Rachmaninov’s exile from Russia in 1917 was followed some six decades later by the blacklisting (and eventual exile) of Elena Firsova and Dmitri Smirnov, whose gifted daughter Alissa here performs material by all three composers, along with her own “Lune Rouge”.
She chooses the rarely heard original 1913 version of Rachmaninov’s Sonata No 2, seven minutes longer and more involved than the revised version. Despite the haunting power of the themes involved, Firsova brings a furtive, playful charm quite unexpected in Rachmaninov as she pursues the manifold diversions of his “Corelli Variations”.
Dedicated to the pianist herself, her mother’s “For Alissa” has a speculative, mysterious quality akin to that of her contemporary (and fellow blacklistee) Sofia Gubaidulina, while her father’s “Blake Sonata” employs myriad strategies to evoke the poet’s “The Tyger”.
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