Theatre: On The Fringe
Wednesday 11 November 1998
It's not hard to fathom the appeal. Frantic - who have been operating since 1992 - continue to make an acting area as sexy as a dancefloor: Force 10 techno sounds come crashing in at every available opportunity; in the programme, a scrap of notepaper with a scrawled playlist of scenes ("love stairs", "secrets", "sizequeen" etc) spells death to stuffy three- acters. The cast of four - in roles that steal their own christian names - display an agility normally reserved for steroid enhanced Russian gymnasts. In skimpy tops and the usual club rig-out, Cait Davies, Scott Graham, Steven Hoggett and Ansty Thomas leap into each other's arms, dash each other to the ground and find countless ways of draping themselves off two moveable steel structures: a set of easily tipped up steps and what looks like a cross-sectioned WC. When they open their mouths to speak they sound so unfazed they might have been just boiling the kettle.
But it's what they say that counts. The super fit expressionism (choreographed by T C Howard) runs parallel to the bruising attitudes that surface after the opening scene, in which a euphoric Stephen celebrates his birthday with girlfriend Kate and two best mates. In the cold, clear light of reflection, it dawns on him that everyone knew what was coming: Scott was a furtive rival while Ansti's gift, a self-help book, quietly declared her unthinking support for Kate's cynical refusal to commit. Wynne sketches the emotional trench warfare that ensues with devastating economy. The wounding remarks can be transparently juvenile ("I really think the scabies brought us together, at least we had something in common when we had them"), but that's what gives Sell Out its integrity. Imagine a hormonally raging prequel to Closer, or Pinter's Betrayal with added beats per minute.
The physical skills deployed in the Scarlet Theatre company's Stranded are more subtly expressive than Frantic's bicep-breaking contortions. But then, they have to be. Katarzyna Deszcz has chosen a simple, if vivid, storyline, based on the Italian judge and playwright Ugo Betti's Crime on Goat Island, about a thick-skinned stranger who invites himself into a remote house occupied by three women claiming to have befriended Agatha, the head of the household's husband before he died in a prison-of-war camp. It's the awkward silences, the mutual sizing up, rather than the terse dialogue that grips, though, as allegiances shift bringing ill-tempered rifts. As the matriarch's sister-in-law and daughter, Jane Guernier and Sarah-Theresa Belcher provide strong support, rich in scatty detail, but it is Linda Kerr-Scott's abandoned widow Agatha who supplies the piece's tragicomic cores: her rapid neck movements suggest a startled farmyard goose, her pursed lips and severe eyes an eternity of strife between the sexes.
`Stranded', Young Vic, London SE1, to 21 Nov. `Sell Out', 13 Nov UEA, Norwich; 17 Nov, Theatre Studio, Scarborough and touring until March 1999
Robin Thicke admits he didn't write 'Blurred Lines'music
Review: Cilla, ITV TV
Arts & Ents blogs
- 1 Thailand beach murders: Thai PM suggests 'attractive' female tourists cannot expect to be safe wearing bikinis
- 2 Scottish independence: Learn from Quebec's mistakes and beware of promises. Vote Yes.
- 3 A bottle of wine a day is not bad for you and abstaining is worse than drinking, scientist claims
- 5 Hitler’s former food taster reveals the horrors of the Wolf’s Lair
Laurie Lee's Rosie: What is it like to inspire a writer's work and be immortalised forever on the page?
Doctor Who series 8: Time Heist pictures revealed ahead of episode 5
The Walking Dead season 5 air date, trailer and season 4 recap
Well this Star Wars 7 leaked set photo of Adam Driver changes everything
Pharrell Williams says that 'Blurred Lines' criticism is 'out of context'
Daniele Watts: Django Unchained actress detained by Los Angeles police after being mistaken for a prostitute
Scottish independence referendum: A nation divided against itself
The political class is doing what Hitler couldn’t – destroying Britain
Scottish independence: Nationalist leader Jim Sillars threatens pro-union companies with 'day of reckoning' after independence
Portuguese academic says British are 'filthy, violent and drunk'
Scottish independence: David Cameron is becoming the 'George Bush of Britain'