The minimal narrative begins with Peter Pan and ends with a series of vicious child murders. The connection between the two feels spurious - whatever darkness one reads into Peter Pan, it's hardly a pre-echo of the serial-killer - and their selection arbitrary. There's a man on stage with hooves, furry thighs and a peekabo basque, lip- synching badly to a song: perhaps he is the Devil, or perhaps the god Pan. While you're chasing such flimsy suppositions, Heartless slips through your fingers like wet sand.
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