Partnered here with the following year's "Cello Concerto" , Dvorák's Symphony No. 9 has a broad-brush scope and panache that lends itself perfectly to the detailed, focused approach of Antonio Pappano and the Orchestra dell'Accademia Nazionale di Santa Cecilia. Their interpretation raises new questions: Dvorák may have claimed negro and Native American influences on the work, but reflecting the tendentious ascription of "New World", here it's more the pioneer spirit that infuses the symphony, with its widescreen strings anticipating a century of Western movie vistas, and its can-do bustle suggestive more of colonising settlers than natives. And isn't that the cavalry summoned by those horns?
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