By the time Verdi was writing this opera, in his early seventies, he had dispensed with preludes, and this greatest of tragic operas opens with a cataclysmic orchestral explosion.
In Tim Albery's intelligent production for Opera North and Scottish Opera, the electrifying moment is not missed and we are swept into the sea-storm from which Otello emerges. The tenor Ronald Samm handles this demanding entrance with authority, and he has the vocal resources to sustain a taxing part.
The action is set in a US naval base in the 1950s, or possibly the British military occupation of Cyprus. It works well. David Kempster is clever, clear and commanding as an older-than-usual Iago, while Elena Kelessidi grows into the part of Desdemona.
Orchestra and chorus, under the dynamic direction of Richard Farnes, are on superb form. This is an overwhelming Otello: no Verdi lover will want to miss it.
(0844 848 2700); then touring (operanorth.co.uk) in rep to 16 FebReuse content