Inside television: Why the battle is not just for ratings
Ellen E Jones
Ellen is The Independent's TV critic. She writes a daily review of Last Night's TV and a weekly 'Inside TV' column for the i paper, as well as a column on general topics for the main paper most Wednesdays. Ellen is a former Hollywood correspondent and a contributing editor to Little White Lies, she's written on TV, film, lifestyle, travel and politics for publications including the Guardian, The Times, The Sunday Times, Esquire and Total Film.
Thursday 02 January 2014
This year marks 100 years since the start of a four-year war which claimed 16 million lives around the world. In October, the BBC laid claim to this anniversary announcing an ambitious slate of over 2,500 hours of First World War programming. Clearly, Adrian Van Klaveren needn't worry whether he's commissioned enough programmes, but if anything keeps the BBC's Controller of the World War One Centenary up at night over the next four years, it will be the tone of these documentaries and dramas.
This was also a concern back in 1989, when the writers of a popular sitcom revealed that their final series would be set in the trenches at Flanders. Surely, the sitcom was an inappropriate and trivialising vehicle with which to reflect on a tragedy of this scale? Fifteen years later, and the bleak absurdity of Blackadder Goes Forth stills stands unmatched as a televised depiction of war.
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- 4 Saudi preacher who 'raped and tortured' his five -year-old daughter to death is released after paying 'blood money'
- 5 Warriors in ancient Iraq suffered Post-Traumatic Stress Disorder more than 3,000 years ago, say researchers
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