Arts: Classical: Roll over Schoenberg, Beethoven was better
LONDON PHILHARMONIC ORCHESTRA ROYAL FESTIVAL HALL LONDON
Writer and broadcaster Edward Seckerson is Chief Classical Music and Opera Critic for The Independent. He wrote and presented the long-running BBC Radio 3 series Stage & Screen, in which he interviewed many of the most prominent writers and stars of musical theatre. He appears regularly on BBC Radio 3 and 4. On television, he has commentated a number of times at the Cardiff Singer of the World competition. He has published books on Mahler and the conductor Michael Tilson Thomas, and has been on Gramophone Magazine's review panel for many years. Edward presented the 2007 series of the Radio 4 music quiz Counterpoint. He has interviewed everyone from Leonard Bernstein to Liza Minelli; from Paul McCartney to Pavarotti: from Julie Andrews to Jessye Norman.
Monday 26 October 1998
For that, in two words, is precisely what this protracted one-act concert piece strives to be, and precisely what Christoph Eschenbach and the London Philharmonic strove so valiantly to make it last week. That they, too, failed where others have failed is no reflection on their endeavours. An extra rehearsal or two might well have tightened the ensemble; a more "giving" acoustic than the Royal Festival Hall might well have made more sense of the clotted counterpoint. But Schoenberg's Pelleas is what it is; and what it is is long and dense and obsessive. At any one time, you could be at any one place in the narrative. Of course, even Schoenberg cannot resist visualising Melisande's golden tresses cascading from the tower (four harps mark the spot); likewise our descent into the castle dungeons (cue dank and sinister trombone glissandi).
But, essentially, this is a musical vortex, a web of emotional intrigue. It's expectation without fulfilment, desire without consummation. It seems to shun resolution. There is no good reason for it to end at all.
But it does, and when it does, you wonder why. Perhaps that was the intention. Elusiveness is beautifully conveyed in the crepuscular opening pages: a confluence of bass sonorities so dark that even the cor anglais seems to shed light.
Desire is omnipresent in themes that crave but never find true release. It's all foreplay, this score; you can identify the development, but never feel it.
How strangely cathartic, then, to return after the interval and to discover Schoenberg's enormous orchestra pruned to a quarter of its size. Emanuel Ax played Beethoven's Emperor Concerto with bravura and modesty - big but not ostentatious. He did not stint on the grandiose gestures - his first movement development was steered majestically towards the traditional volley of octaves - nor did he eschew the fantasy inherent in the first movement's crystalline, music-box-like second subject (played with great atmosphere) or the modified rapture of the slow movement which, for once, wasn't made to sound like early Chopin.
Eschenbach (who has sat where Ax was now sitting on so many occasions) was a marvellously alert and purposeful collaborator, leading our ears onwards and upwards towards key modulations, key climaxes, highlighting but not labouring a leading note here, a rising bass line there. He and Ax made the finale's dancing variations anything but flat-footed.
Not yet "the apotheosis of the dance", as Wagner described the Seventh Symphony, but the best of the preliminary rounds.
Arts & Ents blogs
- 1 What happens to your body when you give up sugar?
- 2 Drugs Live cannabis trial: Hash is less harmful than any other drug, expert claims
- 3 Turkish Airlines flight TK 726 crash-lands on Nepal runway amid dense fog
- 4 Penis size: Study revealing 'what's normal' sends international media into meltdown
- 5 Have sex with your iPad thanks to the new sex toy no-one asked for
The Great Comic Relief Bake Off, review: Alexa Chung's secret skills impress but Chris Moyles makes Paul Hollywood gag
Drugs Live: Twitter responds to Jon Snow and Jennie Bond smoking cannabis
Fifty Shades of Grey movie shows first sex scene 'after 40 minutes'
Seth Rogan's pot fumes delay hacked Sony boss’s office move
India's Daughter: BBC Four documentary provokes outrage on Twitter
Durham Free School: 'Creationism taught at' free school facing closure
Nearly 100,000 of Britain's poorest children go hungry after parents' benefits are cut
Ukip would cut billions from Scottish budget to fund English tax cuts
End of the licence fee: BBC to back radical overhaul of how it is funded
Ukraine crisis: Top Chinese diplomat backs Putin and says West should 'abandon zero-sum mentality'
Boris Nemtsov shot dead: Outspoken Putin critic who had expressed fears for his life is killed near the Kremlin