From Victoria Schwab to Justina Robson: The best female science fiction and fantasy writers you should read now

The best recent and forthcoming science fiction and fantasy novels from the current crop of talented women writers

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The Independent Culture

Victoria Schwab, an American living in Edinburgh, has had remarkable success in both the young adult and adult fields of fantasy writing, and her latest, A Darker Shade of Magic (Titan Books, £7.99), falls into the latter camp, which she writes as V E Schwab.

The first of a series, the book imagines a number of parallel universes centred on wildly differing Londons – Grey London, bereft of magic, is our world, and the home of Lila, a cutpurse and thief who dreams of life as a pirate.

Circumstances bring her into contact with Kell, a denizen of magic-drenched Red London, who can move between his world, Lila’s, and the dangerous White London at will ... but not Black London, which was closed off to interdimensional traffic years before.

A Darker Shade of Magic is smart, funny and sexy ... and Schwab keeps the excitement coming with roller-coaster plot twists that establish her as, perhaps, the natural successor to Diana Wynne Jones’s contemporary fantasy crown.


Like Schwab, Sarah Pinborough has an enviable, almost Gaiman-esque ability to switch between styles, genres and tones with her books, and her latest, The Death House (Gollancz, £16.99) is her best yet. Set in a vague, near-future England, it is almost exclusively situated in a home where children who exhibit a “Defective” gene are sent after removal from their families and the wider society. The ultimate fate of a Defective is an early, possibly agonising, death, which gives our narrator Toby perhaps even more reason to live, especially when he meets the newcomer, Clara.

Situated somewhere between Margaret Atwood’s The Handmaid’s Tale and William Golding’s Lord of the Flies, The Death House is a moving triumph with a gut-punch of a denouement from a writer who, one suspects, is still marching towards the top of her game.

Claire North’s first novel, The First Fifteen Lives of Harry August, was one of the most assured debuts of 2014 – though perhaps that’s something of a grey area, given that North is the pen name of Catherine Webb, who has published seven novels under her own name and six under the pseudonym Kate Griffin.

The second Claire North book, Touch (Orbit, £14.99), is little short of a masterpiece. Narrated by an entity that has been jumping in and out of different people’s bodies for hundreds of years, it manages to be both a thought-provoking literary treatise on what makes us human, and a genre-thriller that rattles on at a breakneck pace. Excellent.


Glorious Angels (Gollancz, £16.99) by Justina Robson is a novel that demands a lot from the reader – but its rewards are immensely satisfying. Set in a world that could be so far in the future that certain technologies have become indistinguishable from magic, or in a magical secondary world with advanced technology, Robson’s central idea is of a society where women traditionally hold the power.

It’s a slow-burner of a novel, beautifully written, and Robson drip-feeds the world-building and the various plot-strands at a stately pace that picks up to become a taut thriller swimming in high concepts.

Like Robson, Kameron Hurley in her Bel Dame Apocrypha trilogy, of which Rapture (Del Ray, £8.99) is the final instalment, posits a distant society ruled by women and encroaching war. Once again we follow the bounty hunter Nyx, now called back after several years of retirement for One Last Job.

The culture of Nyx’s far-flung planet appears to be Islamic in its roots, and constant conflicts seem to be coming, gradually and begrudgingly, to an end. But the involvement of tough, uncompromising Nyx – surely one of the most memorable and original science fiction characters of recent years – naturally heralds conspiracies, turnabouts and lots and lots of dead bodies in the bug-infested sands of this harsh yet compelling world.


Epic fantasy remains insanely popular, and Lucy Hounsom’s debut novel Starborn (Tor, £16.99), due in April, has all the elements to become a modern classic of the genre. It’s essentially a coming-of-age story that breaks out into a wide-screen fantasy extravaganza with huge stakes.

Our protagonist Kyndra inhabits a world of magic and secrets, and from her disastrous coming-of-age ceremony through her flight to a hidden citadel and the revelations of her true nature and destiny in the wider fate of her world, Hounsom presents a fast-paced epic with strong, believable characters and a deftly imagined, richly portrayed world that will stay in the memory long after reading.

The Iron Ghost (Headline, £14.99), is the follow-up to Jen Williams’s debut The Copper Promise, and as with the first book – and like Victoria Schwab’s A Darker Shade of Magic – Williams has thrown out the rulebook and injected a fun tone into epic fantasy without lightening or watering down the excitement and adventure.  Indeed, The Iron Ghost has its fairly brutal moments, like the best epic fantasy, but is shot through with a very contemporary sensibility. Highly recommended.