Musical Theatre PIPPIN National Youth Theatre
Friday 25 August 1995
Compared to Godspell, the setting is positively modern. Roger O Hirson's slangy book tells the eponymous story of the son of Holy Roman Emperor Charlemagne in "780 AD or thereabouts". In true Seventies style, our hero sets about finding "something completely fulfilling", or as Schwartz puts it in Pippin's first song, "got to find my corner of the sky". Belittled by his overambitious stepmother (an accomplished Jayne Nesbitt) and body- built stepbrother, Pippin goes to war to impress his father, only to end up killing him for his tyrannical use of power. Realising that he is falling into the same traps, he runs away to continue his journey of discovery. He finds and discards love and domesticity and even gets to play a scene with a dead duck. You have to hand it to Schwartz - anyone who can tempt fate and risk a dead duck headline has some nerve.
In many ways, Pippin is like Bernstein's Candide re-scored for a rock band (with some fabulously dated Seventies arrangements). In both shows, you simply don't care enough about the naive leading character. Pippin's saving grace and biggest liability is the circus-like frame introduced by original director/choreographer Bob Fosse, who was widely regarded as pivotal to the show's success. Characters comment on the action and shape the storytelling into a revue-like format. The result is something all too knowing, with characters addressing the audience and undercutting the sentiment of the sometimes powerful music.
Edward Wilson's production has more energy than it knows what to do with. Reprising Fosse's trademark hatwork, bump-'n'-grind hips and outstretched palms is not the same as creating real choreographic shape and dynamism. Despite impressive work, the huge, drably costumed chorus looks like a cross between a Fellini film and a Madonna video. It's as if everyone is afraid that if they stop being busy for a second, everything will come crashing down about their ears. As ever, simplicity works best. "On the Right Track" is just that - a fun, neat duet for the nimble, thoroughly engaging Timothy Baker as Pippin and the Mephistophelian Leading Character (a slick, energetic Chris Jarman) which showcases the performers' genuine potential.
The moral of the story is that happiness is in your own backyard. By the curtain call, the cast look pretty happy. And why not.
n To 2 Sept. The Bloomsbury Theatre (0171-388 8822)
Watch the new House of Cards series three trailerTV
Oscars 2015It was the first time Barney has compered the Academy Awards
Oscars 2015 From Meryl Streep whooping Patricia Arquette's equality speech to Chris Pine in tears
Oscars 2015 Mexican filmmaker uses speech to urge 'respect' for immigrants
Oscars 2015 Bringing you all the news from the 87th Academy Awards
TV ReviewThe intrigue deepens as we delve further but don't expect any answers just yet
Razzies 2015 Golden Raspberry Awards 'honours' Cameron Diaz and Kirk Cameron
Film Hollywood's new leading lady talks about her Ramsay Street days
Arts & Ents blogs
- 1 Forget 'The Dress': Here are five of the biggest news stories you might have missed
- 2 The black and blue dress: Makers considering a white and gold version
- 3 PornHub turns masturbation into energy in bid to save the planet
- 4 The remarkable archaeological underwater discovery that could open up a new chapter in the study of European and British prehistory
- 5 Saudi Muslim cleric claims the Earth is 'stationary' and the sun rotates around it
New theory could prove how life began and disprove God
This is what it's like to be dead, according to a guy who died for a bit
'Cash for access' scandal: Sir Malcolm Rifkind says 'unrealistic' for MPs to live on £67,000 salary
'Jihadi John': CAGE representative storms off Sky News accusing Kay Burley of Islamophobia
Ukip would cut billions from Scottish budget to fund English tax cuts
Russia's roadmap for annexing eastern Ukraine 'leaked from Vladimir Putin's office'