Theatre & Dance

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Features

The Habit of Art

Now the whole of Britain's a stage

The provinces used to be an after-thought for London venues. But these days a West End run is just the start of it. Arifa Akbar reports on the boom in touring theatre

Inside Features

'Annie, in short, is an agreeable evening on the town.'

First Impressions: Annie Get Your Gun, Imperial Theatre, New York (1946)

Friday, 27 November 2009

A good professional Broadway musical. Annie Get Your Gun has a pleasant score by Irving Berlin and it has Ethel Merman to roll her eyes and to shout down the rafters. The colours are pretty, the dancing is amiable and unaffected, and Broadway by this time is well used to a book which doesn't get anywhere in particular. Annie, in short, is an agreeable evening on the town.

Vanessa Redgrave arrives at the London Evening Standard Theatre Awards with her husband, the Italian actor Franco Nero

Party of the Week: Legends in their own lunchtime

Friday, 27 November 2009

Lenny Henry was accompanied by his wife Dawn French to the London Evening Standard Theatre Awards at the Royal Opera House, where he won the Best Newcomer prize for his lead role in Othello.

Abby Ford and Ciaran Kellgren star in Tanya Ronder's 'Peter Pan'

How Peter Pan grew up

Thursday, 26 November 2009

As a riveting take on J M Barrie's classic prepares to take flight at the O2 this Christmas, Paul Taylor looks at how different adaptations of the tale have found hidden depths – and not a little tragedy

<b>Nosferatu, 1922</b><br> Billed as a symphony of horror this German film presented the vampire Count Orlock as a pasty-faced, bald monster not dissimer to uncle Fester in the TV series The Addams Family.

Vampires: From freak to chic

Tuesday, 24 November 2009

In literature vampires are terrifying, shadowy figures who "vant to suck your blood", and whose heads need to be cut off and stuffed with garlic to prevent them returning from the dead. But in cinema vamps appear to be, well vampish.

First Impressions: Porgy and Bess, Alvin Theatre, New York (1935)

Friday, 20 November 2009

Porgy and Bess represents George Gershwin's longing to compose an American folk opera on a suitable theme. Although Mr Heyward is the author of the libretto and shares with Ira Gershwin the credit for the lyrics, and although Mr Mamoulian has mounted the director's box, the evening is unmistakably George Gershwin's personal holiday.

Light fantastic: Air Vag's Starry Nights

On the agenda: Harry Brown; Radley; Manchester's Royal Exchange Theatre; Masterchef; Ctrl.Alt.Shift

Sunday, 8 November 2009

You've got to ask yourself, 'Do I feel lucky?' Well, you should – the vigilantes are back...

Complex personality: Bennett is as much a tonic off the page and stage as on

A very English playwright: The return of Alan Bennett

Friday, 6 November 2009

Alan Bennett stages his first play for years this month, at the National Theatre. Paul Taylor, who has met him many times, looks at how the butcher's son from Leeds became Britain's best loved playwright, and tries to unravel his complex personality

Human whirlwind: Khan has a reputation for pushing the boundaries of his form

Akram Khan: 'You have to become a warrior'

Friday, 6 November 2009

He's the darling of the dance world, and beyond, with artists such as Anish Kapoor and Antony Gormley lining up to work with him

The Pirate Queen

The ten biggest Broadway turkeys

Tuesday, 3 November 2009

Following the shock closure of Neil Simon's Brighton Beach Memoirs and the cancellation of its companion piece Broadway Bound, we look at ten of the biggest flops to grace Broadway.

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FIVE BEST PLAYS

The Habit of Art (NT: Lyttelton, London)
Alan Bennett’s multi-layered, hilariously provocative new play stars Richard Griffiths as the poet W H Auden and Alex Jennings as Benjamin Britten. (020 7452 3000) to 6 Apr

Cock (Royal Court, London)
The young playwright Mike Bartlett has performed a brilliant and blackly hilarious feat of penile provocation for the Naughties. It’s an intense, unbroken 80-minute encounter with bsexuality and its discontents. (020-7565 5000) to 19 Dec

The Fahrenheit Twins (Barbican, London)
Hayley Carmichael and Paul Hunter star as a pair of twins trapped in an artificial predicament by far from natural parenting in this delightfully inventive, funny-sad new double-hander from Told by an Idiot. (020 7638 8891) to 5 Dec

Our Class (NT: Cottesloe, London)
Tadeusz Slobodzianek’s new play is a gritty, hauntingly effective take on the massacre of the Jewish population of a Polish town in 1941. (020-7452 3000) to 12 Jan

War Horse (New London Theatre, London)
The National Theatre’s moving adaptation of Michael Morpurgo’s novel, adapted by Nick Stafford, about a horse sold to the cavalry and pitched into the First World War. (0844 412 4654) to 12 Feb

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