TELEVISION / All mouth and no car chases: It's a cop show, but words speak louder than action on 'Between the Lines'. James Rampton reports from behind the scenes

IT'S A quiet Friday lunchtime in London's Notting Hill Gate. An antipodean backpacker sits on his rucksack next to a stack of cardboard boxes by the entrance to the subway. A raver in baggy trousers and a baseball hat turned backwards jives by, nodding his head in time to his Walkman music. A good-looking man in a leather jacket strolls out of the Gate Florist, followed by a striking red-headed woman with a bunch of flowers. Nattering, they go down the steps into the subway. All very mundane, all very workaday. In fact, a typical scene from Between the Lines.

The detective, Tony Clark (Neil Pearson, the leather jacket), and his colleague Maureen Connell (Siobhan Redmond, the redhead) are discussing a case as they go about their business. This may be a cop show, but there isn't a sawn-off shotgun or a handbrake turn in sight.

After the first two runs of BBC1's series about the Metropolitan Police Criminal Investigations Bureau, several Baftas and Royal Television Society Awards were collared. The Independent called it 'the best police drama on TV'; the Daily Telegraph described it as 'a splendid piece of work', and the Sunday Times referred to it as 'a jewel in the BBC schedule'. After the critical calamities of Eldorado, Westbeach, Trainer and Moon and Son (to name but a few), BBC1 at last had a popular drama to be proud of. It passes the acid test: you tape it if you're going out.

But what raises Between the Lines above the routine patrols of other British cop shows? The acting is of the highest order, certainly. The three detectives - Pearson, a heart-throb just the right side of seedy; Tom Georgeson (who plays Harry Naylor), a hard-bitten chainsmoker just the wrong side of seedy; and Redmond, a sparky lesbian with a tendency to tell people to 'Foxtrot Oscar' - are supported by the softly spoken Irish menace of Tony Doyle's Deakin, Clark's corrupt former boss.

The writing and directing are first-class - but that's par for the course with telly 'tecs these days. No, what makes the show unusual is that words speak louder than actions. Most of the series is taken up with talk.

Over a meal of lamb curry in the catering- bus after the floral scene, Pearson reflects on the supremacy of word over deed. 'Our screaming-tyre quotient is very low, but as a result of that, you can hear what the characters are saying, and usually they're saying something worth hearing.'

In many scenes, desk-bound officers plough through acres of paper. It's plodding policework - taped interviews, the reading of rights and playing it by the procedural book, a far cry from the Sweeney-esque cliches of driving round corners on two wheels and being bashed with baseball-bats by escaped cons with names like Mad Harry and Knuckles. Michael Wearing, head of BBC Drama Serials, says that 'the violence in Between the Lines is much more psychological' - before adding: 'Anyway, we can't afford massive car chases under the new rigours of Birt's Year Zero.'

The other Unique Selling Point of Between the Lines is that it is about the police who police the police. As films such as Serpico and Internal Affairs have shown, this is a field fertile with dramatic possibilities. None of the usual strictures about good and evil apply. Just look at the title. 'Rather than good guys chasing bad guys, the conflict between good and evil is played out in the head of one person,' says J C Wilsher, the writer who created the series and is now responsible for 'the bible', the overarching storyline. 'You might show someone who did something bad but not necessarily for bad reasons. We wanted to raise moral problems, not offer solutions.'

Pearson takes up the theme. 'Most cop shows are black hat-white hat. At the end of 50 minutes, all loose ends are tied up, the good guys have won, see you next week. Between the Lines is grey. We caught two people in the whole of the second series - and one of them was the Met's major thief-taker. The fact that people know it may not turn out OK intrigues them. Usually there's the assumption that whatever happens, the baddy is going to get caught and the good guy won't get killed. In this, you can't take anything for granted.'

And that includes a clear, linear plot. Some viewers profess to being baffled even after watching an episode twice, as characters are triple- and quadruple-crossed. Tony Garnett, the executive producer, sees the complexity as an advantage. 'The series is an attempt to make some entertainment for grown-ups. Some people will never want to be grown-up so the audience will be limited (an average of 8 million in the last series). But if there isn't a place for shows like this, then it's a duller world. Our leading characters often don't understand what's going on. They're floundering in a world that's too complicated for them. I have that feeling all the time - don't you?'

Over many distinguished years as a producer, Garnett has established a reputation for socially challenging work: Cathy Come Home, Up the Junction, Kes, Law and Order, and the latest series to have backbench Tory MPs foaming at the mouth, the NHS drama Cardiac Arrest. Garnett had 'had an eye on a police procedural' for some time when Wilsher, a writer on The Bill, came to him with a proposal about a CIB series. 'I knew it was a good idea,' Garnett recalls, 'because I thought, 'why didn't I think of that?'. It also meant I could have bent coppers on every week.'

Between the Lines has more bad apples than a cider factory, but in that it merely mirrors the changing image of the police. After many well- documented miscarriages of justice, says Wearing, 'it would be difficult to pretend that the public perception of the police is still Dixon of Dock Green. Between the Lines reflects that the police have been found fairly wanting. But it also shows how difficult being a police officer is. It's not a completely knocking show; it does graphically reveal the stresses and strains of being at the chalkface of modern society.'

Serving officers certainly didn't see it as an act of GBH on their profession. 'During the first series,' Wilsher says, 'applications to CIB rocketed. It was suddenly perceived as something sexy and glamorous.'

This may well have had something to do with the sexual voracity of the central character, who sometimes seemed more like Alan than Tony Clark. Pearson - who plays the equally jack-the-laddish Dave in Drop the Dead Donkey - wasn't that enamoured with the series's nicknames: Between the Sheets, Between the Loins, Between the Legs. 'After the first series, I said, 'can I keep my trousers on a bit more in the second series, please?'

'The first series was at its least successful when it diverged most from reality, when it became James Bond-y in its serial shagging. 'I'm Tony Clark.' 'Right, well I'll get my kit off then.' Given that we were paying such attention to getting real life right elsewhere, I didn't like that.'

The other area where the series has strained credulity is its jargon. People who have a cast- iron alibi are 'fireproof', lying witnesses are 'painting a picture,' and every boss is 'guv'.

Pearson maintains, however, that 'they really do talk like that. We tone it down - otherwise it becomes Sweeney-speak. Police officers do say things like 'the job's going pear- shaped' and 'can't get the toothpaste back in the tube'. There's this strange symbiosis going on. The way the police have talked on television in the past has infused itself into the way they talk now. We're giving it back.'

The third series returns to its beat on Wednesday. It will present a whole range of new moral dilemmas, as Clark and Naylor are drummed out of the force and become involved in the shadowy world of private security, in thrall to the incandescently sinister Deakin.

Part of the reason for this change, Pearson explains, is that 'there are only so many ways you can shoot a police interview. When you're putting the camera on the ceiling and filming through a slowly turning fan, then you know you're in big trouble. That's the last idea.'

The third series of 'Between the Lines' starts on Wednesday, BBC1, 9.30-10.25pm.

(Photograph omitted)

Arts and Entertainment
'The Archers' has an audience of about five million
radioA growing number of listeners are voicing their discontent; so loudly that even the BBC's director-general seems worried
Arts and Entertainment
Ready to open the Baftas, rockers Kasabian are also ‘great film fans’
musicExclusive: Rockers promise an explosive opening to the evening
Arts and Entertainment
Henry VIII played by Damien Lewis
tvReview: Scheming queens-in-waiting, tangled lines of succession and men of lowly birth rising to power – sound familiar?
Arts and Entertainment
Arts and Entertainment
Hell, yeah: members of the 369th Infantry arrive back in New York
booksWorld War Z author Max Brooks honours WW1's Harlem Hellfighters in new graphic novel
Arts and Entertainment
Beer as folk: Vincent Franklin and Cyril Nri (centre) in ‘Cucumber’
tvReview: This slice of gay life in Manchester has universal appeal
Arts and Entertainment
‘A Day at the Races’ still stands up well today
Have you tried new the Independent Digital Edition apps?
Arts and Entertainment

ebooksNow available in paperback
Arts and Entertainment

Arts and Entertainment
‘The Royals’ – a ‘twisted, soapy take on England’s first family’
tvAnd its producers have already announced a second season...
Arts and Entertainment
Kraftwerk performing at the Neue Nationalgalerie (New National Gallery) museum in Berlin earlier this month
musicWhy a bunch of academics consider German electropoppers Kraftwerk worthy of their own symposium
Arts and Entertainment
Icelandic singer Bjork has been forced to release her album early after an online leak

Arts and Entertainment
Colin Firth as Harry Hart in Kingsman: The Secret Service

Arts and Entertainment
Brian Blessed as King Lear in the Guildford Shakespeare Company's performance of the play

Arts and Entertainment
In the picture: Anthony LaPaglia and Martin Freeman in 'The Eichmann Show'

Arts and Entertainment
Anne Kirkbride and Bill Roache as Deirdre and Ken Barlow in Coronation Street

tvThe actress has died aged 60
Arts and Entertainment
Marianne Jean-Baptiste defends Joe Miller in Broadchurch series two

Arts and Entertainment
The frill of it all: Hattie Morahan in 'The Changeling'

Arts and Entertainment
Gillian Anderson and David Duchovny may reunite for The X Files

Arts and Entertainment
Jeremy Clarkson, left, and Richard Hammond upset the locals in South America
A young woman punched a police officer after attending a gig by US rapper Snoop Dogg
Arts and Entertainment
Reese Witherspoon starring in 'Wild'

It's hard not to warm to Reese Witherspoon's heroismfilm
Arts and Entertainment
Word up: Robbie Coltrane as dictionary guru Doctor Johnson in the classic sitcom Blackadder the Third

Arts and Entertainment
The Oscar nominations are due to be announced today

Oscars 2015
Arts and Entertainment
Hacked off: Maisie Williams in ‘Cyberbully’

Maisie Williams single-handedly rises to the challenge

Arts and Entertainment
Eddie Redmayne in The Theory of Everything and Benedict Cumberbatch in The Imitation Game are both nominated at the Bafta Film Awards
Latest stories from i100
Have you tried new the Independent Digital Edition apps?

ES Rentals

    Independent Dating

    By clicking 'Search' you
    are agreeing to our
    Terms of Use.

    Isis hostage crisis: Militant group stands strong as its numerous enemies fail to find a common plan to defeat it

    Isis stands strong as its numerous enemies fail to find a common plan to defeat it

    The jihadis are being squeezed militarily and economically, but there is no sign of an implosion, says Patrick Cockburn
    Virtual reality thrusts viewers into the frontline of global events - and puts film-goers at the heart of the action

    Virtual reality: Seeing is believing

    Virtual reality thrusts viewers into the frontline of global events - and puts film-goers at the heart of the action
    Homeless Veterans appeal: MP says Coalition ‘not doing enough’

    Homeless Veterans appeal

    MP says Coalition ‘not doing enough’ to help
    Larry David, Steve Coogan and other comedians share stories of depression in new documentary

    Comedians share stories of depression

    The director of the new documentary, Kevin Pollak, tells Jessica Barrett how he got them to talk
    Has The Archers lost the plot with it's spicy storylines?

    Has The Archers lost the plot?

    A growing number of listeners are voicing their discontent over the rural soap's spicy storylines; so loudly that even the BBC's director-general seems worried, says Simon Kelner
    English Heritage adds 14 post-war office buildings to its protected lists

    14 office buildings added to protected lists

    Christopher Beanland explores the underrated appeal of these palaces of pen-pushing
    Human skull discovery in Israel proves humans lived side-by-side with Neanderthals

    Human skull discovery in Israel proves humans lived side-by-side with Neanderthals

    Scientists unearthed the cranial fragments from Manot Cave in West Galilee
    World War Z author Max Brooks honours WW1's Harlem Hellfighters in new graphic novel

    Max Brooks honours Harlem Hellfighters

    The author talks about race, legacy and his Will Smith film option to Tim Walker
    Why the league system no longer measures up

    League system no longer measures up

    Jon Coles, former head of standards at the Department of Education, used to be in charge of school performance rankings. He explains how he would reform the system
    Valentine's Day cards: 5 best online card shops

    Don't leave it to the petrol station: The best online card shops for Valentine's Day

    Can't find a card you like on the high street? Try one of these sites for individual, personalised options, whatever your taste
    Diego Costa: Devil in blue who upsets defences is a reminder of what Liverpool have lost

    Devil in blue Costa is a reminder of what Liverpool have lost

    The Reds are desperately missing Luis Suarez, says Ian Herbert
    Ashley Giles: 'I'll watch England – but not as a fan'

    Ashley Giles: 'I'll watch England – but not as a fan'

    Former one-day coach says he will ‘observe’ their World Cup games – but ‘won’t be jumping up and down’
    Greece elections: In times like these, the EU has far more dangerous adversaries than Syriza

    Greece elections

    In times like these, the EU has far more dangerous adversaries than Syriza, says Patrick Cockburn
    Holocaust Memorial Day: Nazi victims remembered as spectre of prejudice reappears

    Holocaust Memorial Day

    Nazi victims remembered as spectre of prejudice reappears over Europe
    Fortitude and the Arctic attraction: Our fascination with the last great wilderness

    Magnetic north

    The Arctic has always exerted a pull, from Greek myth to new thriller Fortitude. Gerard Gilbert considers what's behind our fascination with the last great wilderness