The starting point for this intriguing programme from young US ensemble The Knights is Morton Feldman's suggestion that part of the magic of Schubert is "that kind of hovering, as if you're in a register you've never heard".
Accordingly, The Knights have sought to intersperse works by Schubert amongst subsequent pieces reflecting that hovering characteristic, from Debussy's arrangements of two of Satie's "Gymnopédies" to Philip Glass's four-part "Company". It's a daring conceit which works beautifully, particularly the section which elides between Satie's "Gymnopédie II", Schubert's 3rd and Feldman's "Madame Press Died Last Week At Ninety", a sequence which seems to erase time within a single fluid flourish.
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