The New York Times
WITH THE word "independent" getting bandied about so loosely, it would have been great to see nominations for Todd Solondz and Don Roos, the writer-directors of, respectively, Happiness and The Opposite of Sex. Nervy, outrageous and fiercely funny, both films sparkled with original dialogue, and both are more deserving of being called independent than the admirable but conventional Shakespeare in Love. (Edward Guthmann)
San Francisco Chronicle
WHILE OSCAR nominations used to be reserved exclusively for major Hollywood studio releases, this year almost the exact opposite was true.
What voters go for instead of Hollywood behemoths are the kinds of films that the academy has liked for time out of mind: stories in which involving characters outnumber skyrocketing explosions, in which narrative matters more than a hot soundtrack or barely legal stars. Abandoned by the grosses- crazed studios, voters now have to seek out independently made films to slake that particular thirst. The star names may be unfamiliar to casual moviegoers, but if they were to take the time to sample the nominated films, they'd feel right at home in terms of content and style. (Kenneth Turan)
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