Arts: Opera - And the sparks flew...
UN GIORNO DI REGNO ROYAL FESTIVAL HALL LONDON
Writer and broadcaster Edward Seckerson is Chief Classical Music and Opera Critic for The Independent. He wrote and presented the long-running BBC Radio 3 series Stage & Screen, in which he interviewed many of the most prominent writers and stars of musical theatre. He appears regularly on BBC Radio 3 and 4. On television, he has commentated a number of times at the Cardiff Singer of the World competition. He has published books on Mahler and the conductor Michael Tilson Thomas, and has been on Gramophone Magazine's review panel for many years. Edward presented the 2007 series of the Radio 4 music quiz Counterpoint. He has interviewed everyone from Leonard Bernstein to Liza Minelli; from Paul McCartney to Pavarotti: from Julie Andrews to Jessye Norman.
Wednesday 02 June 1999
Verdi, badly in need of encouragement, did not take kindly to them, either. He never forgave them. He'd probably have fared better in the provinces. Un giorno is a crowd-pleaser. The Rossini and Donizetti formula (yes, complete with fortepiano-backed recitatives), but coarser. Street- wise. The word "Buffo" winks at you through every diverting chortle of the Overture. Foreshortened Rossini crescendos abound, and the tunes come on strong in jaunty unisons, bright banda trumpets stiffening their resolve, obligatory piccolo catching the light, bass drum and cymbals lending encouragement. It's music with a grin from ear to ear. It's churlish to resist. Except in Milan.
In London, as part of the Royal Opera's Verdi Festival, we were invited (with the benefit of hindsight) to pit our judgement against that of the Milanese with a belated concert performance - and a jolly good one at that. They put a real Italian - Maurizio Benini - at the helm. He even looked the part - very giocoso, wiry, bespectacled, conductor's hair. And you knew he was Italian from the body language, the way he would kick- start Verdi's upbeat accompaniments, the two-bars of intro before soloist or chorus or even crowd join in; the bounce of the rhythms; the rudeness of the trumpet doublings; the pacing where presto really does mean presto. In short, there was plenty of fizz in the brew. And he kept shaking the bottle.
Better yet, he coaxed his singers, bustling them through the incidental nonsenses of the plot to their variously delightful set-pieces. The evening's comedy was almost entirely commandeered by the dynamic double-act of John Del Carlo (Baron Kelbar) and Donald Maxwell (Il Tesoriere, La Rocca). With overripe Italian vowels making characatures of their faces, this winning pair twice stopped the show with their buffo duetting. Vladimir Chernov's Belfiore, not in the best of voice, was diminished in their company, though underneath his imaginary disguise (yes, he's the "king for a day") he proved a good listener.
The young love interest was provided by a strapping puppy of a tenor, zCarlo Scibelli, whose vocal ardours were accompanied by quaintly endearing hand gestures, the like of which I've not seen this side of the silent screen. The ladies were smashing. Susanne Mentzer's Giulietta duly delivered on the enticements and over-egged melancholy and we had a real star in Iano Tamar's Marchesa, a not-so-merry-widow with almost as much personality as she had notes to sing. Her coloratura was worn like a fashion statement, her misery like a come-on. Delicious.
So, did we glimpse Verdi's future where the Milanese did not? Halfway through act one there's a sextet in which the young lovers' voices crest the ensemble like a fleeting premonition of the next time that Verdi would attempt to make us laugh: Falstaff fifty years later.
Game of Thrones
Arts & Ents blogs
- 1 Kermit the Frog has a new girlfriend named Denise
- 2 The excuses your boss is most likely to believe when you call in sick
- 3 Moscow voted the world's unfriendliest city
- 4 I'm pansexual – here are the five biggest misconceptions about my sexuality
- 5 More than 11,000 Icelanders offer to house Syrian refugees to help European crisis
The real reason Eddie Redmayne was cast as a trans woman in The Danish Girl
JK Rowling announces Harry Potter's son is starting at Hogwarts
Idris Elba is ‘too street’ to play 007, says James Bond author
Loose Women poll asking if rape is 'ever a woman's fault' sparks backlash
James Bond is a 'very lonely, sexist misogynist', says Daniel Craig
Climate change: 2015 will be the hottest year on record 'by a mile', experts say
Jeremy Corbyn calls Osama bin Laden's killing a 'tragedy' - but was it taken out of context?
Tony Blair attacks Jeremy Corbyn's 'Alice In Wonderland' politics
Theresa May says migrants should be banned from entering the UK unless they have jobs lined up
Iain Duncan Smith 'should resign over disability benefit death figures', says Jeremy Corbyn
If you're not already angry about the refugee crisis, here's a history lesson to remind you why you really should be