ARTS : Lottery on the line
The lottery was born of the 1980s culture of celebration. So what is there to celebrate now, asks Anthony Everitt
Friday 12 May 1995
In the early 1980s, a culture of celebration was born. Sport, the heritage and the arts became a tool of economic development and urban renewal. Hosting great events such as the Olympics and the World Cup were sure- fire ways of spending a fortune on capital development without taxpayers cutting up rough. The Greater London Council was abolished, but not before politicians of every persuasion noticed how cleverly it had used the arts to gather political support. In 1984 the French committed the equivalent of £800m to doing up the Louvre museum, to general applause in due course, and further millions were spent on the Bastille opera house and other Parisian arts facilities.
In this country, local councils led the way - commissioning art, building new concert halls and generally using the arts for a new marketing wheeze called "city imaging". Glasgow's year as European City of Culture inspired the Arts Council to develop its own copycat scheme. History books were scoured for anniversaries to mark. Then someone noticed the impending millennium - the mother of all anniversaries.
At which point, enter David Mellor and the Ministry of Fun. Having decided to surf the celebration wave, he saw that two things were necessary for success - strong political leadership and pots of money. He could provide the former (in spades), but the Treasury was highly unlikely to cough up the latter. The National Lottery was the ideal solution, for it meant that his new Department of National Heritage would have its own independent money supply. It was an astonishing coup, which the Treasury has neither forgiven nor forgotten.
And then everything started to go wrong. Mellor fell from grace and, to get the lottery legislation through, parliamentary managers had to make a significant compromise. The distributing bodies were not to solicit applications or decide on their own priorities. This was to guarantee fair treatment for all, but it meant that leading from the front was out.
Meanwhile the celebration boom has gone sour. Sheffield lost a fortune on the World Student Games and Birmingham was accused of diverting resources from education to its refurbished city centre. Splendid new arts facilities are felt to do more for the affluent than the poor. So far as can be judged, few are excited by the prospect of a millennium festival. There is a suspicion that lottery funds will favour expensive projects promoted by the great and the good.
The Government has gone too far to be able pull back, but problems are crowding in on every side. The arts do not like the restriction on capital spending, the charities world is worried by the charities board's recently announced priorities, and heritage grants will inevitably benefit the rich from time to time, seeing that they own a good deal of the heritage in the first place. The one hope is that the distributorswill be patient and brave.
The real danger lies with the Millennium Commission, for if it fails to deliver the goods it could pull the whole house down with it. Its philosophy of celebration is already looking out of date and despite public consultation it has garnered few ideas to capture the imagination. Between now and2000 it could have as much as £1.6bn to spend. The stakes are alarmingly high; people in high places are already wondering aloud whether the three culture quangos really need quite so much cash, and vultures friendly to the Treasury are gathering in the hope of rich pickings.
Stephen Dorrell, the National Heritage Secretary and chairman of the Millennium Commission, has no option now but to double the odds. He and his commissioners must do a U-turn. Instead of being responsive and open to all comers, they must decide a clear, simple to explain and exciting policy. In a sense it hardly matters what it is, but the minister must place his personal reputation on the line and sell it for all he is worth.
The lesson of history is that the celebration culture only works when a charismatic leader promotes it. Ask Ken Livingstone or Franois Mitterrand - or David Mellor.
Film Leonardo DiCaprio hunts Tom Hardy
Arts & Ents blogs
- 1 Stuart Baggs dies: Apprentice star 'The Brand' found dead aged 27
- 2 Whoopi Goldberg tells Cara Delevingne to suck it up: 'She's not famous. I'M famous'
- 3 1000 people played Foo Fighters simultaneously to try and get them to play their city
- 4 Every club should be like Labour – you can’t join as a new member unless you’re already a member
- 5 Doctor Who: Christopher Eccleston says why he left the BBC series after just one series
Why Harry Potter's aged 35, not 26
Frank Ocean, where's that new album at?
Top Gear trio Jeremy Clarkson, Richard Hammond and James May heading to Amazon Prime for new car show
Benedict Cumberbatch has 1,480 lines in Hamlet - so what's the secret to actors' memory skills?
Drake responds to Meek Mill's 'diss' track 'Wanna Know' by laughing at the rapper on Instagram
Yvette Cooper: Our choice is years of Tory rule under Jeremy Corbyn – or a return to a Labour government
Labour leadership contender Jeremy Corbyn says 'we can learn a great deal from Karl Marx'
Is Britain really full up? Are migrants taking our jobs? Leading academic answers the most common anti-immigration claims
Public anger after French sunbather beaten up by gang for wearing a bikini in Reims park
Labour leadership: New poll shows party is now even 'less electable' than under Ed Miliband
While we fixate on Calais, the Home Office is quietly deporting dozens of migrants on 'ghost flights'