Album: Richard Fontaine, The High Country (Decor)
Friday 02 September 2011
Resolute in their rejection of Hollywood happy endings, the songs Willy Vlautin writes for Richmond Fontaine are downbeat narratives, related against the tints of a subtle Americana-rock which yaws between country, indie and ambient, as the action demands.
Here, they constitute chapters of a dour novella set in the Pacific northwest logging country, starting out grim – a late miscarriage, an amputation – and ending up grotesque, with almost every character left in pools of blood or shallow graves. It's an accomplished effort, deftly mingling narration, instrumental interludes and multi-character scenes; but the fascination with doom and blood is so relentlessly pointless and negative that it makes the average gangsta-rap tale read like Enid Blyton.
DOWNLOAD THIS: The Chainsaw Sea; Let Me Dream Of The High Country; Lost In The Trees; Leaving
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