OPERA / True colours: Edward Seckerson on Janacek's Katya Kabanova
Writer and broadcaster Edward Seckerson is Chief Classical Music and Opera Critic for The Independent. He wrote and presented the long-running BBC Radio 3 series Stage & Screen, in which he interviewed many of the most prominent writers and stars of musical theatre. He appears regularly on BBC Radio 3 and 4. On television, he has commentated a number of times at the Cardiff Singer of the World competition. He has published books on Mahler and the conductor Michael Tilson Thomas, and has been on Gramophone Magazine's review panel for many years. Edward presented the 2007 series of the Radio 4 music quiz Counterpoint. He has interviewed everyone from Leonard Bernstein to Liza Minelli; from Paul McCartney to Pavarotti: from Julie Andrews to Jessye Norman.
Monday 28 September 1992
The colours have not been dimmed. But just as the complex psychology of Janacek's score happens between the notes, so the potency of Lehnhoff's staging - the third dimension - is ultimately down to the skills of his performers. He doesn't crowd them, he doesn't hamper them - he gives them space and the will to fill it. But they are the more vulnerable for his generosity, and for all the eagerness and commitment of this talented young company, something wasn't quite connecting. On a good night this opera touches nerve-endings you never knew existed.
Most of the performances here were at the very least on the right track. Susan Bullock's Katya may still have some way to go, but she deserved her success. Her singing is strong and open-hearted, full of persuasion and promise. Lehnhoff sets her up beautifully. As the fateful drumming and muted trombones of Janacek's prelude cast the first shadows, we see her backing away from the stifling confines of her domestic hell: weak husband, tyrannical mother- in-law. Freedom exists only in her dreams now. Romance, too. There she stands on the brow of the hill, silhouetted against the dawn sky, her long hair blowing in the wind. But it's fear - fear of reality, fear that dreams can actually come true that is central to Katya's character. Vocally, Bullock caught well the sudden anxieties, the irrational descents from rapture to paranoia - and introspection. Her robust lyric soprano is capable of enthralling pianissimi. She has the stillness in her voice but not yet in her body. In the great final scene Lehnhoff should really have taken the 'mad Ophelia' acting in hand. Katya has the stage, nothing must distract us from her 'unspeakable desolation', her guilt. Eiddwen Harrhy's incisively sung Kabanicha faced a different kind of problem, being younger and smarter, more of the 'black widow' than we are accustomed to in this role. Somehow her stillness didn't make for strength. She was not the lowering presence she needs to be. Except when wielding the walking cane over a prostrate Dikoy (Roger Bryson) - a scene which ends just in time to let our imagination run riot. Short, sharp, incriminating - typical Janacek.
Honourable mentions are in order for Christian Papis's vigorous Boris, and for Adele Paxton and Timothy Robinson as the young lovers Vavara and Vanya, the latter especially for his sweet-sounding balalaika folk song. The conductor, David Angus, failed to deliver only once at the big emotional-release clinching Act 2. But this wasn't a high-risk reading (except on occasions in the orchestra); the way to the shattering final scene was straight and sure. Lehnhoff's denouement is unforgettable. Katya's lifeless body is laid at Kabanicha's feet. But now the stage empties and we alone bear witness to her cursory vote of thanks to 'friends and neighbours'. With that, she simply walks away. Katya is left - discarded. Even Janacek would have been stunned by the economy.
Listen to his collaboration with Naughty Boymusic
Film review Michael Glatze biopic isn't about a self-hating gay man gone straight
Arts & Ents blogs
- 1 Katie Hopkins attacked me on Twitter — so I reported her to the police for inciting racial hatred
- 2 Google April Fools': company unveils backwards search engine and huggable digital assistant
- 3 I might be an MP, but that doesn't stop me fighting sexism with my breasts
- 4 April Fools' Day 2015: The best hoax news stories from around the internet
- 5 Gamers confess the worst things they've done in The Sims
Katie Hopkins attacked me on Twitter — so I reported her to the police for inciting racial hatred
Street preacher quoting from the Bible fined for calling homosexuality an 'abomination'
Woman filmed launching racist tirade against men on the Tube for speaking in 'own lingo'
David Cameron calls Labour 'hopeless, sneering socialists' while announcing 7-day NHS plans
Revealed: Putin's army of pro-Kremlin bloggers
Katie Hopkins reported to the police for race hatred by Labour MP Simon Danczuk after tweet about Pakistani men