It's a strange time to be Christina Aguilera.
Her too-long-coming electroclash album tanked because Lady Gaga was all over that stuff. Furthermore, she reckons she's now considered "too fat" by the industry. Lotus, however, is the sound of Xtina coming out fighting. Its best moments are its electro-pop numbers. Token lung-bursting ballads notwithstanding, we won't be seeing Xtina at the Superbowl again. But that's fine. The dancefloor is her home now.