The string sections plays during the first night of the Proms, 2014

Prom 7 and Prom 9, review: John Tavener's Gnosis has perfect vocal-instrumental balance

In Gnosis, John Tavener has left a posthumous mystical love-letter which, though small in scale, carves out a large space in the mind. Mezzo Sarah Connolly and alto flautist Michael cox were the soloists, with the BBC Symphony Orchestra under Jiri Belohlavek laying down a carpet of strings and percussion beneath them; the vocal-instrumental balance was perfect throughout.

A scene from the first Prom, 2014

Prom 1: The Kingdom, Prom 2: China Philharmonic - review

The beginning of the 2014 BBC Proms season was also the end of an era, as Roger Wright officially ended his time in charge. Rather than go out with fanfares however, Wright’s final night was all muted glow and quiet nostalgia.

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The chart-topping violinist tells Jessica Duchen that her real passion is for performing for people who never set foot in a concert hall
Dance of death: rehearsals for 'Medea'

Medea: How Goldfrapp scored the Greek tragedy

The National Theatre's production of the Greek tragedy 'Medea' addresses itself to the modern condition, helped by music from the art-pop duo. Holly Williams goes backstage

Mozart's Cosi Fan Tutte at the English National Opera

ENO's Cosi Fan Tutte opera is the new circus

Showman Gerry Cottle was dragged to see the latest production of ‘Cosi Fan Tutte’ and had an epiphany

Maria Stuarda at the Royal Opera House

Maria Stuarda, Royal Opera House, review: Joyce DiDonato is transcendent

One always expects high style from the directing duo Leiser and Caurier, and the opening moments of their new Maria Stuarda are both arresting and puzzling.

Proms 2014: Why the Proms are losing their director Roger Wright

This year’s concerts will feature the starriest names in classical music. But in the background is the sudden departure of director Roger Wright. We reveal the real reasons for his exit

English National Opera the biggest loser in Arts Council funding shake-up

The English National Opera was the highest profile loser as its grant was slashed a third in the Arts Council’s three year funding shake up, while concerns were raised over the number of regional organisations to lose funding.

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La Finta Giardiniera, Glyndebourne, opera review: 'Emerges with irresistible charm'

The action is allowed to float free of time and place

Ariadne auf Naxos, Royal Opera House, review: 'An assured take on Strauss’s teasing amalgam of high-flown tragedy and ribald comedy'

Christoph Loy’s serenely assured take on Strauss’s teasing amalgam of high-flown tragedy and ribald comedy is proving one of the most enduringly enjoyable productions in the Covent Garden repertory; the razzmatazz of the Prologue, with its grand to-and-fro between upstairs and downstairs, gives way to an operatic staging whose elegance perfectly matches the restrained beauty of the score.

The Cunning Little Vixen, Garsington Opera, review: Over-busy, but with outstanding singers

The three leads are 'magnificent' but the dance diffuses the dramatic focus

Tamar Iveri: Opera Australia sacks star soprano over homophobic Facebook post describing gay people as ‘sewage’

Singer has blamed husband for post and said she ‘abhor[s] prejudice in any form’

Georgian soprano Tamar Iveri blamed her husband for a Facebook post comparing gay people to 'sewage'

Opera star Tamar Iveri blames husband for Facebook post describing gay people as ‘sewage’

Georgian soprano said her ‘very religious’ husband wrote the comments which appeared to support homophobic violence

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