Photography exhibition reveals haunting post-Communist scenes from Romania and Hungary
Tamas Dezso: Notes for an Epilogue runs from 17 April at the Photographers' Gallery in London
The stories I got to know as a press photographer required me to examine them more deeply, whether in Hungary or Romania, and to contemplate and think over, even for years, what I have seen.
In the case of the Romanian photographs, I observed the events as an onlooker (I'm from Budapest). I didn't intend to form an opinion. I was not protesting against something. I presented what I had seen.
Tamas Dezso: Notes for an Epilogue
Show all 6The situation is different with the Hungarian images. There I see from inside the processes which lead to bad directions: the impoverishment concerning half the country, the activity of a populist government that is drawing away from European values, and the neo-Nazi movements, which are appearing with renewed force.
It's a surprisingly natural thing for members of cut-off communities to open up when a curious stranger drops in. They are proud of their traditions and the environment they have created and maintained with hard work.
Tamas Dezso: Notes for an Epilogue runs from 17 April at the Photographers' Gallery, London W1
Subscribe to Independent Premium to bookmark this article
Want to bookmark your favourite articles and stories to read or reference later? Start your Independent Premium subscription today.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies