From the Wreckage, Turnage’s 2005 trumpet concerto, was written for the Swedish virtuoso Hakan Hardenberger. Speranza, an LSO commission, is played without the fourth of five movements that Turnage dropped after February’s premiere. The remaining four, the title of each, like that of the work, meaning “hope” – in Arabic, Gaelic, German and Hebrew – are partly inspired by the bleak poetry of Jewish-Romanian poet and Holocaust survivor Paul Celan.
Turnage’s orchestration is what colours this landscape. In Dochas he uses the oboe-like duduk, while the sombre, one-movement concerto moves to the light via the flugelhorn, trumpet and piccolo trumpet, insistent percussion representing both the heartbeat and the nervous jump.