Believe What You Will, Swan Theatre, Stratford-Upon-Avon
Tuesday 31 May 2005
The Royal Shakespeare Company's admirable Gunpowder Season throws up another politically charged piece, glinting with implicit contemporary application, in the shape of Josie Rourke's powerful and atmospheric staging of Philip Massinger's 1631 play Believe What You Will.
The focus is on Antiochus, a Middle Eastern ruler who has been missing for 22 years, presumed to have died in a disastrous battle that nearly wiped out his army. In the meantime, Rome has become the world superpower. Antiochus's re-emergence from hiding poses a threat. Though they now fund Rome's growing empire, the resentful Asian provinces have not forgotten their own former glory. So to prevent him from becoming a rallying point for unrest, Rome will have to do everything it can to discredit Antiochus.
While it's hard to imagine George Bush or Donald Rumsfeld making a pilgrimage to Stratford-upon -Avon, it's all too easy to imagine that, if they found themselves at a performance of Believe What You Will, they would be inwardly cheering on the character, Flaminius (played here by a glaring, messianic William Houston). He's the Roman ambassador who justifies dirty tricks against Antiochus on the grounds of "necessity of state", a term as self-servingly commodious as "national security".
Apart from one amateur production at a university, this play has not been revived since its original run. Massinger's first version, in which Spain was the might-is-right villain, ran foul of the censor. For the RSC, the difficulties are textual.
The play has survived in a physically damaged authorial manuscript, with missing bits at vital points near the beginning and the end. In the event, the company commissioned the poet and playwright, Ian McHugh, to cover the hiatuses with pastiche verse and to patch up the plot with informed guesses. The result is largely a success. McHugh's interpolations heighten the sense that Flaminius's Roman zeal is carrying him to an excess of perfidy that will eventually prove his undoing.
In a production full of simply but sensuously evoked locations, Peter de Jersey brings just the right kind of experience-scarred charisma to the central role. The emphasis is thrown on how only exceptional courage and virtue can resist the corrupting force of a superpower
In rep to 4 November (0870 609 1110)
Filming to begin on two new series due to be aired on Dave from next year
TVBBC hopes latest Danish import will spell success
Arts & Ents blogs
- 1 Which country would be hardest to invade?
- 2 Indonesia executions: Death row British grandmother Lindsay Sandiford will refuse to wear a blindfold when she faces firing squad
- 3 The man who filmed the Freddie Gray video has been arrested at gunpoint
- 4 How the language you speak changes your view of the world
- 5 Uploading pictures to find out how old you are gives Microsoft the right to post them wherever they want
Fifty Shades of Grey movie shows first sex scene 'after 40 minutes'
Avengers: Age of Ultron set to make box office history with $84.5m US opening
London Marathon: Best running songs from Beyoncé and Kendrick Lamar to 'Uptown Funk'
The highly NSFW poster for Gaspar Noé's Love makes Nymphomaniac look like 50 Shades
New on Netflix UK May 2015: From Fast & Furious 6 to World War Z and Grace and Frankie
Over 50,000 families shipped out of London boroughs in the past three years due to welfare cuts and soaring rents
EU asylum policy is 'a direct threat to our civilisation', says Nigel Farage
Indonesia executions live: 'Hysterical' families heard prisoners being shot dead by firing squad
The Rothschild Libel: Why has it taken 200 years for an anti-Semitic slur that emerged from the Battle of Waterloo to be dismissed?
General Election 2015: SNP and its activists 'openly racist' towards the English, Farage says
EU exit would hit UK economy much harder than neighbouring countries, study finds