Art critics? Give me a gifted amateur any day
`The average product of the professional writer on art is, at best, dull; at worst, gibberish'
Professor of Creative Writing at the University of Exeter, Philip Hensher was among Granta 20 Best of Young British Novelists in 2003. The author of six novels, a collection of short stories and an opera libretto, he has won numerous prizes including the Somerset Maugham Award and the Stonewall Journalist of the Year. His 2008 novel, 'The Northern Clemency', was shortlisted for the Man Booker Prize and the Commonwealth Prize. A regular presence in the British media, alongside his Wednesday column for The Independent, he writes for The Spectator and Mail on Sunday.
Friday 24 December 1999
Anyway, the latest issue has a perfectly eye-boggling letter from the doyen of modernist art scholarship, David Sylvester. He was writing to complain about an article on Bridget Riley. The author of the article, that excellent man John Spurling, had quoted Sylvester as sounding rather sceptical about Riley. Mr Sylvester has written in to complain; he concedes that in the article, quoted from 1967, he was indeed not that keen on Ms Riley, or possibly pretending not to be. However, he is furious that Spurling did not acknowledge that, in the New Statesman in 1962, Sylvester had praised Riley strongly, and indeed, has done so since the 1967 article.
At this point, the magazine fell from my lifeless fingers. I bet Mr Spurling is feeling jolly foolish that it didn't occur to him to look at 40-year- old back copies of New Statesman before quoting a critic, just in case the critic had contradicted himself at any point. What purpose would be served by quoting everything anybody had ever said about Bridget Riley? I do not know, but at least we could all sleep soundly in our beds knowing that, thank God, Mr Sylvester had not been misrepresented. Even Mr Sylvester, who occupies a godlike status in the art world, even Mr Sylvester, who has written so interestingly and encouragingly about art during a long career, even he cannot reasonably complain of unfair treatment.
After all, he is only a critic.
The real point of his letter, however, comes at the end, when he delivers what he obviously considers to be a crushing blow. "Your list of contributors," he writes, "states that John Spurling is a playwright and novelist. Shouldn't part-time writers on art be as careful as professionals about doing their homework?"
This seems a little unfair. Not many people live up to Mr Sylvester's Olympian standards of criticism and bibliography, and I don't think specialists are necessarily all that reliable. Indeed, it might be thought that a life spent pursuing a narrow furrow may leave some embarrassing gaps in a fellow's education. There was an amusing occasion a few months ago when the music critic of The Sunday Times, who probably knows everything there is to know about pre-war sopranos, was repeating the familiar critical cliche that Michael Tippett's librettos, which he wrote himself, are mostly meaningless nonsense. Alas, the example he chose was not Tippett's but a line from an incredibly famous poem by WB Yeats which Tippett had set to music. An error which, surely, only a "professional" would make.
Nor has Mr Sylvester considered one, surely crucial, factor. Criticism is not pure insight; it has to be put into prose first. Personally, I find John Spurling's writing on art a distinct cut above the usual run of writings by "professionals" for one reason; it is very well written.
There is no doubt that Mr Sylvester is fortunate; he is not only knowledgeable, he also writes quite well. But I can assure him that very few of his professional colleagues manage to put their thoughts into prose. The average product of the professional writer on art is, at best, dull; at worst, gibberish. It really seems hard to condemn all "part-time" writers on art or, indeed, on anything else.
Professionals must consider whether the laborious effort of writing a novel or a play is not, in itself, a good preparation for the task of writing in an interesting and fresh manner on painting; whether, indeed, someone who has written a novel or envisaged a stage picture may not already have acquired "an eye". To be blunt, which would you rather read; someone who writes imaginatively, or the routine formulations of some public administrator, half-thinking about budgets and next summer's big show, and not at all about sentences and their meaning?
Thank heaven for amateurs, really. And if Mr Sylvester has his way, and discounts the value of criticism which emanates from "part-time writers on art", I wonder if he has considered the consequences? Away with Denis Diderot, away with John Ruskin, Marcel Proust and Edmond and Jules de Goncourt! No more Wittgenstein on colour, no more Adorno on music. Let's throw away Goethe's Farbenlehre because, after all, how could it be of any interest, being written by a mere "playwright and novelist"?
Let's insist on seeing everybody's union card, everybody's professional qualifications before we decide whether they should be allowed to say anything on any subject whatever! And instead - what a marvellous idea - let us turn to their "professional" contemporaries instead, and read them.
Less Diderot and more... more... er... there seems to be a problem. Only one. Somehow, all those professional commentators seem to have been completely forgotten.
game of thrones reviewWarning: spoilers
North London meets The Exorcist in eerie suburban drama
Filming to begin on two new series due to be aired on Dave from next year
Arts & Ents blogs
- 1 Lucy Hawking: Stephen Hawking's daughter writes impassioned open letter to Katie Hopkins about rights of disabled people
- 2 How the language you speak changes your view of the world
- 3 Russell Brand backs Ed Miliband: 'You gotta vote Labour'
- 4 General Election 2015: 14-year-old boy asks Nick Clegg – 'can you kill Katie Hopkins?'
- 5 Uploading pictures to find out how old you are gives Microsoft the right to post them wherever they want
The C-Word - review: Sheridan Smith shines in a warm, honest adaptation of Lisa Lynch's book about living with cancer
Top Gear: Jodie Kidd, Philip Glenister and Guy Martin 'in advanced talks' to join show
X-Men Apocalypse: First look at Jubilee and Jean Grey played by Game of Thrones star Sophie Turner
American Horror Story: Hotel Angela Bassett set to make 'lots of trouble' with Lady Gaga in season 5
Game of Thrones season 5 episode 4 - review: Sansa is in danger of becoming another footnote in Westeros' bloody history
Over 50,000 families shipped out of London boroughs in the past three years due to welfare cuts and soaring rents
EU asylum policy is 'a direct threat to our civilisation', says Nigel Farage
The Rothschild Libel: Why has it taken 200 years for an anti-Semitic slur that emerged from the Battle of Waterloo to be dismissed?
General Election 2015: SNP and its activists 'openly racist' towards the English, Farage says
General Election 2015: UK will be 'run for the wealthy and powerful' if Tories retain power, Labour warns
Schools forced to act as 'miniature welfare states' with teachers buying underwear and even haircuts for poor pupils