What on earth is that goldy-looking thing in the middle of Maidstone, that supersized Benson & Hedges fag packet pretending to be a building? Ah, it must be one of those World-Class Places that the government is promoting – as in "iconic" architecture. Not so. The new extension of Maidstone Museum and Bentlif Art Gallery, designed by Hugh Broughton, is a counter-blow to the government's witless, developer-friendly assumption that places, and lives, can be transformed by blinged-up buildings marketed as world class.
Broughton's new architecture may look glitzy, but it's actually simple, effective, and absolutely local in the way it has made the museum a much more effective cultural, and urban, focal point. And it's gained 30 per cent more exhibition space, with a doubling of storage capacity.
The museum's mélange of 16th, 19th-and 20th-century buildings, containing wide-ranging collections, has been recast along two of its edges, and the copper-skinned extension holds aloft a delightful glass room.
Broughton has remodelled the museum's original southeast corner, built in 1878, smartened up two original galleries, turned a skinny goods delivery space into an exhibition area, and created a fine new space for the museum's internationally important Japanese collection.
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