Of all the foreign artists who came to Britain, Peter Lely made the greatest name for himself and the biggest fortune.
As official painter to Charles II, he became synonymous with a style of full-busted, fresh-faced women, standardised pictures that could be produced with repetitive ease.
But an intriguing exhibition at the Courtauld shows us a different painter, with wider artistic ambitions, who set off from the Netherlands to London as the Civil War broke out in 1643.
This was a young man with a desire to show off a full range of subject matter, including religious subjects, pictures from mythology and portraiture.
His portraits from this time make up some of the finest pictures he did. He continued during the period of war and the Commonwealth with his "subject paintings" of biblical subjects and of Arcadian landscapes, works of romantic sentiment and no little eroticism. What unites them is a youthful sense of pleasure in the flesh and joy in life.
(020 7848 2526; courtauld.ac.uk) to 13 JanReuse content