MUSIC / Modern, but a classic all the same

FOR ALL their personal motives, those Hecklers tweaked a nerve with the opera public. Must new music always provoke knitted brows and bafflement? The reactionary fogeys were notably absent from the world premiere of Judith Weir's opera at ENO on Wednesday. Perhaps someone had tipped them off. Blond Eckbert is dramatically riveting, not a minute too long, and you come away haunted by the plot and - here's a thing - snatches of tune. In short, the Coliseum has found itself an accessible modern classic.

It is the 39-year-old Scot's third opera, and while its predecessors - A Night at the Chinese Opera and The Vanishing Bridegroom - may not have won repertory status, they established Weir as one of the few young composers with real dramatic flair. Again in Blond Eckbert, an ENO commission, she provides her own libretto: spare, yet packed with psychological complexity. We hear almost every word - an achievement both literary and musical.

Weir takes her plot from a short story of the early 1800s by the German Romantic Ludwig Tieck. Fate, witchcraft and incest stalk this dark fairytale, foreshadowing the work of the Grimm brothers and even the symbolism of Jung and Freud. Eckbert and his wife, Berthe, live secluded in a forest. When their only friend, Walther, comes to visit, Eckbert persuades his wife to tell him the story of her youth, a story of theft and betrayal.

When Walther supplies a missing detail of Berthe's tale (comically, irrelevantly, she cannot remember the name of her little dog), the couple are panicstricken. Their guilty past engulfs them. Up to this point Weir's score has a rich vernal quality, playing on the Romantic notion of Waldeinsamkeit, a state of bliss being at one with the natural world. This word is sung over and over in lark-

ascending arpeggios by the bird (sung by a chirpy Nerys Jones, suspended on wires). But the mood is far from serene. The Act I overture, which contains passages of swooning loveliness, overlays evocations of the forest with an indefinable tension. In Act II the coils of fate tighten: Eckbert kills his friend and descends into madness.

If Weir has musical heroes she has assimilated them completely. The woodland setting and sense of foreboding bring Pelleas to mind, and Weir exploits myriad colourings from Debussyan groupings: a horn quartet, a solo harp, a plaintive trumpet motif. The texture melts away miraculously to let vocal lines through. Sian Edwards conducts with authority, spirits high following the band's Olivier award.

The masterstroke of Tim Hopkins' direction is to stylise and pare down the acting. The hovering bird moves only her claws; Eckbert (Nicholas Folwell) maniacally repeats isolated gestures; Christopher Ventris is a balletic caricature as the disturbingly smiling friend; Anne-Marie Owens as Berthe simply stands and delivers.

With a score of any lesser quality, Nigel Lowery's superb Expressionist sets would have stolen the show. Most memorable is the Act II scene when Berthe is dying in bed, singing through a cut-out where the pillow should be, slithering horribly out of sight as her life ebbs away. Later we find Eckbert as a down-

and-out beneath a painterly Hammersmith Flyover, mobile strands of headlamps signalling urban and spiritual dereliction. Unusually for new opera, Blond Eckbert is to get a second, fresh production (in Santa Fe) very soon. Judith Weir deserves global recognition.

When Kurt Masur climbed the podium at the Barbican one wondered at first if King Lear hadn't wandered in. Imposing, grizzled, he conducts without baton or score, shaking whiskery jowls at the violins and punching the air with his fists. Yet if his gestures seemed imprecise to the audience, they spoke volumes to the players of the Leipzig Gewandhaus, who have had plenty of time in the 25 years of his conductorship to learn their meanings. Mendelssohn's Overture to a Midsummer Night's Dream, too often thought slight, can rarely have been treated to such devotion to detail and line. Even the donkey's braying and rustics' stomp had exquisite elegance.

Reverence for the German masters is bred into these players: Mendelssohn himself ran the orchestra for 12 years, and it gave many first performances of Schumann, Schubert, Bruckner and Brahms. This concert was part of a tour which celebrates its 250th anniversary and, less officially, its emergence into the world arena after being cloistered in the GDR. This was a chance to show off the celebrated 'Leipzig sound', and scotch the traditional wisdom (or envy) that it had been cultivated at the expense of virtuosity.

Perhaps the choice of Viktoria Mullova as soloist in the Brahms violin concerto was a reaction: all hard brilliance but utterly unyielding. She strode on half-clad in a strapless, backless bodice with scraps of skirt. Even the way she manoeuvred her instrument, as if it were some lethal crossbow, was of a piece with her performance. She negotiated the diabolical double-stopping with frightening ease; the tuning of her top notes, even at speed, was impeccable. Saint-Saens once said that a difficulty overcome is a thing of beauty. I'm not so sure: Brahms asks for a tender heart too, and mine was untouched.

Schumann in his studious symphonic mode can produce unmemorable material, but in the little-played Second Symphony the dreams and fireworks are worth waiting for. The serenely flowing lines of the Adagio, were wondrously drawn out by Masur and the

tumultuous con fuoco of the last movement made a stunning climax. Before the Kappellmeister took his applause, he shook the hands of all his front-desk players - a wholly convincing gesture of paternal pride and democratic solidarity. This orchestra really is, as he claims, an ensemble like no other.

All the Gewandhaus lacks, in the unaccustomed insecurity of post-Communism, is Deutschmarks. There were plenty in evidence at St James's Piccadilly when Theo Lieven, chairman of Vobis, the German computer firm, threw An Evening with Mozart. Star billing went to the chairman himself and Louise Price, a 'PR girl' he met at a press conference. They played the Mozart double piano concerto with a conductor and orchestra hired for the night. And they played it . . . very nicely. Afterwards most of the audience turned up for champagne at the Ritz to be informed of Herr Lieven's other little project: a year-long intensive piano school for exceptional talents in a palazzo on Lake Como, coached by world-class pianists. Imperial patronage lives.

'Blond Eckbert': Coliseum, 071836 3161, Tues and Fri. Leipzig Gewandhaus: St David's Hall, Cardiff, 0222 371236, tomorrow.

(Photograph omitted)

Michael White returns next week

Have you tried new the Independent Digital Edition apps?
Arts and Entertainment

ebooksNow available in paperback
Arts and Entertainment

Arts and Entertainment
Taylor Swift won Best International Solo Female (Getty)

Brits 2015
Arts and Entertainment
Shining star: Maika Monroe, with Jake Weary, in ‘It Follows’
film review
Arts and Entertainment

Brits 2015
Arts and Entertainment
Paloma Faith arrives at the Brit Awards (Getty)

Brits 2015
Arts and Entertainment
Anne Boleyn's beheading in BBC Two's Wolf Hall

TV review
Arts and Entertainment
Follow every rainbow: Julie Andrews in 'The Sound of Music'
film Elizabeth Von Trapp reveals why the musical is so timeless
Arts and Entertainment
Bytes, camera, action: Leehom Wang in ‘Blackhat’
Arts and Entertainment
The Libertines will headline this year's festival
Arts and Entertainment
Richard Dean Anderson in the original TV series, which ran for seven seasons from 1985-1992
Arts and Entertainment
Muscling in: Noah Stewart and Julia Bullock in 'The Indian Queen'

Arts and Entertainment
Olivia Colman and David Tennant star in 'Broadchurch'

TVViewers predict what will happen to Miller and Hardy
Arts and Entertainment
Kevin Spacey and Robin Wright in season two of the series

Watch the new House of Cards series three trailer

Arts and Entertainment
An extract from the sequel to Fight Club

Arts and Entertainment
David Tennant, Eve Myles and Olivia Colman in Broadchurch series two

TV Review
Arts and Entertainment
Old dogs are still learning in 'New Tricks'

Arts and Entertainment
'Tonight we honour Hollywood’s best and whitest – sorry, brightest' - and other Neil Patrick Harris Oscars jokes

Oscars 2015It was the first time Barney has compered the Academy Awards

Arts and Entertainment
Patricia Arquette making her acceptance speech for winning Best Actress Award

Oscars 2015 From Meryl Streep whooping Patricia Arquette's equality speech to Chris Pine in tears

Arts and Entertainment

Oscars 2015 Mexican filmmaker uses speech to urge 'respect' for immigrants

Arts and Entertainment
Lloyd-Hughes takes the leading role as Ralph Whelan in Channel 4's epic new 10-part drama, Indian Summers

TV Review

The intrigue deepens as we delve further but don't expect any answers just yet
Arts and Entertainment
Jason Segal and Cameron Diaz star in Sex Tape

Razzies 2015 Golden Raspberry Awards 'honours' Cameron Diaz and Kirk Cameron

Latest stories from i100
Have you tried new the Independent Digital Edition apps?

ES Rentals

    Independent Dating

    By clicking 'Search' you
    are agreeing to our
    Terms of Use.

    Syrian conflict is the world's first 'climate change war', say scientists, but it won't be the last one

    Climate change key in Syrian conflict

    And it will trigger more war in future
    How I outwitted the Gestapo

    How I outwitted the Gestapo

    My life as a Jew in wartime Berlin
    The nation's favourite animal revealed

    The nation's favourite animal revealed

    Women like cuddly creatures whilst men like creepy-crawlies
    Is this the way to get young people to vote?

    Getting young people to vote

    From #VOTESELFISH to Bite the Ballot
    Poldark star Heida Reed: 'I don't think a single bodice gets ripped'

    Poldark star Heida Reed

    'I don't think a single bodice gets ripped'
    The difference between America and Israel? There isn’t one

    The difference between America and Israel? There isn’t one

    Netanyahu knows he can get away with anything in America, says Robert Fisk
    Families clubbing together to build their own affordable accommodation

    Do It Yourself approach to securing a new house

    Community land trusts marking a new trend for taking the initiative away from developers
    Head of WWF UK: We didn’t send Cameron to the Arctic to see green ideas freeze

    David Nussbaum: We didn’t send Cameron to the Arctic to see green ideas freeze

    The head of WWF UK remains sanguine despite the Government’s failure to live up to its pledges on the environment
    Author Kazuo Ishiguro on being inspired by shoot-outs and samurai

    Author Kazuo Ishiguro on being inspired by shoot-outs and samurai

    Set in a mythologised 5th-century Britain, ‘The Buried Giant’ is a strange beast
    With money, corruption and drugs, this monk fears Buddhism in Thailand is a ‘poisoned fruit’

    Money, corruption and drugs

    The monk who fears Buddhism in Thailand is a ‘poisoned fruit’
    America's first slavery museum established at Django Unchained plantation - 150 years after slavery outlawed

    150 years after it was outlawed...

    ... America's first slavery museum is established in Louisiana
    Kelly Clarkson: How I snubbed Simon Cowell and become a Grammy-winning superstar

    Kelly Clarkson: How I snubbed Simon Cowell and become a Grammy-winning superstar

    The first 'American Idol' winner on how she manages to remain her own woman – Jane Austen fascination and all
    Tony Oursler on exploring our uneasy relationship with technology with his new show

    You won't believe your eyes

    Tony Oursler's new show explores our uneasy relationship with technology. He's one of a growing number of artists with that preoccupation
    Ian Herbert: Peter Moores must go. He should never have been brought back to fail again

    Moores must go. He should never have been brought back to fail again

    The England coach leaves players to find solutions - which makes you wonder where he adds value, says Ian Herbert
    War with Isis: Fears that the looming battle for Mosul will unleash 'a million refugees'

    The battle for Mosul will unleash 'a million refugees'

    Aid agencies prepare for vast exodus following planned Iraqi offensive against the Isis-held city, reports Patrick Cockburn