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Glyndebourne survived the Second World War by opening its doors to evacuees from east London

The opera venue's act will be honoured at this year's festival reports Jessica Duchen.

Slow burner: Anja Harteros and Jonas Kaufmann warm to each other

Classical review: Don Carlo - Spite is even spikier second time around

Verdi's most powerful drama packs a punch in a revival of Nicholas Hytner's production with an all-star cast

L’Allegro, il Penseroso ed il Moderato, Gabrieli Consort/McCreesh, St John’s Smith Square, London

The annual Lufthansa Festival launches at St Johns Smith Square with some brilliant Handel

Classical review: James Ehnes, Bournemouth Symphony Orchestra, Kirill Karabits; Britten & Shostakovich (Onyx)

The haunting Spanish lilt of its first movement betrays the composer's anti-war sympathies in Britten's Violin Concerto Op 15, written in the late 1930s; the looming shadow of a larger war is then discernible in the tuba lurking behind the gay violin and piccolo of the second movement. But it's the way that James Ehnes closes the opening movement that most impresses, essaying a gossamer thread of such subtlety it becomes almost transparent.

Classical review: Ann Hallenberg, Il Complesso Barocco, Alan Curtis; Hidden Handel (Naïve)

On Hidden Handel, Ann Hallenberg investigates rarely performed arias by Handel as substitutions or additions to existing works.

Classical review: Carolin Widmann, Frankfurt Radio Symphony Orchestra, Emilio Pomàrico, Morton Feldman: Violin and Orchestra (ECM New Series)

In Morton Feldman's lengthy 1979 piece "Violin and Orchestra", neither violin nor orchestra behaves as they do in the standard concerto format.

Classical review: Verdi’s Ballo, King’s Head Theatre, London

The news that OperaUpClose were planning to stage Verdi’s A Masked Ball in an IKEA store did not sound promising, as we’d been there before. In 2009 Flatpack Opera made Wembley IKEA the venue and subject of a work whose audience was joined by bemused shoppers, not all of whom were keen to be plunged into an art event which began in the bedsit department and ended in kitchens. At least OperaUpClose were doing it in a kosher theatre.

Classical review: Jennifer Pike, Sharp, Arensky, Kunhardt, Queen Elizabeth Hall, London

Ever since she made history by winning the BBC Musician of the Year contest at the age of twelve, Jennifer Pike has been setting a furious pace as a performer, while maintaining a healthy academic balance.

Power play: Mitsuko Uchida in concert

Mitsuko Uchida: The plight of the music prodigy pushed too far, too fast

Young musicians need time to develop, the world famous pianist tells Jessica Duchen

Australian saxophonist Amy Dickson has hit the top of the UK Classical charts

Chart-topper Amy Dickson reclaims the joy of sax for classical fans

It is the brassy musical upstart, whose siren tone indicates the arrival of a femme fatale. But the saxophone is finally coming of age after an Australian musician topped the classical chart with an album that returns the instrument to its orchestral roots.

The Queen's official composer Sir Peter Maxwell Davies is undergoing chemotherapy for leukaemia

Queen's composer Sir Peter Maxwell Davies has leukaemia

The Queen's official composer Sir Peter Maxwell Davies is undergoing chemotherapy for leukaemia.

Classical review: Don Carlo, Royal Opera House, London

The reason for the buzz surrounding this revival became clear as Jonas Kaufmann launched into his rapturous opening aria. His phrasing was exquisite, and his projection - underscored by distant horn-calls - was perfect, with its gentle falls into half-voice; his whole being radiated ardent nobility.

Magic wand: Sir Colin Davis

Daniel Harding to conduct BBC Prom tribute to Sir Colin Davis

Daniel Harding will conduct a BBC Prom due to have been given by Sir Colin Davis who died last month aged 85.

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