Philippe Herreweghe's 1986 recording of the Bach Motets has long been in the small pile of discs to be grabbed in case of a fire. Thanks to Trinity Baroque, that pile is now a little bigger. Prepared by tenor Julian Podger and performed conductorless by single voices and an expressive continuo team of violone and organ, this disc has unparalleled immediacy and drama. With interpolated chant and chorales to compensate for the omission of "Lobert den Herrn", and stunning performances of two chorale preludes on the organ of St Wenzel Church, Naumburg, by James Johnstone, the quality is simply extraordinary.
Download this: A matchless reading of 'Komm, Jesu, komm'