OPERA: Salome Royal Opera House, London

The head looks like it's still attached to the body, the bloody shroud hanging from it like Salome's eighth veil. The "child of admonition" has the man of God in her embrace at last, and for one awful moment, it's as if they are dancing. A waltz. Salome's waltz. The last waltz. And she's saved it just for him.

The closing scene of Luc Bondy's terrific production, newly returned to the Royal Opera House, succeeds where so many fail, in making a tragic figure, a sad, lonely, unloved figure, of Wilde's daughter of darkness. Salome is "her mother's child" all right, born of indifference and lust, raised in darkness to reside in darkness. But she is also a victim, of resentment, of abuse, a living symbol of the lost innocence (as in "slaughter of the innocents") that will be her cruel stepfather's terrible legacy. Indeed, the whole look and feel of Bondy's staging suggests that Salome is Herod's just retribution, and that he and his are condemned to relive this terrible night for all eternity while his kingdom decays around him (so lavishly suggested in both text and music but here depicted as a crumbling aftermath). It's this sense of decay and decomposition that the conductor Christoph von Dohnnyi conveys so starkly in his well-seasoned reading of Strauss's outrageous score. For once, it isn't the sensuousness but the subversiveness, the underbelly of the score, that you remember. The dementia of fractured brass fanfares, the lowering tuba occluding all light, the reptilian woodwinds, contra bassoon worming its way into the substratum of Strauss's imagination. The ROH orchestra play the hell out of it.

At the heart of Bondy's production is a provocative realisation of the key encounter between Salome and the object of her desire, John the Baptist. Provocative because it's so physical. Bondy's Baptist - as shared in this run of performances between Robert Hale and Bryn Terfel - is all man before he is prophet. And Salome is not afraid to touch what she cannot have. "He is frightening, truly frightening," she simpers, excited by his anger, his pent-up aggression. He is capable of physical violence, this man. Which makes for a real frisson of mis-read signals when, in a moment of compassion, of tenderness, he inadvertently touches her, imploring her to seek out her saviour in Galilee. As Salome meekly takes his hand like a child, you'll almost believe in the power of redemption. But then come the fateful words: "Let me kiss your mouth." There's no answer to that save "Du bist verflucht" ("You are accursed") which both Hale and Terfel delivered here like a clenched fist.

Physically and vocally, both were commanding. Hale strove to regain the character's lost dignity more than did Terfel whose anger was the more palpable - almost too palpable. The top of the voice showed signs of shrinking from the pressure. Even so, a real presence. As was Catherine Malfitano's Salome. No one singer that I know of truly encompasses all the vocal and physical requirements of the role. But Malfitano believes she does, and that is half the battle. It's a brave and volatile and physically petulant performance. She has the big notes (albeit at a push for the topmost), she has the problematic low notes, sepulchral and venomous. What she doesn't have any more is the girlish fioritura, the silvery ascents, as chaste as they are sexy. But with a little imagination...

Which leaves the Herods, Kenneth Riegel and Anja Silja: he orange-haired and ridiculous, as free with his words (marvellous diction) as with the promises he can't keep, and still managing to sing through his paranoia; she looking and behaving more and more like Patsy in Ab Fab, ready and waiting with the silver charger in her daughter's moment of triumph. The dysfunctional family, BC. And how.

Booking: 0171-304 4000

Arts and Entertainment
Stewart Lee (Gavin Evans)


Arts and Entertainment
No half measures: ‘The Secret Life of the Pub’

Grace Dent on TV The Secret Life of the Pub is sexist, ageist and a breath of fresh air

Arts and Entertainment
Art on their sleeves: before downloads and streaming, enthusiasts used to flick through racks of albums in their local record shops
musicFor Lois Pryce, working in a record shop was a dream job - until the bean counters ruined it
Arts and Entertainment
Serial suspect: the property heir charged with first-degree murder, Robert Durst
TV review
Arts and Entertainment
Igarashi in her

Art Megumi Igarashi criticises Japan's 'backwards' attitude to women's sexual expression

Have you tried new the Independent Digital Edition apps?
Arts and Entertainment

ebooksNow available in paperback
Arts and Entertainment

Arts and Entertainment
It's all in the genes: John Simm working in tandem with David Threlfall in 'Code of a Killer'

TV review
Arts and Entertainment
Far Right and Proud: Reggies Yates' Extreme Russia

TV review
Arts and Entertainment
Kanye West was mobbed in Armenia after jumping into a lake

Arts and Entertainment
The show suffers from its own appeal, being so good as to create an appetite in its viewers that is difficult to sate in a ten episode series

Game of Thrones reviewFirst look at season five contains some spoilers
Arts and Entertainment
Judi Dench and Kevin Spacey on the Red Carpet for 2015's Olivier Awards

Ray Davies' Sunny Afternoon scoops the most awards

Arts and Entertainment
Proving his metal: Ross Poldark (played by Aidan Turner in the BBC series) epitomises the risk-taking spirit of 18th-century mine owners

Poldark review
Arts and Entertainment
Eddie Redmayne is reportedly favourite to play Newt Scamander in Fantastic Beasts and Where to Find Them

Arts and Entertainment
Tom Hardy stars in dystopian action thriller Mad Max: Fury Road

Arts and Entertainment
Josh, 22, made his first million from the game MinoMonsters

Grace Dent

Channel 4 show proves there's no app for happiness
Disgraced Top Gear presenter Jeremy Clarkson
Arts and Entertainment
Game face: Zoë Kravitz, Bruce Greenwood and Ethan Hawke in ‘Good Kill’

film review

Arts and Entertainment
Living like there’s no tomorrow: Jon Hamm as Don Draper in the final season of ‘Mad Men’

TV review

Arts and Entertainment
Yaphett Kotto with Julius W Harris and Jane Seymour in 1973 Bond movie Live and Let Die

Arts and Entertainment

Arts and Entertainment

  • Get to the point
Latest stories from i100
Have you tried new the Independent Digital Edition apps?

ES Rentals

    Independent Dating

    By clicking 'Search' you
    are agreeing to our
    Terms of Use.

    NHS struggling to monitor the safety and efficacy of its services outsourced to private providers

    Who's monitoring the outsourced NHS services?

    A report finds that private firms are not being properly assessed for their quality of care
    Zac Goldsmith: 'I'll trigger a by-election over Heathrow'

    Zac Goldsmith: 'I'll trigger a by-election over Heathrow'

    The Tory MP said he did not want to stand again unless his party's manifesto ruled out a third runway. But he's doing so. Watch this space
    How do Greek voters feel about Syriza's backtracking on its anti-austerity pledge?

    How do Greeks feel about Syriza?

    Five voters from different backgrounds tell us what they expect from Syriza's charismatic leader Alexis Tsipras
    From Iraq to Libya and Syria: The wars that come back to haunt us

    The wars that come back to haunt us

    David Cameron should not escape blame for his role in conflicts that are still raging, argues Patrick Cockburn
    Sam Baker and Lauren Laverne: Too busy to surf? Head to The Pool

    Too busy to surf? Head to The Pool

    A new website is trying to declutter the internet to help busy women. Holly Williams meets the founders
    Heston Blumenthal to cook up a spice odyssey for British astronaut manning the International Space Station

    UK's Major Tum to blast off on a spice odyssey

    Nothing but the best for British astronaut as chef Heston Blumenthal cooks up his rations
    John Harrison's 'longitude' clock sets new record - 300 years on

    ‘Longitude’ clock sets new record - 300 years on

    Greenwich horologists celebrate as it keeps to within a second of real time over a 100-day test
    Fears in the US of being outgunned in the vital propaganda wars by Russia, China - and even Isis - have prompted a rethink on overseas broadcasters

    Let the propaganda wars begin - again

    'Accurate, objective, comprehensive': that was Voice of America's creed, but now its masters want it to promote US policy, reports Rupert Cornwell
    Why Japan's incredible long-distance runners will never win the London Marathon

    Japan's incredible long-distance runners

    Every year, Japanese long-distance runners post some of the world's fastest times – yet, come next weekend, not a single elite competitor from the country will be at the London Marathon
    Why does Tom Drury remain the greatest writer you've never heard of?

    Tom Drury: The quiet American

    His debut was considered one of the finest novels of the past 50 years, and he is every bit the equal of his contemporaries, Jonathan Franzen, Dave Eggers and David Foster Wallace
    You should judge a person by how they peel a potato

    You should judge a person by how they peel a potato

    Dave Hax's domestic tips are reminiscent of George Orwell's tea routine. The world might need revolution, but we like to sweat the small stuff, says DJ Taylor
    Bill Granger recipes: Our chef's dishes highlight the delicate essence of fresh cheeses

    Bill Granger cooks with fresh cheeses

    More delicate on the palate, milder, fresh cheeses can also be kinder to the waistline
    Aston Villa vs Liverpool: 'This FA Cup run has been wonderful,' says veteran Shay Given

    Shay Given: 'This FA Cup run has been wonderful'

    The Villa keeper has been overlooked for a long time and has unhappy memories of the national stadium – but he is savouring his chance to play at Wembley
    Timeless drama of Championship race in league of its own - Michael Calvin

    Michael Calvin's Last Word

    Timeless drama of Championship race in league of its own