Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

I Work For: Verity Lambert

Katie Sampson
Wednesday 26 November 1997 00:02 GMT
Comments

Anna Callaghan is PA to the managing director of Cinema Verity, a television production company.

I got into TV by accident when I answered an ad for the casting department of Granada, and to this day I believe I was employed because my boss liked Pisceans. I had a super time there, including driving around the country with Laurence Olivier in a stretch limo for five months, but after 16 years I felt that it was time to move on and I accepted a job with a theatrical agent. Although it was interesting to see what actors have to go through, I loathed every minute, especially dealing with the tabloids' constant and often aggressive attempts to find out the details of actors' personal lives.

After six months I went freelance, which is when I discovered that Verity Lambert had an office in my road, just a few doors down, and was looking for a PA. I knew that Verity was responsible for some of the very best programmes, such as Minder, The Naked Civil Servant, Dr Who and Rumpole, but the money was appalling so I turned the job down and was offered a temping position instead at a much better rate. The office continued to raise the amount they were offering for a permanent position until I capitulated.

Verity was in Australia setting up a series so I didn't meet her for several months. I gather that the two temps before me spent a lot of time crying in the loo, but I liked Verity immediately. We had friends in common and being older and more experienced than my predecessors I didn't feel daunted by the job.

My first impression of Verity was a pair of very black eyes belonging to an utterly charming and striking woman, tall and slim with an excellent dress sense. I joke that she dresses in Armani and I in St Michael, but we share a passion for shoes. I call her the Imelda Marcus of Shepherd's Bush. She is also devoted to Arthur Daley, her adorable Great Dane, who sleeps on a bean bag in the office.

The work was quite frantic to begin with, but after a while I got someone in to help me. When Verity realised that I could do shorthand she became a mad dictator. We once did an interview together and Verity kindly said, "I know that when I ask Anna to do something I won't have to think about it again." However, one occasion sticks in my mind when I was organising a party at Verity's home for a visiting American actor and I had arranged everything to the last letter, or so I thought. While we were waiting for the caterers to turn up I jokingly asked Verity whether she would fire me if the party was a disaster; she laughed and said "of course not". At that point I realised that I hadn't given the caterers her address. Luckily they were able to rush over and save the day.

I felt quite bitter during the hard times, particularly when the BBC axed of Eldorado, but I saw how Verity can rise to a challenge without getting at all embittered. She has the personality of a perfectionist and she's also deeply honest, even the smallest white lie is beyond her. Nothing really phases her. When a project is in production she has to write off the rest of her life, but she just gets on with it. I guess not having a family of her own makes it easier, but she thrives on working hard and playing hard. When we are in production I see very little of her because she's either filming on location or working at a separate production office, but we keep in touch via a mobile. I don't enjoy being on film sets, you can hardly imagine how boring it is when you don't have a working role, but when castings are held in our office I can't help but get involved as I love the process.

Organising Verity's day is my priority, she's besotted with her electronic diary and she also has a back-up and a desk diary. Fortunately she has a highly effective message system on to which I put all fresh calls, reminders and dates. Cinema Verity's standards are high, which to an extent is down to me because I was always taught that every letter, be it from a runner, a casting agent, a literary agent, a crew member etc gets a reply.

I think of myself as Verity's secretary but she never treats me like one. She always introduces me as Anna and often takes me to premieres or a local movie since we are both avid film-goers. I don't think my job is particularly glamorous, a secretary working for the boss at a widget factory would do more or less the same thing as I do, but I do get to meet the most terrific people. I'm not at all starstruck, but I was excited when Peter O'Toole came to the office during the filming of a PJ Wodehouse.

Verity took the office to Paris to celebrate 10 years of the company, and on her birthday I write her a spoof script about the office life called "Postcards from the Hedge". She cried laughing at the last one I wrote. I've worked happily for Verity for eight years and, bearing in mind I have never made a plan in my life, I guess I am unlikely to move.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in