Catch a shooting star

Half Haitian, half Puerto Rican, a fluent speaker of Caribbean Spanish, and a jazz expert with a library of more than 3,000 records, Jean- Michel Basquiat epitomised the multilingual power and multifarious stimuli of New York. With a potent bland of cheek, chutzpah and contrariness, Basquiat fused his painting and his persona to turn himself into one of the meteoric symbols of the boom-time Eighties, only then to be seized- upon with equal rapaciousness as one of its first casualties when he died from a heroin overdose at the age of 27, in August 1988.

In the first room of the Serpentine Gallery's retrospective - the first public showing of Basquiat's work in this country for more than 10 years - is a figure that stops you in your tracks. Looming out of the vivid dribbles and juicy patches of a billboard-sized colourfield painting, is a huge black figure - part skeleton, part flesh - who bares his teeth and stretches out his arms in a gesture that simultaneously stands as greeting, threat and surrender. Homeboy or shaman? Servant or Saviour? Stigmata-carrying Christ or signalling Cripps-gang member? The message is deliberately, powerfully ambiguous. Unless they are specifically identified as someone else, the black figures with mask- or skull-like features that populate so much of Basquiat's work nearly always stand as self-portraits; and this early image, painted by an audaciously competent 21-year-old artist, stands as a testament to the paradox and the inscrutability that were to charge his brief, incandescent nine-year-long career.

On canvas, paper or any surface he fancied - there's a painted fridge and a piece of old door in the show - Basquiat wrote, drew, sprayed, printed and painted his experiences, his influences and his aspirations. Often he overlaid styles and sources in a crowded welter of words, symbols and syncopated colour; but, just as effectively, he frequently left things spare: in Sugar Ray Robinson he pays homage to the supremely elegant middleweight champion by a few white lines spelling out a name, a face, and a crown. Such works transcend myth to speak on their own terms.

There was never any doubt that Jean-Michel Basquiat wanted to be famous. He may have dropped out of school in 1977 to make his mark spray-canning the walls of Manhattan; but this son of a successful Brooklyn accountant made sure that he positioned his trademark "SAMO" slogans strategically around the galleries of SoHo and the East Village where they could be intercepted by the influential art-world figures that Basquiat, with characteristic ambivalence, both despised and admired. His mixed feelings about the downtown art scene came through loud and clear in the provocative, fictitious persona of "SAMO" (standing for "Same Old Shit" as well as an abbreviated "Sambo") and such messages as "SAMO FOR THE ART PIMPS", "SAMO saves idiots", and finally, in 1979, "SAMO is dead". The legacy of SAMO lives on, however, in the pungent and poetic use of text in Basquiat's work, along with his famous declaration that he uses words like brushstrokes.

Meanwhile, Basquiat was also cutting a conspicuous swathe in avant-garde circles, sporting a bleached blonde mohawk and paint-splattered white smock, selling painted T-shirts and postcards and collages to the likes of Debbie Harry and Jim Jarmusch, and performing at the Mudd Club in a "noise music" band called Grey. Another hero was Andy Warhol, the Pale Prince of Pop, who bought one of Basquiat's customised postcards around this time, and who later, when Basquiat had been launched as a fully fledged art star, was to become a close friend and artistic collaborator. Their dual paintings, which received mixed reviews and accusations of mutual exploitation, show an intriguing mutual tension whereby the exuberantly excessive Basquiat eats into and paints over, but never quite succeeds in obliterating Warhol's disciplined, meticulously painted logos.

But it wasn't just streetlife, celebrity, and nights at CBGB's that ignited and fuelled Basquiat's art. From early childhood he went with his mother Matilde to New York's Museum of Modern Art and the Metropolitan Museum of Art; and by the age of six he was a "junior member'' of the Brooklyn Museum. However turbulent his subsequent circumstances, Basquiat remained a lifelong gallery visitor, who looked long and hard at the vocabulary of modern art for the means to carry his message. The collaged detritus "combines" of Robert Rauschenberg, the late, unruly paintings of Picasso (whose "Primitivism" was as far removed from its source as that of Basquiat) and the muscular Abstract calligraphy of Franz Kline all underpin his vision; while from Cy Twombly, Basquiat saw how to draw, scribble, write and collage simultaneously - although, unlike Twombly, Basquiat crossed out to accentuate, not to obliterate. This omnivorous assimilation of influence was to extend far beyond art to include the sampling of such eclectic sources as Gray's Anatomy, a lexicon of international graphic symbols, Alexandrian history and the writings and drawings of Leonardo da Vinci, all of which collide and crop up throughout his career.

And then there was music. Although in 1984 he produced a rap record with his friends Fred Braithwaite (aka Fab 5 Freddie) and the graffiti artist and DJ Ramemellzee, Basquiat's first and greatest love was the jazz that he first heard with his father. Discography (One) (1982) simply transcribes the notes from a Charlie Parker album sleeve; while the three-panel Charles the First (1983) is a loose and complex melding of scribbles, dribbles, signs and references that pay tribute to the king of bebop who never played the same thing twice and who died, destitute, in a white woman's hotel suite. There's no doubt that, in his visual riffs, riddles and spaces, and his splicing of airy improvisation with intellectual sophistication, Basquiat aimed at - and often achieved - a visual equivalent to one of Charlie "Bird" Parker's soaring, searing saxophone solos.

By the mid-Eighties, Basquiat had made it. He was the first and only black American artist to reach blue-chip status in his lifetime, but his attitude to success was characteristically ambivalent. He'd been picked up by the SoHo dealer Aninia Nosei in 1981, but Basquiat's use of Nosei's gallery basement as a studio was dubbed by friends as his "dungeon period'', and this was to be the first of several disastrous relationships with dealers and recriminatory accusations of exploitation. "I wanted to be an art star, not a gallery mascot," he said, while finding more and more that the two were mutually inclusive.

Myths still surround Basquiat, and he was frequently responsible for manipulating them himself. In his complicated, contrary attitude to his celebrity, as in his obsessive but also carelessly casual attitude to his work, Basquiat presented a moving target. But amid the decadent posing for magazine covers in bare feet and paint-splattered Armani suits, the caviar omelettes and vintage wines - as well as the punishing substance abuse - he laid bare the messy schizoid dilemmas faced by a black artist trying to make some sense of his role as a cultural polyglot. The fact that he did so with such lightness, grace and force makes him one of this century's most important figures. Like one of his most revered heroes, Basquiat was an artist who could dance like a butterfly and sting like a bee.

n `Jean-Michel Basquiat' is at the Serpentine Gallery, London W2 (0171- 402 6075) to 21 April

Arts and Entertainment
'Silent Night' last topped Classic FM's favourite Christmas carol poll in 2002
classical
Arts and Entertainment
Caroline Flack became the tenth winner of Strictly Come Dancing
tvReview: 'Absolutely phenomenal' Xtra Factor presenter wins Strictly Come Dancing final
Arts and Entertainment
J Jefferson Farjeon at home in 1953
booksBooksellers say readers are turning away from modern thrillers and back to golden age of crime writing
Arts and Entertainment
Female fans want more explicit male sex in Game of Thrones, George R R Martin says

film George RR Martin owns a cinema in Santa Fe

Arts and Entertainment
Clued up: John Lynch and Gillian Anderson in ‘The Fall’

TV review

PROMOTED VIDEO
Arts and Entertainment
Rhys says: 'I'm not playing it for laughs, but I have learnt that if you fall over on stage, people can enjoy that as much as an amazing guitar solo'
musicGruff Rhys on his rock odyssey, and the trouble with independence
Arts and Entertainment
Krysia and Daniel (Hand out press photograph provided by Sally Richardson)
How do today's composers answer the challenge of the classical giant?
Have you tried new the Independent Digital Edition apps?
Arts and Entertainment

ebooksNow available in paperback
Arts and Entertainment

ebooks
News
Shenaz Treasurywala
film
News
tv
Arts and Entertainment
Jason Watkins as Christopher Jefferies
tv
Arts and Entertainment
Star Wars Director JJ Abrams: key character's names have been revealed
film
Arts and Entertainment
Pharrell Williams won two BBC Music Awards for Best Song and International Artist
music
Arts and Entertainment
Mark, Katie and Sanjay in The Apprentice boardroom
TV
Arts and Entertainment

Film The critics but sneer but these unfashionable festive films are our favourites

Arts and Entertainment
Frances O'Connor and James Nesbitt in 'The Missing'

TV We're so close to knowing what happened to Oliver Hughes, but a last-minute bluff crushes expectations

Arts and Entertainment
Joey Essex will be hitting the slopes for series two of The Jump

TV

Who is taking the plunge?
Arts and Entertainment
Katy Perry as an Ancient Egyptian princess in her latest music video for 'Dark Horse'

music
Arts and Entertainment
Dame Judi Dench, as M in Skyfall

film
Arts and Entertainment
Morrissey, 1988

TV
Latest stories from i100
Have you tried new the Independent Digital Edition apps?

ES Rentals

    Independent Dating
    and  

    By clicking 'Search' you
    are agreeing to our
    Terms of Use.

    Surrounded by high-rise flats is a little house filled with Lebanon’s history - clocks, rifles, frogmen’s uniforms and colonial helmets

    Clocks, rifles, swords, frogmen’s uniforms

    Surrounded by high-rise flats is a little house filled with Lebanon’s history
    Return to Gaza: Four months on, the wounds left by Israel's bombardment have not yet healed

    Four months after the bombardment, Gaza’s wounds are yet to heal

    Kim Sengupta is reunited with a man whose plight mirrors the suffering of the Palestinian people
    Gastric surgery: Is it really the answer to the UK's obesity epidemic?

    Is gastric surgery really the answer to the UK's obesity epidemic?

    Critics argue that it’s crazy to operate on healthy people just to stop them eating
    Homeless Veterans appeal: Christmas charity auction Part 2 - now LIVE

    Homeless Veterans appeal: Christmas charity auction

    Bid on original art, or trips of a lifetime to Africa or the 'Corrie' set, and help Homeless Veterans
    Pantomime rings the changes to welcome autistic theatre-goers

    Autism-friendly theatre

    Pantomime leads the pack in quest to welcome all
    The week Hollywood got scared and had to grow up a bit

    The week Hollywood got scared and had to grow up a bit

    Sony suffered a chorus of disapproval after it withdrew 'The Interview', but it's not too late for it to take a stand, says Joan Smith
    From Widow Twankey to Mother Goose, how do the men who play panto dames get themselves ready for the performance of a lifetime?

    Panto dames: before and after

    From Widow Twankey to Mother Goose, how do the men who play panto dames get themselves ready for the performance of a lifetime?
    Thirties murder mystery novel is surprise runaway Christmas hit

    Thirties murder mystery novel is surprise runaway Christmas hit

    Booksellers say readers are turning away from dark modern thrillers and back to the golden age of crime writing
    Anne-Marie Huby: 'Charities deserve the best,' says founder of JustGiving

    Anne-Marie Huby: 'Charities deserve the best'

    Ten million of us have used the JustGiving website to donate to good causes. Its co-founder says that being dynamic is as important as being kind
    The botanist who hunts for giant trees at Kew Gardens

    The man who hunts giants

    A Kew Gardens botanist has found 25 new large tree species - and he's sure there are more out there
    The 12 ways of Christmas: Spare a thought for those who will be working to keep others safe during the festive season

    The 12 ways of Christmas

    We speak to a dozen people who will be working to keep others safe, happy and healthy over the holidays
    Birdwatching men have a lot in common with their feathered friends, new study shows

    The male exhibits strange behaviour

    A new study shows that birdwatching men have a lot in common with their feathered friends...
    Diaries of Evelyn Waugh, Virginia Woolf and Noël Coward reveal how they coped with the December blues

    Famous diaries: Christmas week in history

    Noël Coward parties into the night, Alan Clark bemoans the cost of servants, Evelyn Waugh ponders his drinking…
    From noble to narky, the fall of the open letter

    From noble to narky, the fall of the open letter

    The great tradition of St Paul and Zola reached its nadir with a hungry worker's rant to Russell Brand, says DJ Taylor
    A Christmas ghost story by Alison Moore: A prodigal daughter has a breakthrough

    A Christmas ghost story by Alison Moore

    The story was published earlier this month in 'Poor Souls' Light: Seven Curious Tales'