You Write the Reviews
The Savages (15)
Thursday 21 February 2008
The Savages, written and directed by Tamara Jenkins, stars Philip Seymour Hoffman and Laura Linney as a pair of childless siblings who are forced by circumstance to provide a semblance of parental care to their father, who has traded delinquency for dementia.
It is clearly an autobiographical work by Jenkins, and it is to her considerable credit that she managed to acquire funding for a project that does not feature washboard stomachs or sculpted cheekbones. Indeed, some of the most sharply observed scenes are the depictions of elderly living, from the garish colours of Sun City, Arizona, to the frost-bitten Valley View, a care home in Buffalo, New York state. Although the visuals contrast, the locations provide a piercing reminder of the West's denial of death. The film also arrives at a time when every country in the developed world has an ageing population but seems confused as to how to make the transition to having an older society.
Savage père begins the story, struggling to enjoy his breakfast. When his girlfriend abruptly croaks (seemingly knocked out by the whiff of nail polish), her relatives produce numerous legal documents to justify offloading him on to his offspring.
Having coped with the swings and roundabouts of childhood without the stabilising influence of a father figure, Linney and Hoffman contend with a mixed bag of emotions as they adjust to the new presence in their lives. The narrative asks if they can heal their emotional scars by caring for the man who helped cause them. As Linney puts it, "Maybe Dad didn't abandon us. Maybe he just forgot who we were."
Both are excellent throughout, and Linney deserves her Oscar nomination. Hoffman probably would have snagged one, too, had he not also been nominated for Charlie Wilson's War.
The script has the occasional patchy moment and doesn't quite provide the necessary exposition to explain the absence of Linney and Hoffman's mother. But it's refreshing to see such a deeply honest narrative that continually pushes the theme of responsibility. It is complex and unflinching, best illustrated in a scene in which a tennis injury sees Hoffman forced to wear a contraption that looks like something from an 18th-century dental clinic – sometimes we look ridiculous when we need support but we usually feel better afterwards.
The journey to the inevitable climax is both poignant and humourous, but it doesn't pull its emotional punches. It may catch a few members of the audience off their guard.
David Fitzgerald, Professional Poker Player, London
Robin Thicke admits he didn't write 'Blurred Lines'music
Review: Cilla, ITV TV
Arts & Ents blogs
- 1 Scottish referendum: So how about the English now being given a chance to split from England?
- 2 Friends 20th anniversary: Alison Jackson photographs reunited cast
- 3 Friends 20th anniversary: The highs and lows of the cast's careers since 2004
- 4 The response to my Pizza Express review has been overwhelming, and taught me a lot about journalism
- 5 Free U2 album: How the most generous giveaway in music history turned into a PR disaster
Game of Thrones star Maisie Williams cast in Channel 4 drama about cyber bullying
Jennifer Lopez and Iggy Azalea's 'Booty' music video is just a load of butts
Friends 20th anniversary: Alison Jackson photographs reunited cast
The Beatles biographer reveals exclusive original manuscripts of some of the best pop songs ever written
Friends 20th anniversary: The highs and lows of the cast's careers since 2004
Daniele Watts: Django Unchained actress detained by Los Angeles police after being mistaken for a prostitute
Scottish independence referendum: A nation divided against itself
Scottish referendum results: Cross-party consensus collapses amid Tory-Labour spat on the 'English question'
Scottish independence: David Cameron is becoming the 'George Bush of Britain'
Russia freezes Ukraine into submission: Kiev admits country doesn't have enough fuel for winter
Scottish independence: The Queen breaks silence on referendum debate – as think tank warns of £14bn black hole if Scotland votes Yes