<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"> <channel> 
	<title>The Independent - Reviews RSS Feed </title> 
	<link>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/?service=Rss</link> <description> </description>


<item>
	<title>Loris Gr&#233;aud&#44; ICA&#44; London</title>
	<guid>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/loris-graud-ica-london-828170.html</guid>
	<link>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/loris-graud-ica-london-828170.html?r=RSS</link>
	<description>&#60;p&#62;Loris Gr&#233;aud&#39;s work is full of Gallic chic&#44; a sort of stylish marriage between Eurotrash and Roland Barthes&#46; Depending on your taste and point of view&#44; it is either a web of complex ideas that fuses different fields of activity and knowledge&#44; oriented around processes rather than finished forms&#59; or it is a load of French intellectual cobblers&#46;&#60;&#47;p&#62;</description>
	<category>Reviews</category>

	<pubDate>Thu, 15 May 2008 00:00:01 +0100</pubDate>
</item>

<item>
	<title>Mario Rossi Seascapes&#44; Village Underground&#44; London</title>
	<guid>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/mario-rossi-seascapes-village-underground-london-827553.html</guid>
	<link>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/mario-rossi-seascapes-village-underground-london-827553.html?r=RSS</link>
	<description>&#60;p&#62;To paint the sea is never just to paint the sea&#46; How could it be&#63; The sea is protean&#44; ever shape&#45;shifting&#44; ever posing &#38;ndash&#59; and proposing &#38;ndash&#59; new threats&#44; or new and unpredictable visual delights&#46; To paint the sea is to paint it in relation to the land&#44; the sky&#44; the circumambient world&#59; above all&#44; it is to paint the sea in relation to man himself because&#44; being the great brush&#45;wielder&#44; man calls the shots&#46;&#60;&#47;p&#62;</description>
	<category>Reviews</category>

	<pubDate>Wed, 14 May 2008 00:00:01 +0100</pubDate>
</item>

<item>
	<title>Preview&#58; Daphne Todd&#44; Messum&#39;s Cork Street&#44; London</title>
	<guid>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/preview-daphne-todd-messums-cork-street-london-826906.html</guid>
	<link>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/preview-daphne-todd-messums-cork-street-london-826906.html?r=RSS</link>
	<description>&#60;p&#62;Spike Milligan&#44; the Grand Duke of Luxembourg&#44; Tom Stoppard and the man who emptied her cesspit for 20 years are among those who have sat for the award&#45;winning figurative artist and portraitist Daphne Todd&#46; &#60;&#47;p&#62;</description>
	<category>Reviews</category>

	<pubDate>Tue, 13 May 2008 00:00:01 +0100</pubDate>
</item>

<item>
	<title>Unpopular Culture&#44; De La Warr Pavilion&#44; Bexhill&#45;on&#45;Sea </title>
	<guid>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/unpopular-culture-de-la-warr-pavilion-bexhillonsea-825739.html</guid>
	<link>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/unpopular-culture-de-la-warr-pavilion-bexhillonsea-825739.html?r=RSS</link>
	<description>&#60;p&#62;Don&#39;t be deceived by the idyllic location of Grayson Perry&#39;s mesmerising exhibition&#46; As visitors stroll towards the De La Warr Pavilion in Bexhill&#44; they can relish its streamlined Art Deco fa&#38;ccedil&#59;ade overlooking a seductive stretch of Sussex seafront&#46; But once inside&#44; Perry&#39;s haunted imagination offers a far more unsettling vision of Britain&#46;&#60;&#47;p&#62;</description>
	<category>Reviews</category>

	<pubDate>Sun, 11 May 2008 00:00:01 +0100</pubDate>
</item>

<item>
	<title>Faux feminisim&#58; Is comtemporary art paying too much attention to work that should be ignored&#63;</title>
	<guid>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/faux-feminisim-is-comtemporary-art-paying-too-much-attention-to-work-that-should-be-ignored-822735.html</guid>
	<link>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/faux-feminisim-is-comtemporary-art-paying-too-much-attention-to-work-that-should-be-ignored-822735.html?r=RSS</link>
	<description>&#60;p&#62;&#34;When I am an old woman&#44;&#34; begins one of the nation&#39;s favourite poems&#44; &#34;I shall wear purple&#47; with a red hat that doesn&#39;t go&#44; and doesn&#39;t suit me&#46;&#34; And it goes on in that vein&#44; listing an assortment of charming but harmless eccentricities&#44; quite as if they were the last word in senior troublemaking&#46; But how about this&#58; when I am an old woman&#44; I shall stand stark naked&#44; legs akimbo&#44; with a desperate look and a pistol in each hand&#44; one pointed at the viewer&#44; the other at my own head&#46; &#60;&#47;p&#62;</description>
	<category>Reviews</category>

	<enclosure url="http://www.independent.co.uk/multimedia/archive/00026/madonna_marialassnig_26957h.jpg" length="2338" type="image/jpeg" />
			<pubDate>Thu, 08 May 2008 00:00:01 +0100</pubDate>
</item>

<item>
	<title>Preview&#58; New Generation Revisited&#44; New Art Centre&#44; Wiltshire</title>
	<guid>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/preview-new-generation-revisited-new-art-centre-wiltshire-821988.html</guid>
	<link>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/preview-new-generation-revisited-new-art-centre-wiltshire-821988.html?r=RSS</link>
	<description>&#60;p&#62;A major exhibition will introduce one of the most important movements of British sculpture to a new audience&#46; New Generation Revisited includes works by David Annesley&#44; Michael Bolus&#44; Isaac Witkin and Phillip King&#44; who all trained under Sir Anthony Caro at St Martin&#39;s School of Art in London during the 1960s&#46; &#60;&#47;p&#62;</description>
	<category>Reviews</category>

	<pubDate>Wed, 07 May 2008 00:00:01 +0100</pubDate>
</item>

<item>
	<title>Edward Burra&#44; Crane Kalman Gallery&#44; London</title>
	<guid>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/edward-burra-crane-kalman-gallery-london-821052.html</guid>
	<link>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/edward-burra-crane-kalman-gallery-london-821052.html?r=RSS</link>
	<description>&#60;p&#62;Edward Burra was a true English upper&#45;middle&#45;class eccentric&#46; He could be waspish&#44; camp and difficult&#46; In 1961&#44; while painting at home&#44; the Royal Academy rang to ask if he would consider becoming an associate&#46; His acerbic response was to shout downstairs to his manservant&#44; who was speaking to them&#58; &#34;Tell them I&#39;m busy&#46;&#34;&#60;&#47;p&#62;</description>
	<category>Reviews</category>

	<enclosure url="http://www.independent.co.uk/multimedia/archive/00026/edward_burra700_26602h.jpg" length="3021" type="image/jpeg" />
			<pubDate>Mon, 05 May 2008 00:00:01 +0100</pubDate>
</item>

<item>
	<title>You write the reviews&#58; Life Before Death&#44; Wellcome Collection&#44; London</title>
	<guid>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/you-write-the-reviews-life-before-death-wellcome-collection-london-821059.html</guid>
	<link>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/you-write-the-reviews-life-before-death-wellcome-collection-london-821059.html?r=RSS</link>
	<description>&#60;p&#62;Next to a photograph of Wolfgang Katzahn&#44; a subject in this show at the Wellcome Collection in London&#44; is the quotation&#58; &#34;Suddenly&#44; everything matters&#46; I have never paid any attention to clouds before&#46;&#34; In the next picture&#44; his days of sky&#45;gazing are over&#58; he&#39;s dead&#46;&#60;&#47;p&#62;</description>
	<category>Reviews</category>

	<pubDate>Mon, 05 May 2008 00:00:01 +0100</pubDate>
</item>

<item>
	<title>Blood on Paper&#58; the Art of the Book&#44; V&#38;A&#44; London</title>
	<guid>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/blood-on-paper-the-art-of-the-book-va-london-820650.html</guid>
	<link>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/blood-on-paper-the-art-of-the-book-va-london-820650.html?r=RSS</link>
	<description>&#60;p&#62;In 1975&#44; Tom Wolfe published an essay called The Painted Word in which he argued that art theorising had taken over from art&#45;making as the visual pursuit of our day&#46; Where theorists once applied themselves to artworks&#44; the reverse was now true&#46; In a time when art schools are departments of universities and award degrees like any other discipline&#44; artists start with a Big Idea and work backwards&#46; Their art is shaped &#38;ndash&#59; the material in which they shape it is immaterial &#38;ndash&#59; to fit their concept&#46; &#60;&#47;p&#62;</description>
	<category>Reviews</category>

	<pubDate>Sun, 04 May 2008 00:00:01 +0100</pubDate>
</item>

<item>
	<title>Preview&#58; Animal Magic&#44; Eleven Fine Art&#44; London</title>
	<guid>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/preview-animal-magic-eleven-fine-art-london-817157.html</guid>
	<link>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/preview-animal-magic-eleven-fine-art-london-817157.html?r=RSS</link>
	<description>&#60;p&#62;The artist&#45;taxidermist Polly Morgan &#38;ndash&#59; who has sold two artworks to Kate Moss&#44; including a dead blue tit on a prayer book and dead quail chick in a matchbox &#38;ndash&#59; only uses animals that have been run over or have died from natural causes in her work&#46; &#34;I don&#39;t go out hunting for them&#59; I wait to be given them&#44;&#34; says Morgan&#46; &#60;&#47;p&#62;</description>
	<category>Reviews</category>

	<pubDate>Tue, 29 Apr 2008 00:00:01 +0100</pubDate>
</item>

<item>
	<title>Maria Lassnig&#44; Serpentine Gallery&#44; London </title>
	<guid>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/maria-lassnig-serpentine-gallery-london-816093.html</guid>
	<link>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/maria-lassnig-serpentine-gallery-london-816093.html?r=RSS</link>
	<description>&#60;p&#62;As welcomes go&#44; Maria Lassnig&#39;s is uncommonly open&#46; Facing the entrance to her Serpentine Gallery show is a self&#45;portrait&#44; painted in 2005&#44; its legs outstretched in an attitude of embrace&#46; &#60;&#47;p&#62;</description>
	<category>Reviews</category>

	<pubDate>Sun, 27 Apr 2008 00:00:01 +0100</pubDate>
</item>

<item>
	<title>China&#58; At The Court Of The Emperors&#60;br &#47;&#62;China China China&#33;&#33;&#33; Chinese Contemporary Art&#44; Palazzo Strozzi&#44; Florence</title>
	<guid>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/china-at-the-court-of-the-emperorsbr-china-china-china-chinese-contemporary-art-palazzo-strozzi-florence-815274.html</guid>
	<link>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/china-at-the-court-of-the-emperorsbr-china-china-china-chinese-contemporary-art-palazzo-strozzi-florence-815274.html?r=RSS</link>
	<description>&#60;p&#62;What is Florence for&#63; Anyone who stands in the Piazza della Signoria and stares at the self&#45;vaunting bronze equestrian statue of Cosimo de Medici will know the answer to that question&#46; Florence exists to proclaim the greatness of Florence&#44; to be the near&#45;perfect embodiment of its own tremendous civic pride&#46; This is one of the reasons why Florence is not much of a centre for art from elsewhere&#46; &#60;&#47;p&#62;</description>
	<category>Reviews</category>

	<enclosure url="http://www.independent.co.uk/multimedia/archive/00025/china_emperors700_25491h.jpg" length="3658" type="image/jpeg" />
			<pubDate>Fri, 25 Apr 2008 00:00:01 +0100</pubDate>
</item>

<item>
	<title>You write the reviews&#58; Simon Armitage&#44; Art Gallery&#44; Huddersfield</title>
	<guid>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/you-write-the-reviews-simon-armitage-art-gallery-huddersfield-814619.html</guid>
	<link>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/you-write-the-reviews-simon-armitage-art-gallery-huddersfield-814619.html?r=RSS</link>
	<description>&#60;p&#62;The poet&#44; playwright and novelist Simon Armitage looked relaxed as he waited to be introduced to a full house in Huddersfield Art Gallery&#59; born in the town&#44; the 44&#45;year&#45;old was tonight a local boy made good&#46; Clearly&#44; the youthful&#45;looking Armitage of 2008 is an experienced performer&#46; Here&#44; he was in the best sense artful&#44; experimental and yet at ease in his own skin in front of an audience of mainly literary professionals&#44; who were confident of their own tastes and standards&#46; Light entertainment was provided by a series of anecdotes relating to the writing of a recent translation of the Middle English poem Sir Gawain and the Green Knight&#46; &#60;&#47;p&#62;</description>
	<category>Reviews</category>

	<pubDate>Thu, 24 Apr 2008 00:00:01 +0100</pubDate>
</item>

<item>
	<title>Artes Mundi&#44; National Museum&#44; Cardiff</title>
	<guid>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/artes-mundi-national-museum-cardiff-813281.html</guid>
	<link>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/artes-mundi-national-museum-cardiff-813281.html?r=RSS</link>
	<description>&#60;p&#62;The biennial Artes Mundi&#44; the Welsh international art exhibition and prize&#44; has become a hub of serious contemporary art&#46; This third competition is no exception&#46;&#60;&#47;p&#62;</description>
	<category>Reviews</category>

	<pubDate>Tue, 22 Apr 2008 00:00:01 +0100</pubDate>
</item>

<item>
	<title>Jerwood Contemporary Painters&#44; Jerwood Space&#44; London&#60;br &#47;&#62;Tess Jaray&#44; Lyon &#38; Turnbull&#44; London</title>
	<guid>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/jerwood-contemporary-painters-jerwood-space-londonbr-tess-jaray-lyon--turnbull-london-812016.html</guid>
	<link>http://www.independent.co.uk/arts-entertainment/art-and-architecture/reviews/jerwood-contemporary-painters-jerwood-space-londonbr-tess-jaray-lyon--turnbull-london-812016.html?r=RSS</link>
	<description>&#60;p&#62;As you stand before any of the works in the Jerwood Contemporary Painters show&#44; ask yourself this&#58; does it really matter that it&#39;s a painting&#63; Is it actually concerned with paint&#44; or is its medium just a conceptual flag of convenience&#63; These questions seem so very old&#45;fashioned that I&#39;m embarrassed suggesting you ask them&#46; But these are interesting times for painting&#44; and terms need to be defined&#46;&#60;&#47;p&#62;</description>
	<category>Reviews</category>

	<pubDate>Sun, 20 Apr 2008 00:00:01 +0100</pubDate>
</item>

</channel> </rss>


