Opera of the Week: La Bohème, Royal Opera House, London
Writer and broadcaster Edward Seckerson is Chief Classical Music and Opera Critic for The Independent. He wrote and presented the long-running BBC Radio 3 series Stage & Screen, in which he interviewed many of the most prominent writers and stars of musical theatre. He appears regularly on BBC Radio 3 and 4. On television, he has commentated a number of times at the Cardiff Singer of the World competition. He has published books on Mahler and the conductor Michael Tilson Thomas, and has been on Gramophone Magazine's review panel for many years. Edward presented the 2007 series of the Radio 4 music quiz Counterpoint. He has interviewed everyone from Leonard Bernstein to Liza Minelli; from Paul McCartney to Pavarotti: from Julie Andrews to Jessye Norman.
Saturday 05 May 2012
Not just another revival of a venerable old staging but its 25th showing in the 50th year of director John Copley's work at the Royal Opera House. Julia Trevelyan Oman's grandly designed Bohème is what used to pass for social realism at the opera.
It is, in every sense, a blast from the past: 1974, to be precise, and so well made that no one is thinking of retirement just yet. And with Semyon Bychkov in the pit radiating animation and nursing the particular tempo-rubato aspects of Puccini's score, it feels as spontaneous as it is heartening. And Italianate, too. Casting brings house debuts and old hands.
Of May's cast, Nuccia Focile's Musetta slips cosily into the broad style of the production; Fabio Capitanucci's Marcello is the genuine article, a mellifluous Italian baritone; and, as Rudolfo, Joseph Calleja is one of the big stars of the moment. You know it's special, you know you are in the presence of a little bit of operatic history.
(020 7304 4000; www.roh.org.uk) to 12 Mar 2013
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