Ryan Fleck and Anna Boden's first film, Half Nelson, explored the life of a high-school teacher addicted to crack.
Their second puts a heavy spin on the American baseball movie, taking as its subject young hopeful Miguel "Sugar" Santos (Algenis Perez Soto), whose "million dollar" pitching arm takes him from his impoverished home in the Dominican Republic to top flight baseball in prosperous bible-belt Iowa. The film is compassionately aware of the abyss over which Sugar's career unfolds – his loneliness in the US, his awareness of his family's financial dependence back home, the constant threat of injury or loss of form – yet the story's slow-burn never quite flares into dramatic wildfire. Soto, with his disarming smile and liquid eyes, has real presence, and makes us feel the dreadful pressure of carrying so many expectations. Yet one always senses the film as an illustration, a Third World case study, rather than individualised as a boy's own life.