Members of the public prepare to watch a performance of Verdi's opera 'Rigoletto' on a big screen in Trafalgar Square displaying a live relay from The Royal Opera House on September 17, 2014

Royal Opera House urged to axe BP sponsorship by classical music luminaries

Seventy five composers and academics have written an open letter saying oil company BP 'represents a stain on the Royal Opera House's international reputation'

The Swedish soprano Malin Byström and the French bass Nicolas Courjal in Rossini’s ‘Guillaume Tell’ at the Royal Opera House

Guillaume Tell gang-rape scene causes uproar at the Royal Opera House

As show is greeted with boos, director defends use of nudity and sexual violence

Guillaume Tell at the Royal Opera House

Guillaume Tell, Royal Opera House, review: Gang rape and stripping naked of female actor met with boos

I predict some judicious re-direction before the show is broadcast on Radio 3

Pulling the strings: André Rieu in concert

Andre Rieu: How the Waltz King's concerts have inspired a cult following

Rieu's concerts prove that classical performers can engage with their audience without sacrificing their musical integrity

Louisa Tee (Violetta) in OperaUpClose's La Traviata

La Traviata, Tricycle Theatre, Kilburn, review: OperaUpClose create a viable pocket-sized Verdi

The five-person opera is surprisingly adequate

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Gabriel Prokofiev on the BBC's Ten Pieces, Nonclassical, and a new Carnival of the Animals

The grandson of Sergei tells Jessica Duchen how he aims to break the status quo in classical music

Death in Venice

Death in Venice, Garsington Opera, review: Musical splendour of a duff production

This is really just a concert performance

Leonardo DiCaprio and Kate Winslet in Titanic

James Horner dies: Composer's most popular film scores, from Titanic to Star Trek

The late orchestrator and conductor worked on over 100 films

Sara Solovitch at an airport recital

Beating stage fright: Pianist Sara Solovich on tackling her phobia by arranging a solo concert

She could perform Bach at age 10, but stopped playing as a teenager due to paralysing stage fright. In her fifties, Sara Solovich decided to attempt a solo concert. Could she do it?

Entfuhrung at Glyndebourne

Die Entfuhrung aus dem Serail, Glyndebourne review: A brilliant production

David McVicar directs the sexual encounters with judicious sensitivity

Alina Ibragimova has blossomed superbly over the last few years

LSO/Ibragimova/Haitink, Barbican, review: Alina Ibragimova excels with Bernard Haitink

Ibragimova has Anne Sophie Mutter's precision, but far more warmth

Elizabeth Atherton & Mark Padmore in The Cure at Aldeburgh Festival

The Corridor / The Cure, Aldeburgh, review: Birtwistle's opera makes chilly debut

The dramatic pulse of these works is weak, their cold cleverness failing to touch the heart

ENO The Queen of Spades: Giselle Allen
Intermezzo 2015: Mark Stone (Robert) and Mary Dunleavy (Christine)

Intermezzo, Garsington Opera, Wormsley, Bucks: Serenely accomplished

There’s no weak link in this delightful production

Eva Wagner-Pasquier (left) and Katharina Wagner. The sisters have fallen out while planning this year’s Bayreuth festival

Bayreuth Music Festival 2015: Musical differences see Wagner's great-granddaughter removed from board and banned from the event

The composer founded the festival in 1876, but a family feud has seen Eva Wagner-Pasquier barred from attending by her own sister

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