Sonia Delaunay early in her career

The EY Exhibition: Sonia Delaunay, Tate Modern, review: Blockbuster puts a pioneer back in the picture

The gallery is finally recognising women's role in contemporary art

Tracey Emin visits her 1990s work ‘My Bed’ at Tate Britain in London, where it is back on display from today

Tracey Emin's My Bed at Tate Britain, review: In the flesh, its frankness is still arresting

Much ink has been spilled on it, but as one of the defining images of the 1990s it still remains remarkably fresh

Baltic - Jason Rhoades: Four Roads

Jason Rhoades: The anarchic work of a man who's still inspiring long after death

Watching children being ushered around the Tyneside exhibition, I hope some of his irreverent approach to art inspires some of them to 'make art not war'

Ephrem Solomon - Untitled

Pangaea II: New Art from Africa and Latin America at the Saatchi Gallery, review: Two continents that deserve better

Africa and Latin America have rich visual traditions, but the mostly bland and repetitive works in the Saatchi Gallery’s show of new art are underwhelming

Artist Daphne Guinness

Food for thought: Daphne Guinness

She shares her week in culture...

'Great Britain' by Marlene Dumas (1995-1997)

Marlene Dumas at the Tate Modern: Sex, social inequality and human spirit explored superbly

It's a fitting tribute to the world's most expensive female artist

Gauguin was a master of harmonious colour relationships

Record-breaking Gaugin: What makes it worth $300m?

Our expert delivers his appreciation of painting that portrays seductive Tahitian models

‘The Hermit and the Sleeping Angelica’ (1626-8) by Rubens

Rubens and His Legacy, from Van Dyck to Cézanne: Stunning works make the flesh crawl

17th Century painter is famous for his luminescent, voluptuous female nudes

The Old Pretender landing at Peterhead

Game of Crowns: The 1715 Jacobite Rising, National Library of Scotland - review

The title of the exhibition leads to comparisons between Jacobite Scotland and Game of Thrones - but luckily it is not contrived

An 1857 print by Utagawa Kunisada II displayed at the 'Cotton to Gold' exhibition

Cotton to Gold: The riveting new show that mines the art riches of industrialists

The gentlemen entrepreneurs of the 1800s ploughed their wealth into art

PJ Harvey will be working on her follow-up to 2011's Let England Shake

PJ Harvey’s recording at Somerset House: The viewers are bathed in an eerie half-light

The Mercury prize winner (and now performance artist) produce her new album in front of an audience

Laura Eldret with works from her exhibition, 'The Juicers'

Fig.2 at the ICA Studio: 'The Juicers' is an underwhelming start to an exciting project

50 artists will hold exhibitions in 50 weeks at the London gallery

A sculpture entitled 'Tree' by US artist Paul McCarthy is on display at the Place Vendome in Paris, France, 16 October 2014. The 24.4 meter high piece is shown publicly as part of Paul McCarthy's exhibition 'Chocolate Factory' held at the Monnaie de Paris institution, from 25 October 2014 to 04 January 2015

Paul McCarthy: Chocolate Factory, Monnaie de Paris, review: An artist takes sweet revenge

The Parisians didn’t like his explicit Tree, so how will they react to Paul McCarthy’s new show, featuring sex toys, €50 chocolate Santas and a riposte to his critics?

Artist Grayson Perry stands in front of a piece of his entitled 'Comfort Blanket'

Grayson Perry: Who Are You, National Portrait Gallery, review: Sublimely beautiful

The subject matter here is so definitely mired in Britishness

Kenneth Anger
Lilith (Marianne Faithfull), Lucifer Rising, 1970-81
C-Print
Courtesy the artist and Sprüth Magers Berlin London

Look back at Anger: Film maker Kenneth Anger's work on display

The images are currently on display, and on sale, at the House of St Barnabas, a charity in Soho that supports London’s homeless people

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