Chris Pine: The next action hero
With Bottle Shock, Chris Pine has arrived in Hollywood. But it's his take on Captain Kirk that will make him a star, says Kaleem Aftab
Wednesday 25 March 2009
This summer, Chris Pine is being asked to boldly go where no man has gone before, or perhaps should ever even dare to go: the 28-year-old has been given the astronomical task of filling William Shatner's space boots in Lost creator J J Abrams' reworking of Star Trek. Chris Pine plays Captain James T Kirk and as with most remakes, the world expects Pine to pale by comparison.
The role is the equivalent of a warp drive for the Los Angeles-born actor. His biggest parts to date have been playing Lindsay Lohan's love interest in the 2006 romantic comedy Just My Luck and starring as Bill Pullman's errant son in the current film Bottle Shock, based on the true story of a blind wine-tasting between Californian and French wines in 1976 in which the American vintages had the audacity to win.
When I speak to Pine, he is drinking coffee. He admits, "I don't really know too much about [wine], but I learnt some stuff making that movie that I quickly forgot. However, I do know the wine I like. When I was in New Mexico, I was introduced to Italian wines, the Barolos, the Brunellos and the Amarones, but I couldn't name a specific year. The Amarone is a sweet wine and I'm not much of a fan, but I had a couple I really enjoyed and it reminded me of port a lot."
When I jest that he recognises that European wine is actually better than American, Pine retorts: "If you want to fight we can."
Pine is not a man you'd pick a fight with. Standing just over 6ft tall, he has lines stacked like building blocks on his abdomen. He's every inch the action hero with more than a hint of his parents, veteran actors Robert Pine and Gwynne Gilford, about him.
Indeed, there are a couple of scenes in Bottle Shock where Pine's character Jim can be seen in a boxing ring playfully sparing with his winemaking father Bo. It was this relationship that attracted Pine to the story: "I think the story about the wine and the competition is interesting but what really attracted me was the father and son relationship. This film is about a son who wants his father to love him and tell him he has done a good job. Instead, you have this dynamic at the beginning of the film where the dad thinks his son is kind of worthless, there is this whole back story about the broken family and why Jim is so broken."
When Pine decided to follow in the footsteps of his parents, they were quick to point out that life in the business can be a long hard road. Pine recalls: "My mother gave me the talk about how it's not all wine and roses. I knew that, of course, because I grew up in an acting family and I saw my dad through good years and bad years. So I knew that it wasn't all going to be great."
A lack of funds meant the actor could not come to live in London when he won a place at The London Academy of Music and Dramatic Art. It was just after he had finished studying English at Berkeley in California and on the spur of the moment he applied.
When they accepted his application, Pine faced a major dilemma: "I didn't have enough money and I didn't know if I wanted to go into that much debt as paying for it was going to have to come out of my own pocket. So I figured I'd just let my ego take a pat on the back with the knowledge that I got in and just try to break into the industry another way".
It didn't take long for Pine to make an impression. After a couple of appearances on popular TV shows, ER and CSI: Miami, he landed the part of Anne Hathaway's regal love interest in The Princess Diaries 2. His granite jaw makes him prime material for girl's bedroom walls, but Pine saw these teen romance roles as a necessary part of his schooling rather than a sign that he'd made it. Watching the struggles his parents went though have made Pine humble and wary of his own success. At times, he is like a veteran who has had a roller-coaster career rather than one straight to the stars.
"I've been blessed. There is no correlation between hard work and success in acting. I had a conversation with J J Abrams and he said something that resonated with me, 'if it were to be taken away tomorrow, you want to know that every second you did what you loved and wanted to do.' That is the truth, it can so easily be taken away."
The actor found himself in another huge conundrum when he was originally offered the part of Capt Kirk. At the time, director Joe Carnahan, who directed Pine in Smokin' Aces, had also offered him a chance to play opposite George Clooney in an adaptation of James Elroy's novel, White Jazz. It was Carnahan rather than Abrams who helped convince the actor to choose Star Trek. "Joe is a friend first," says Pine. "We had many raps about the pros and cons of taking Star Trek and he always approached it as a friend and not a businessman. Then someone said to me: 'In five years looking back would you regret the decision of not taking Star Trek?' and I said, 'Probably', I never want to be wondering what if."
Pine was also concerned that he would be overwhelmed by the sheer size of working on a $150m (£102m) movie employing extensive work in front of a green screen to animate backgrounds. However, Abrams calmed the actor's nerves by telling him that although Star Trek would be primarily an action film, he'd approach it with the same attention to character that he displayed when making breakout hit Cloverfield.
Naturally, the biggest fear Pine had was stepping into an iconic role that has always been associated with William Shatner. But Pine has a novel way of dealing with updating Star Trek. He's not going to model his Kirk on Shatner and has instead looked to Harrison Ford's turns in Indiana Jones and Star Wars for inspiration. "What Harrison is so great at is bringing that quality to his character that if he could be anywhere else in the world at that time, he would be," chirps Pine. "He is just stuck in the middle and has to deal with it. I've always loved that quality about him in Star Wars, that absolutely grumpy manner, the accidental hero. I want to bring that kind of humour to Kirk."
The proof that Pine made the right choice in ditching White Jazz came with the news that when Clooney left the project, it was pulled. And now Pine gets his cake and eats it. He's now working with Carnahan again, in Killing Pablo, an adaptation of Mark Bowden's book on the assassination of Colombian drug lord Pablo Escobar. It appears that Pine has some lucky lotion that he bathes in every morning.
'Bottle Shock' is at cinemas now. 'Star Trek' is out in the UK on 8 May
GlastonburyWI to make debut appearance at Somerset festival
TV reviewIt has taken seven episodes for Game of Thrones season five to hit its stride
FilmPalme d'Or goes to radical and astonishing film that turns conventional thinking about immigrants on its head
Potter's attempt to create an Essex Taj Mahal was a lovely treattv
Arts & Ents blogs
- 1 I was raped by another man. And now the Government wants to take away the one thing that saved my life
- 2 Preston fan who appeared to snatch Jermaine Beckford's shirt from eight-year-old boy identified and says: 'the truth will come out'
- 3 Priest warns pupils the 'Charlie Charlie Challenge' is 'demonic activity'
- 4 Iran launches anti-Isis cartoon competition 'to expose true nature of Islamic State'
- 5 Puerto Rico, island of lost dreams: People are leaving the debt-hit territory in droves as near neighbour Cuba's star rises
Stolen Instagram photo sells for $90,000
Thrill of the chaste: The truth about Gandhi's sex life
Suicide Squad: leaked footage shows first look at Batmobile chasing Joker through city streets
ASAP Rocky releases star-studded new album 'At. Long. Last. ASAP' a week early
Never Mind the Buzzcocks axed from BBC2 after 18 years
As a white man, I'm surprised more women aren't tweeting the hashtag #KillAllWhiteMen
EU referendum: David Cameron's rules are a 'democratic disgrace', says French-born Scottish politician set to be denied a vote
The day that Britain resigned as a global power
SNP fury as HS2 finds 'no business case' for taking fast train service to Scotland
A nation of inequality: How the UK is failing to feed its most vulnerable people
Australian man punched in the face for defending Muslim women from abuse on train