Classical: The French connection

Yan Pascal Tortelier's career could have been over-shadowed by his famous cellist father. But, as a festival in Manchester shows, the conductor is a force in his own right.

The most surprising piece of advice that the great French cellist Paul Tortelier ever gave his son was to avoid French music. "Papa adored French music, of course he did," says Yan Pascal, "but he knew how uncommercial it was. `You must play Beethoven and Mozart,' he said. `You must be international. And, at the time, he was right. French music was not so fashionable abroad. Papa was a realist, you see."

But he was also a realist who dared to dream. Was it really such a coincidence that the piece of music the world came to associate most with Paul Tortelier was Don Quixote by Richard Strauss? The wily old knight, dreamer of dreamers, champion of champions. That was no mere performance he gave - that was a musical manifesto, to fight the good fight for music of all colours and creeds. And Yan Pascal has inherited something of his father's chivalrous nature. He, too, believes in the universality of music, a common language transcending style, period and nationality.

Perhaps that's what his father was really getting at whenever he used the word "international". It is surely significant that only now, aged 51, is Yan Pascal Tortelier gaining recognition in his own country. Because only now is he seen as a truly international figure. Even the French (perhaps especially the French) are impressed by success abroad. And if the local hero can return armed with Mozart and Mahler, Beethoven and Hindemith, Britten and Shostakovich, Elgar and Strauss, so much the better. You see, Papa was right after all.

So what was life with Papa like? Never dull, that's for sure. Yan Pascal speaks of a vibrant household, father and mother (both cellists) holding court to an incessant stream of visiting musicians, many of them family friends, such as the composers Paul Hindemith and Henri Dutilleux. Yan Pascal played the violin, his sister Maria the piano - with father or mother making up the piano trio. But before the music-making came the learning, the theory, the indoctrination. Basic training - the notes and how to attend them - began early, by rote. Papa Tortelier was a stickler for technique. He knew all too well how redundant inspiration was without it. He was going to make sure that his children were well-equipped. Period.

But once the theory was in place and the imagination unlocked, how easy - or difficult - was it to hold one's own in the presence (or the shadow?) of this larger-than-life personality? Yan Pascal speaks of his father's enthusiasm, his encouragement, his inspiration. He was a bit of an actor, a philosopher, a humanitarian. But was it hard being anything other than his son? There is a telling pause as he recalls their second professional engagement together, a performance of the Brahms Double Concerto at the Proms. The review headline read: "Outplayed by Papa". That hurt. Though the hurt, if he's honest, was to some extent offset by the excitement of getting a review at all.

Even so, the penny was about to drop. As a violinist, Yan Pascal was aware of frustrations, even limitations. Being any kind of string player, he inevitably drew comparison with his famous father. For years his father had sat at the left hand of such legendary conductors as Toscanini, Walter, Strauss, Koussevitzky and Beecham. He often spoke of trading places - he occasionally did - but he was far too important a cellist to lay down his bow for a baton. So, he merely passed it on, like an inheritance.

It has taken the younger Tortelier the best part of 30 years to learn his trade - because the learning is in the doing. How else do you hone communication skills? "An orchestra is a strange animal," says Tortelier. "It's potential waiting to happen. When an orchestra `comes along' with you, it's irresistible. When there is resistance - for whatever reason - it's bloody hard. An orchestra must sense that you have something particular to offer them. You have to offer input - or, better yet, inspiration."

And to offer it, you have first to feel it: what you don't feel, you cannot express. It's an old adage, but a true one. Tortelier goes further. He needs to have slowly assimilated a score before he can think of conducting it. He does so from the score, from the printed page, not recordings. He cannot give a downbeat if the music is not already ringing in his head. Members of the BBC Philharmonic - which has been his orchestra now for seven years - will attest to his integrity and passion. He doesn't just beat the music, he plays it. He plays on an orchestra just as he would - and did - an instrument. It's his mind that beats on.

And the phrase "my mind beats on", spoken by Gustav von Aschenbach at the start of Benjamin Britten's opera Death in Venice, has great significance for Tortelier at present. A concert performance of the opera - the first by Britten that he has conducted - will launch a mini Tortelier Festival in Manchester that starts tonight and runs throughout May. The festival is, in part, a celebration of everything that he and the BBC Philharmonic have achieved over the last seven years. Spurred on by a recording contract with the ever-enterprising Chandos label, they have explored repertoire that only the BBC and an independent record company could afford to endorse, let alone encourage. "I guess I've been a winner on both counts," he says, in a French accent that is almost too good to be true. But it is, and so is the charm, modesty and humility that his father has instilled into him. He asks my advice on American repertoire, which he has discovered I know something about. He begs indulgence over the Tortelier Festival. He hopes it is not perceived as an ego trip. He has, he points out, thought long and hard about the content.

One half of one concert is devoted to the music of Lili Boulanger, the younger sister of the legendary teacher Nadia Boulanger, who was Tortelier's professor. Lili was only 24 when she died. Her music, little heard today, seems to scent immortality. She won the Prix de Rome in 1913, at the age of 18. Ravel tried to win the prestigious award three times and failed, says Tortelier, as if to underline just how grand a passion this is for him. Another, of course, is the music of Ravel himself, and in the second concert Tortelier is pitting his own orchestration of the great Piano Trio against Ravel's masterly reincarnation of Mussorgsky's Pictures at an Exhibition - "a dangerous game", he wrily observes.

Picture, if you will, Papa Tortelier, son, and daughter "at home" with the Ravel Piano Trio. An informal read-through. A few bars into the opening movement, Papa turns to his children and says: "You know the quality of sound we are looking for here - try to imagine three flutes, that's the colour." Colour. A Frenchman's prerogative. The opening bars of the Ravel had virtually orchestrated themselves, Yan Pascal says. His father always planned to make an orchestration of this much-loved piece, but once again, it fell to his son to fulfil the ambition. Most of the options were very clear to him. The physical act of playing the piece simply confirmed them. The violin and cello lines pretty well looked after themselves, the enormously challenging piano part more than suggested a fiercely symphonic array of woodwind, brass, and percussion. Ravel always maintained that no trio would ever be powerful enough to convey the trumpety, "heraldic" sound of the finale's grand peroration. The Torteliers agreed with him. Sadly, Papa died just a few months before their dream was realised.

Now Yan Pascal's own sons are collating their grandfather's writings. The eldest - Sebastian, an actor - bears a remarkable resemblance to him. A one-man show? I guess Papa will always be around.

Yan Pascal Tortelier conducts the BBC Philharmonic at Bridgewater Hall, Manchester (0161-907 9000) tonight, tomorrow and on 21/22 May

Arts and Entertainment
Call The Midwife: Miranda Hart as Chummy

tv Review: Miranda Hart and co deliver the festive goods

Arts and Entertainment
The cast of Downton Abbey in the 2014 Christmas special

tvReview: Older generation get hot under the collar this Christmas

Arts and Entertainment
Dapper Laughs found success through the video app Vine

comedy Erm...he seems to be back

Arts and Entertainment
Wolf (Nathan McMullen), Ian (Dan Starky), The Doctor (Peter Capaldi), Clara (Jenna Coleman), Santa Claus (Nick Frost) in the Doctor Who Christmas Special (BBC/Photographer: David Venni)

tvReview: No ho-ho-hos with Nick Frost's badass Santa

Arts and Entertainment
Bruce Forsyth and Tess Daly flanking 'Strictly' winners Flavia Cacace and Louis Smith

tv Gymnast Louis Smith triumphed in the Christmas special

PROMOTED VIDEO
Arts and Entertainment
Rhys says: 'I'm not playing it for laughs, but I have learnt that if you fall over on stage, people can enjoy that as much as an amazing guitar solo'
musicGruff Rhys on his rock odyssey, and the trouble with independence
Arts and Entertainment
Krysia and Daniel (Hand out press photograph provided by Sally Richardson)
How do today's composers answer the challenge of the classical giant?
Have you tried new the Independent Digital Edition apps?
Arts and Entertainment

ebooksNow available in paperback
Arts and Entertainment

ebooks
News
Shenaz Treasurywala
film
News
tv
Arts and Entertainment
Jason Watkins as Christopher Jefferies
tv
Arts and Entertainment
Star Wars Director JJ Abrams: key character's names have been revealed
film
Arts and Entertainment
Pharrell Williams won two BBC Music Awards for Best Song and International Artist
music
Arts and Entertainment
Mark, Katie and Sanjay in The Apprentice boardroom
TV
Arts and Entertainment

Film The critics but sneer but these unfashionable festive films are our favourites

Arts and Entertainment
Frances O'Connor and James Nesbitt in 'The Missing'

TV We're so close to knowing what happened to Oliver Hughes, but a last-minute bluff crushes expectations

Arts and Entertainment
Joey Essex will be hitting the slopes for series two of The Jump

TV

Who is taking the plunge?
Arts and Entertainment
Katy Perry as an Ancient Egyptian princess in her latest music video for 'Dark Horse'

music
Arts and Entertainment
Dame Judi Dench, as M in Skyfall

film
Arts and Entertainment
Morrissey, 1988

TV
Latest stories from i100
Have you tried new the Independent Digital Edition apps?

ES Rentals

    Independent Dating
    and  

    By clicking 'Search' you
    are agreeing to our
    Terms of Use.

    A Christmas without hope: Fears grow in Gaza that the conflict with Israel will soon reignite

    Christmas without hope

    Gaza fears grow that conflict with Israel will soon reignite
    After 150 years, you can finally visit the grisliest museum in the country

    The 'Black Museum'

    After 150 years, you can finally visit Britain's grisliest museum
    No ho-ho-hos with Nick Frost's badass Santa

    No ho-ho-hos with Nick Frost's badass Santa

    Doctor Who Christmas Special TV review
    Chilly Christmas: Swimmers take festive dip for charity

    Chilly Christmas

    Swimmers dive into freezing British waters for charity
    Veterans' hostel 'overwhelmed by kindness' for festive dinner

    Homeless Veterans appeal

    In 2010, Sgt Gary Jamieson stepped on an IED in Afghanistan and lost his legs and an arm. He reveals what, and who, helped him to make a remarkable recovery
    Isis in Iraq: Yazidi girls killing themselves to escape rape and imprisonment by militants

    'Jilan killed herself in the bathroom. She cut her wrists and hanged herself'

    Yazidi girls killing themselves to escape rape and imprisonment
    Ed Balls interview: 'If I think about the deficit when I'm playing the piano, it all goes wrong'

    Ed Balls interview

    'If I think about the deficit when I'm playing the piano, it all goes wrong'
    He's behind you, dude!

    US stars in UK panto

    From David Hasselhoff to Jerry Hall
    Grace Dent's Christmas Quiz: What are you – a festive curmudgeon or top of the tree?

    Grace Dent's Christmas Quiz

    What are you – a festive curmudgeon or top of the tree?
    Nasa planning to build cloud cities in airships above Venus

    Nasa planning to build cloud cities in airships above Venus

    Planet’s surface is inhospitable to humans but 30 miles above it is almost perfect
    Surrounded by high-rise flats is a little house filled with Lebanon’s history - clocks, rifles, frogmen’s uniforms and colonial helmets

    Clocks, rifles, swords, frogmen’s uniforms

    Surrounded by high-rise flats is a little house filled with Lebanon’s history
    Return to Gaza: Four months on, the wounds left by Israel's bombardment have not yet healed

    Four months after the bombardment, Gaza’s wounds are yet to heal

    Kim Sengupta is reunited with a man whose plight mirrors the suffering of the Palestinian people
    Gastric surgery: Is it really the answer to the UK's obesity epidemic?

    Is gastric surgery really the answer to the UK's obesity epidemic?

    Critics argue that it’s crazy to operate on healthy people just to stop them eating
    Homeless Veterans appeal: Christmas charity auction Part 2 - now LIVE

    Homeless Veterans appeal: Christmas charity auction

    Bid on original art, or trips of a lifetime to Africa or the 'Corrie' set, and help Homeless Veterans
    Pantomime rings the changes to welcome autistic theatre-goers

    Autism-friendly theatre

    Pantomime leads the pack in quest to welcome all