Robin Wright enters the room, dressed in skinny black trousers, a white blouse and a single-breasted jacket. With her blonde hair swept to the side, hers is an effortless, understated glamour, showing no outward signs of the transitional phase her life has entered over the past year. Since her divorce to Sean Penn was finalised in July 2010, after several splits and reunions, Wright has remained deliberately low-key. While Penn stepped out with Scarlett Johansson, her highest profile romance was with Greg Shapiro, producer of The Hurt Locker, which ended after a year.
As she told one interviewer, "I think I've always been waiting for things to happen. Now I'm like, 'I'm okay – I know the direction, whoever's on board can go with me." It can't be easy. Her and Penn's union was one of Hollywood's more enduring relationships. Together since 1990, when they starred in State of Grace, they married in 1996 and produced two children, daughter Dylan Frances, now 20, and son Hopper Jack. Yet she clearly got her due. "I had just got taken for one half of everything I had in the divorce," Penn said recently, "so it's not like I don't have to work."
Still, if her work is anything to go by, Wright's enjoying a new lease of life. Already this year, she has been seen in Robert Redford's The Conspirator (also produced by Shapiro). Now, after a cameo appearance as Brad Pitt's ex-wife in the critically-lauded baseball film Moneyball, she's coming up in two of the most anticipated films of the season, David Fincher's The Girl With The Dragon Tattoo and Oren Moverman's Rampart. "This is like Christmas!" she smiles. "A lot of nice gifts."
Adapted from the first book in Steig Larsson's best-selling crime trilogy, Dragon Tattoo needs little introduction. Already a hit movie in its native Sweden, Fincher's Hollywood remake looks set to bring this tale of Goth lesbian hacker Lisbeth Salander and investigative journalist Mikael Blomkvist to an even wider audience. Wright, who was one of the first to be cast, plays Erika Berger, the no-nonsense owner of the magazine Millennium, where Blomkvist works. Played in the original by Lena Endre, Wright is ideal casting as the hard-shelled boss and sometime lover to her star reporter.
She's certainly done her homework, seeing the original film and reading the book. "That old Steig was drinking some espresso!" she exclaims. "Wow! He has so many layers." When we meet, she's just seen Fincher's version and is full of praise for her cast members – the "affable, adaptable" Daniel Craig, who plays Blomkvist, and newcomer Rooney Mara, who made a brief appearance in Fincher's Facebook movie The Social Network, before landing the plum role of Lisbeth Salander. "She's a great little actress. She's going to skyrocket."
She reserves most of her praise for Fincher (with whom she looks set to reunite on his next project, a TV reworking on the British political thriller House of Cards). "Fincher was very loyal to the book but I think his talent is where he chooses to show you, the audience, intensity without too much exposition. So it's almost like an aria when you watch it. The Swedish film was staccato – every single scene that was in the book, and every single character, you got little flashes to get all the information. And his aria is... he's a master at filmmaking for that reason. He knows where to pump up the volume and where to subside, and let you imagine. You wonder at a lot of the movie... you're not quite clear where it's going."
Rampart is no less intense than Dragon Tattoo. Set in Los Angeles in the late 1990s, its title refers to the Rampart scandal, where widespread corruption was uncovered in the LAPD's anti-gang unit – not least three officers found on the payroll of hip hop mogul Marion "Suge" Knight. "Being from Los Angeles, we heard about it," says Wright. "It was on the news. It was the OJ times, and Rampart – a beautiful time to live in Los Angeles! The riots! The 'city of corrupt' is what we used to call it."
Neither was she immune: in the mid 1990s, she was robbed of her car at gunpoint in Santa Monica, causing her and Penn to move out of Los Angeles, to San Anselmo, 20km north of San Francisco.
Scripted by James Ellroy, the film sees Woody Harrelson play Dave Brown, a disturbed, trigger-happy cop who is caught on video beating a luckless driver who accidentally rams his car. It's Harrelson's film, a fierce, unflinching Oscar-nominated turn if ever there was one. Wright plays defence lawyer, Linda Fentress, one of several women in Brown's chaotic orbit. Having known Harrelson for 17 years, playing his lover didn't come easy. "We're like brother and sister. So it was like incest!" she cries. "We talked... [I said] 'I can't do love scenes with you, Woody!' He's like [adopts a credible Harrelson-like twang], 'Well, you know, I guess it's like you're going to have to be my hot sister!'"
Since completing Rampart, she's been to Germany to film Waltz With Bashir director Ari Folman's new film The Congress – a mix of live action and animation – though she's something of an Anglophile, if truth be told. Her stepfather was from Cheshire – "Wilmslow to be exact" – which may explain why Wright frequently breaks into an English accent in her answers. "I had to perfect it because if not I would be basically whipped! He would correct us all the time." Turns out, he's even influenced her choice of football team. "I'm Man United," she beams. "My Dad was a Stretford End regular. Eric Cantona – he was amazing."
Wright had her own stint in Europe, during her modelling days, before she returned to the States to start acting – first in commercials and then in daytime soap Santa Barbara. Later came cult movies (The Princess Bride), enormous hits (Forrest Gump), and forgettable fare (How To Kill Your Neighbour's Dog). "I've been told I've done a lot of flop movies. And I think, 'Wow, I've never considered them flops!' I've loved every character I played. They bring up [Barry Levinson's 1992 comedy] Toys. I had such a blast playing that girl. Got to create her on my own. That's what it's about. Make it fun and fulfilling, for yourself if nobody else."
Ironically, The Congress sees Wright play an actress whose career has waned after the studios have endlessly re-used her image. In reality, partly because she never really let the studios do just that, she's survived into her forties (she's now 45) – difficult when the options of "what's available to you, given your age and lack of Botox" become less and less. It's not hard to sense that she feels on borrowed time. "You go 'OK! We've only got a couple more years' – which is a reality in Hollyweird."
Even so, Wright feels that things have changed since her days as an aspiring soap star on Santa Barbara. "I feel like we're almost programming audiences to this," she says, stretching her cheeks back into a smile, "and they're getting used to it. So maybe the time is limited for us, if we're not going to go down that path. So your roles are different. They're definitely shifting." In her eyes, "The seasoned woman is going to offer a more seasoned character." Which may account for why she's having the time of her working life right now.
'Moneyball' is on general release. 'The Girl with the Dragon Tattoo' opens on 26 December. 'Rampart' opens on 10 FebruaryReuse content