The Black Eyed Peas, Academy Birmingham
Monday 23 February 2004
Nearly three years ago, The Black Eyed Peas played Birmingham Academy 2, in front of a few hundred hardcore hip-hoppers. Now, these Los Angeles rappers are launching a mini-tour to capitalise on their unexpected chart-topping successes, and the main Academy is sold out, full to bursting.
It was better back then, when we could see the posse, could witness their agile gyrations, their witty body-language. Now, it's a strain to catch the odd bobbing head, and the sound quality is muddied, dull and bass-heavy.
The Peas take the trouble to tour with a real band. Drums, guitars, keyboards, saxophone, trumpet. But when they first hit the stage, delayed to the point of riling an unruly crowd, the speakers are blurting out a distorted mash that could be coming out of a cheap radio. Their songs aren't projecting very far...
The current Elephunk album rejoices in an adventurous production style, full of genre graftings and sonic surprises. The live spread is more conventional. As the Black Eyed set progresses, the mix becomes clarified and the front-line foursome start to gather and channel a sense of hysteria. Certainly, the mass of new fans are shouting, screaming, jumping and waving their hands in the air, in a way that we don't usually see at gigs in these jaded days.
Since their Bridging the Gap album, the original trio of Will.I.Am, Apl.De.Ap and Taboo have been joined by Fergie, who provides soulful singing, designed to pull in a wider audience. Her voice cuts through powerfully, and she fits in well with the gambolling on-stage tomfoolery. Fergie's impressive range is demonstrated to almost comic effect at one stage, booming down low into her gut before shrieking tune- fully up to the heavens. Apparently, she met Will.I.Am by chance and was invited to a recording session, but her induction seems suspiciously like a record-company request to open up the Pea appeal.
The Black Eyed ones are still wired-up rappers, but their music has now colonised other zones. The best new tunes are the ones that owe a debt to Funkadelic, the gig starting to rise up with the ridiculous "Let's Get Retarded" and "Labor Day (It's a Holiday)", its central James Brown sample reproduced by real-life saxophone.
Numbers such as "Shut Up" and "Latin Girls" present even more obvious opportunities for direct fun, but when the Peas return for their first encore, the band gets to deliver extended guitar, saxophone and trumpet solos, displaying their jazz chops. This is a subversive activity, following the singalong antics of "Where Is the Love?", which is, incidentally, the album's worst number. The crowd were well in tune, joining in with impressive gusto.
The Black Eyed Peas have now removed themselves from the hip-hop underground, but they've still managed to retain their musical integrity, inviting a more mainstream audience to hear what is still hard-edged rhyming, and developing a new fascination for the history of funk. Their strategy of freestyling a lengthy Birmingham tribute is obvious but still effective, name-checking the city at regular intervals. They'll be giving London the same treatment on 3 March, at Brixton Academy.
TVJamie's Sugar Rush reveal's campaigning chef's new foe
Arts & Ents blogs
- 1 What marriage would look like if we actually followed the Bible
- 2 President Obama leaves touching comment on Humans of New York photo from Iran
- 3 If these extraordinarily powerful images of a dead Syrian child washed up on a beach don't change Europe's attitude to refugees, what will?
- 4 The Chinese city where men have 'three girlfriends because there are so many women'
- 5 'Heartbreaking' Syria orphan photo wasn't taken in Syria and not of orphan
The Gamechangers trailer: Daniel Radcliffe stars in GTA movie
Star Wars: New action dolls launched on Force Friday ahead of The Force Awakens release
Joan Aiken: Today's Google Doodle celebrates life of British fantasy novelist
Photographer captures the beauty and intensity of his girlfriend giving birth at home
Everything extra JK Rowling has revealed about Harry Potter
Britain to take more refugees as Cameron bows to pressure after more than 250,000 back our campaign
Senior British politicians tell David Cameron: When dead children are being washed up on beaches – it's time to act
Jeremy Corbyn calls Osama bin Laden's killing a 'tragedy' - but was it taken out of context?
If these extraordinarily powerful images of a dead Syrian child washed up on a beach don't change Europe's attitude to refugees, what will?
If you're not already angry about the refugee crisis, here's a history lesson to remind you why you really should be
Make your voice heard: Sign The Independent's petition to welcome refugees