Classical music: The ego has landed
OTELLO BARBICAN HALL LONDON
Writer and broadcaster Edward Seckerson is Chief Classical Music and Opera Critic for The Independent. He wrote and presented the long-running BBC Radio 3 series Stage & Screen, in which he interviewed many of the most prominent writers and stars of musical theatre. He appears regularly on BBC Radio 3 and 4. On television, he has commentated a number of times at the Cardiff Singer of the World competition. He has published books on Mahler and the conductor Michael Tilson Thomas, and has been on Gramophone Magazine's review panel for many years. Edward presented the 2007 series of the Radio 4 music quiz Counterpoint. He has interviewed everyone from Leonard Bernstein to Liza Minelli; from Paul McCartney to Pavarotti: from Julie Andrews to Jessye Norman.
Friday 21 May 1999
Alright, so the London Symphony Chorus were a bit (well, actually a lot) home counties, so the vowels were too well-enunciated, but they rode the crest of an orchestral sound that Sir Colin Davis kept as tough and sinewy, if not always as lean and mean and rhythmic - as electric - as it might have been. The storm raged in the imagination.
But concert performance or not, Jose Cura was not about to leave his entrance to anyone's imagination. Striding purposefully from the wings, arms flung wide to greet his adoring public in the hour of his triumph, the question immediately arose - his triumph or Otello's?
No contest. The ego that he, Jose Cura, projects on stage or concert platform is becoming increasingly difficult to get beyond. It's getting in the way. More worryingly, it's becoming a subterfuge, a useful distraction from all that is lacking in voice and artistry.
With looks and presence and star-quality like his, it's an easy distraction to pull off. But if you close your eyes and listen, really listen, what do you hear beyond an admittedly striking timbre? Beyond the big notes, beyond the "operatic" posturing?
You don't hear long, grateful, sustained legatos. You don't hear emotion conveyed in the shape of phrase and line. You hear emoting, you hear phrase after half-sung phrase broken by sobs and glottal stops. You don't hear elegantly turned quiet singing. You hear a voice which only really speaks below mezzo-forte in a self-conscious falsetto. I read somewhere that Cura believes that the only way to sing Otello is in the bel canto manner. When?
So did Iago steal the show, as he is wont to do? Carlos Alvarez looked the part, even out of costume, and sang it decently enough. But the text passed him and us by in a mellifluous but all-purpose monochrome. Whatever happened to those contemptuous consonants, those enticing insinuations, the whispers in Otello's ear? His wife Emilia - a striking Enkelejda Shkosa - could show him a thing or two about making the moment, every moment, count.
And so, in her fashion, could Andrea Dankova's Desdemona. It's not a voice to warm to, being narrow and highly strung, lacking bloom at all parts of the register. It doesn't invite "the sweet and glad word of pardon"; it doesn't yield in the true Verdian sense. But it carries an intensity and conviction that draws you in. The stillness, plangency, and terrible isolation of her "Willow Song" was a rare moment of tangible drama in an evening more notable for the pageantry of its chorus and orchestra and the shameless posturing of its star turn.
Last performance on Sunday 23 May. Box office: 0171-638 8891
MusicThe band accidentally called Londoners the C-word
Film 'I've never been comfortable on-screen', she says
Arts & Ents blogs
- 1 Exodus Gods and Kings: Ridley Scott never considered casting 'Mohammad so-and-so from such-and-such' in lead role
- 2 This letter from a reader explains why women can’t play football
- 3 'You should come to my house and eat cheeses with me': 4-year-old sends adorable love letter to girl at school
- 4 Scientists predict green energy revolution after incredible new graphene discoveries
- 5 Obama: The only people with the right to object to immigration are Native Americans
I'm A Celebrity 2014: Jungle security stepped up after murder and 'suspicious death' close to camp
This house and dental clinic 'piled up like bricks on the brink of collapsing' is why Japan wins at architecture
Jennifer Lawrence scores first UK top 40 single with Hunger Games track 'The Hanging Tree'
Exodus Gods and Kings: Ridley Scott never considered casting 'Mohammad so-and-so from such-and-such' in lead role
James Cameron hypes up Avatar sequels: 'You will s**t yourself with your mouth wide open'
Ukip says babies born to immigrants in the UK should be classed as migrants – which would include Nigel Farage’s own children
Rochester by-election: Ukip gains second MP as Tory defector Mark Reckless holds seat
'Beast of Bolsover' Dennis Skinner takes Ukip MP Mark Reckless to task moments after he is sworn in
The young are the new poor: Sharp increase in number of under-25s living in poverty, while over-65s are better off than ever
Tamir Rice: 12-year-old boy playing with fake gun dies after being shot by Ohio police
Rochester aftermath: Sacking of Emily Thornberry will make work of Labour MPs '10 times harder'