes great art

Navigator / Reveal Records Mixtape giveaway

Available exclusively to readers of The Independent online, Navigator and Reveal records present a compilation of 30 tracks of the finest new music around, all free to download.

Inside Arts & Entertainment

Exposed: the most intimate secret of erotic blogger Belle de Jour

Years of guessing end as the sex writer is revealed as a scientist from Bristol

The White Ribbon (15)

Stifled by the heavy hand of the master: Austrian director Michael Haneke likes to make his audience work hard, and this drama, set in 1913 Germany, is no exception

Geoffrey Gurrumul Yunupingu, Shepherd's Bush Empire, London (Rated 4/ 5 )

The Empire's normally heaving, sweaty mosh-pit was furnished with seats for this particular concert, lending the venue a more low-key atmosphere, but one that seemed appropriate for the unostentatious Aboriginal singer-songwriter Geoffrey Gurrumul Yunupingu. Supported by a string quartet, second acoustic guitarist Francis Diatschenko and double bass player Michael Hohnen, Gurrumul, who was born blind, was led to his seat carrying his right-handed guitar, which he plays upside down.

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Mixed Up North, Wilton's Music Hall, London (Rated 4/ 5 )

Lamda, arguably the most enlightened and inclusive of all London's drama schools, has a highly creative component in its third-year acting course.

Bryn Terfel: Bad Boys, Royal Festival Hall, London

Bryn Terfel arrived in the capital armed with countless sneers and as many ways to make mischief. His latest album, Bad Boys – a comprehensive gallery of operatic rogues and villains – was now a tour, and there was a big, glossy, souvenir programme to prove it.