Creatures from the deep, wrestling komodo dragons and the stunning Patagonia landscape are among the animals and scenes captured by this year's bunch of talented Wildlife Photographer of the Year finalists.
Professionals and amateurs from 96 countries have submitted more than 42,000 entries themed around the natural world's most awe-inspiring sights.
The images are judged by a panel of professionals recognised in the photography industry and selected based on their creativity, artistry and technical complexity.
Categories include Mammals, Underwater, Birds, Reptiles, Land, Urban Wildlife and Black & White.
There is also a 10 Years and Under group for child photographers.
The exhibition opens on 16 October at the Natural History Museum in London and runs until 10 April next year. Tickets cost £12.60 for adults and £6.30 for children.
The 100 shortlisted images will also embark on an international tour across six continents so that millions of people worldwide can enjoy them.
Wildlife Photographer of the Year 2015
Wildlife Photographer of the Year 2015
1/4 'To Drink or Not' - Carlos Perez Naval, Spain, 10 Years and Under
Carlos was down on the beach at Morro Bay in California, on holiday with his family, when he witnessed a fascinating interaction between two different species. A colony of California ground squirrels lives among the rocks at one side of the bay, fed by locals, who also put out dishes of water for them. What Carlos noticed was that western gulls were monopolizing the water. Whenever a ground squirrel dared to get too close, a gull would chase it away, aiming its powerful beak at the squirrel’s head. Carlos was fascinated by the way the ground squirrels would try to sneak in for a sip when the gulls weren’t looking. Here, the two competitors’ eyes lock over the coveted fresh water. Carlos took the shot just before the gull lunged forwards and the squirrel fled.
Carlos Perez Naval
2/4 'Snow Hare' - Rosamund Macfarlane, UK, Mammals
One of Rosamund’s photographic ambitions was to photograph Scottish mountain hares in the snow, camouflaged in their winter coats. Native to Britain, mountain hares moult from brown to white or partially white in winter, depending on temperature. With a local expert, Rosamund climbed a valley in the Scottish Cairngorms, ‘at times through knee-deep snow’, until they came across a couple of hares that allowed them to approach within photographic range. Their mottled, snow-dusted coats echoed the colours of the snow-covered hillside. For several hours, Rosamund lay on the ground in freezing temperatures, observing the hares snuggled into their forms (shallow depressions) as fine snow blew over them and rime coated their pelts. In the late afternoon, the hares finally became active and started to feed, scraping the snow from the heather and then nibbling the shoots. Positioning herself so that she was looking up a gentle incline directly at one hare, Rosamund captured its determined scrabbling in a head-on portrait.
3/4 'Great Egret Awakening' - Zsolt Kudich, Hungary, Birds
When the River Danube flooded into Hungary’s Gemenc Forest, more than a thousand great egrets flocked to the lake to feed on the stranded amphibians, fish and invertebrates. Working on a project to document the last untouched regions of the Danube, including the floodplains, Zsolt was delighted to find a sixth of Hungary’s great egret population in the one place. By 1921, hunting had reduced their number to just 31 pairs. Today, habitat loss is the big threat. Using the soft dawn light, Zsolt wanted to convey the impression of a multitude of birds. So he pitched his camouflaged tent nearby, sleeping just a few hours a night for five nights. His chance came when a fishing white-tailed eagle sent some of the egrets into the air. With a slow shutter speed to blur the wings and a large depth of field to keep in focus those standing, Zsolt got his memorable image.
4/4 'Stork Art' - Francisco Mingorance, Spain, Urban Wildlife
White storks seem equally at home on artificial structures as they are in trees, often nesting on rooftops and telegraph poles. Francisco discovered three pairs high on this sculpture outside the Vostell-Malpartida Museum near Cáceres in Spain. The installation, by German artist Wolf Vostell, incorporates a Russian MiG-21 aircraft, two cars, pianos, computer monitors – and now, three huge nests, which the storks use each year, migrating from their overwintering grounds in southern Africa. Francisco wanted a picture of the storks sleeping under a starry sky, but there was too much light. ‘I got special permission for most lights to be shut down,’ he says, ‘but then the storks kept moving about and flying off.’ Using a long exposure, he got just one shot he liked, with the storks quietly asserting their place in the modern world that Vostell depicted.
Last year's competition was won by Michael Nichols for his striking photograph of resting lions. Take a look at the other 2014 entries here.Reuse content