The best music of 2012: Rock, folk & Americana
Sunday 30 December 2012
For me, there was no single outstanding album this year – but that doesn't mean there weren't several very good ones.
And one which took me completely by surprise. I have never loved a Ry Cooder record before. In fact, he has irritated me rather more often than he has impressed with his curatorial passion for the lost, the forgotten and the ethnically other. But I was oddly excited all summer by Election Special, which was funny, pertinent and, although brief, full of blood. In fact, it often sounded like the Rolling Stones when they were great; at least, that nap and feel. Keith Richards can take it as a debt repaid for whatever it was the Stones did to upset Ry during the recording of Let it Bleed.
The Staves' Dead & Born & Grown was hugely seductive in the autumn, like piled-up leaves. I have reservations about what Glyn and Ethan Johns, père et fil, did to the raw Staveley sound – they overproduced it, basically – but that doesn't mean D&B&G wasn't a brilliant and charming effort, evincing huge potential. I like potential, especially during autumn.
Spring was not entirely dominated by Jim Moray's Skulk, but, as English rock-and-jazz-inflected folk albums go, it did a very fine job of making the old world speak of and to the new. Same thing went for Anaïs Mitchell's wonderful Young Man in America, which contains more good intimations about the metaphysics of shepherding than the average Samuel Palmer monograph.
Marry Waterson & Oliver Knight's Hidden brought Stratocaster and drums to bear gently on the glitchy poetry of the home, and got away with it, charmingly. And if there is a sliding scale between self-effacing domestic charm and viperous post-Freudian dyspepsia, then at the toxic end of it you'd find Aimee Mann and Charmer – which is not a criticism.
The rest of the year saw a scattering of windfalls, some ripe, others not so, some of them positively wizened. Pick any one from Dr John's Locked Down, Kelly Joe Phelps' Brother Sinner & the Whale, Chris Smither's Hundred Dollar Valentine and Loudon Wainwright III's Older Than My Old Man Now and you'll find that the middle-aged-and-upwards white American male can be a healthy mixture of rueful, questioning, reflective, funny, soulful and downright spooky when he wants to be. None of which would have stopped Betty Wright from putting him in his place. Betty Wright: The Movie put most things in their place this year, which is, of course, the point of Betty Wright. Welcome back, Betty.
I liked Arianna Savall/Petter Udland Johansen's Hirundo Maris, Sam Lee's Ground of its Own and Alabama Shakes' Boys & Girls for reasons too disparate to contain in one paragraph; but they were all impressive, one way or another. And even dear old Beth Orton delivered some goods. Sugaring Season bore the influence of the late Bert Jansch with a dignity he would have enjoyed.
Reissues/new discoveries to savour: The Marvelettes: Forever More: The Complete Motown Albums Vol 2 and The Flatlanders' The Odessa Tapes, long-lost since 1973, which contained the most beautiful song I heard all year.
Books And it is whizzpopping!
MusicThey're running their own restaurants
Arts & Ents blogs
- 1 Cecil the lion: Dentist Walter Palmer blames local guides in Zimbabwe for the scandal
- 2 Kate Winslet thanked 'particularly horrible' girl who bullied her at school after Titanic success
- 3 Norwich paedophile ring: Woman at centre of gang who made children 'sexual play things' guilty of 23 offences
- 4 Black and ethnic minority people twice as likely to be hit by Tory cuts than white people, report finds
- 5 Walter Palmer: Cecil the lion killer revealed to be American dentist
New on Netflix August 2015: From Narcos and Spellbound to Kick Ass 2 and Dinotrux
Listen! Beowulf opening line misinterpreted for 200 years
Heath Ledger's father reveals dead actor's 'Joker diary' written during The Dark Knight
Game of Thrones season 6: New toy line suggests Jon Snow is not among the dead
Spectre: Ellie Goulding is almost definitely singing the theme song to the next Bond film
Labour leadership contender Jeremy Corbyn says 'we can learn a great deal from Karl Marx'
The last thing Labour needs is a leader like Jeremy Corbyn who people want to vote for
Yvette Cooper: Our choice is years of Tory rule under Jeremy Corbyn – or a return to a Labour government
I am the Jeremy Corbyn supporter that many will tell you doesn't exist
Public anger after French sunbather beaten up by gang for wearing a bikini in Reims park
Labour leadership: New poll shows party is now even 'less electable' than under Ed Miliband