Leah Cohen has based much of the play on her own experiences of life after divorce from a 'Multi-National Corporate Executive'. She must have led a charmed life to meet such well-meaning people at the bottom of the American social pile. Susan is accepted immediately - not ripped off, robbed, or told to mind her own business (a far more likely scenario).
The main fault of this play is that it is difficult to sympathise with Susan. Nor can we feel her indignation when, three months and no communication later, she finds her husband (Peter Cadden) checking in for a bonk with his secretary (Colleen Passard). Even more incredible is the fact that he wants this self-centred, self-obsessed woman back.
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