Wait till you see inside

At a cost of pounds 130m, what will the Bankside Tate have to offer when it opens in a year's time? Director Lars Nittve (above) gave Natasha Walter a sneak preview

The dark bulk of Bankside Power Station rears up into a clouded sky. In front, fork-lift trucks roll through the rubble. And in front of them stands Lars Nittve - an unassuming Swede in a grey double-breasted suit and striped shirt that make him look more like a banker or a lawyer than an artistic visionary - posing for a photograph.

Soon we are standing in the vast turbine hall of the power station. "Here, you will come in," says Nittve enthusiastically, "and after your 'Wow!' you can find out what is going on in the gallery, and here you will also have your first art experience, hopefully something grand and amazing." This is a great hollow space, 500 feet long and 100 feet high. At the moment, the smell of solvent hangs in the air; dusty shafts of light stream through high windows at either end, and the space hums with the roar and crash of building work. When it's finished it will still be a breathtakingly large hall, and even the most impressive sculptures of the Tate collection will look pretty dwarfed.

Nittve does his best to dispel my feeling that this ocean of space will overwhelm the art inside it. "I, too, was a bit personally worried," he says. "But I have been in discussion with artists about commissioning new work for this area, and they all say 'Fantastic'. We will not necessarily use only huge Richard Serra-type sculpture here, but also projections, or screens, and all sorts of other things. Many different artists have looked at this space. They are very diverse, but they are all very happy to address this space. It is a once-in-a-lifetime thing."

As director of this brand new gallery, opening exactly one year from now, it is Nittve's job to sound upbeat and optimistic. This will be, it is devoutly hoped, the museum that will lay to rest for once and for all any suggestion that the British can't take their art seriously. For the past few decades, the British have looked to the Museum of Modern Art in New York or the Centre Pompidou in Paris and have seen only a symbol of our own inability to keep up. It's interesting that we had to get a Swede in to do the job for us, but we shouldn't hold that against Nittve. He's an enthusiastic, clever man, and although he sometimes sounds more like a walking press release than the art critic he once was - well, how would you talk if you were overseeing a pounds 130m project in a foreign country?

We cross through the turbine room and into the boiler rooms, which will become the gallery spaces. The galleries will take up three of the seven levels here, and most of them will have some natural light pouring in through the sides or from above, thanks to a new glass roof on top of the power station. We struggle through rooms littered with plasterboard and at one point enter a gallery that looks almost finished, a double height room with one high, narrow window running floor to ceiling.

This room is already light and white, like the best galleries. To add to the effect, in the middle of the floor sits a set of steel boxes, while in one corner squats a giant piece of cobalt blue machinery. You wouldn't be surprised if they had tags on them saying Richard Wentworth: Divorce, or Carl Andre: Equivalent IX. "It looks like you've already started moving the exhibits in," I say to Nittve, and he giggles politely. What does he think will inhabit this room when the hanging starts? "The great thing about this room is its height. I would like to use the whole height. I think I would like to show a Joseph Beuys installation here - we have a fantastic one that we're never able to show. It is a cone made of cast mud that comes down from the ceiling."

The last part of the building that we visit is the glass box on the roof. This long, bright room will be a restaurant, and it has the most dazzling views on all sides, including the northern side of the Thames, with St Paul's sitting plumply in the middle of the city. "It's a fabulous location, incredible," says Nittve happily.

It's impossible for me to see exactly how this gallery will work - it's still only a building site inside. But the ambition and scale are certainly impressive. "I have been bringing many artists through to get reactions," says Nittve. "They have been very positive. One of the greatest enthusiasts has been David Hockney. Some people don't find the exterior very exciting, but when they come in they're converted." Back in his office, I see a computer-generated image of the building as it will look when it's finished. The glass roof, which will be lit at night, helps to lift its shape, and the eventual addition of the new pedestrian bridge that will link Bankside to the steps of St Paul's will open it out to the river and make the gallery seem less closed off from its surroundings.

And above all, Nittve wants this gallery to play to its surroundings. "It must feel rooted," he says. "You shouldn't come here and feel that you could be anywhere. You should feel that you are in England, in London, and in a very particular part of London. The key to this is the regular visitors. The community around must feel that it belongs to them." That means that some of the work that the gallery does will take place outside its walls; already it has set up exhibitions and events in the surrounding area, including a performance around a real wedding in Borough market. "We build galleries because artists have been doing art that is fit for museums," says Nittve thoughtfully. "But if artists are working out in society, then we must also follow them."

But the Bankside Tate will primarily be that good old-fashioned thing, a gallery with a large permanent collection. When Nittve took on this job, last September, he had been director of smaller - although highly regarded - museums in Sweden and then in Denmark. One of the great pleasures of this job, he says, has been to discover the strengths of the Tate's collection, most of which is never displayed. "I knew it was a fabulous collection, but I didn't know how good it really was. It doesn't hold to any particular idea of what modern art should be. It doesn't have that view of modern art that it is one linear story.

"But when you look at where art is going now, there are many things in the collection that make it possible to build up a continuum into the present. For instance, there is a wide range of key surrealist works - by Salvador Dali, Max Ernst, and even some women surrealist artists. There are superb Marcel Duchamp works. To have The Large Glass is a major asset. Such things are key to understanding much of what is happening in contemporary art right now."

Sitting in his office, Nittve gets into his stride. "We want to rethink what a gallery of modern art should be in the 21st century. One of the ways to do that is to expand the narrow perspectives that many museums have. That definitely will include gender. It's so obvious that there's been a fairly unconscious but pretty amazing exclusion of women from the dominating art discourse. And we should like to show more from a wider range of countries."

A lot of criticism has recently been directed at the Tate, its director Nicholas Serota, his acquisitions and the Turner Prize for promulgating a narrow vision of contemporary art that privileges conceptual art over all other kinds. When I ask Nittve about it, he is either diplomatic or genuinely supportive of his boss. "For a start," he says, "it's pretty unclear in Britain what's meant by conceptual art. A lot of work that is called conceptual here is in fact pretty retinal - its effect relies on the way it looks, not on the ideas behind it. And I think one can say that what has happened in the past 10 years at the Tate under Nick Serota has made it one of the two or three major museums of modern art in the world. That's not my evaluation - that is an objective fact."

And does Nittve feel that the much hyped renaissance in British art has been a real phenomenon or a storm in a fur-lined teacup? "I think it's fantastic," he says stoutly. "Of course this Brit Art Movement, or the Young British Artists, was really an artificial label. There was this group of strong artists, but they were not that similar. And I think the scene has got even stronger, livelier and more energetic now this package is going away."

Nittve is sure that the British are now more than ready to throw off their traditional unease with visual art. "During most of the modern period, London was a bit on the periphery. There were many creative individuals, but most of the major movements developed in France, Germany, America. This has changed only in the past one or two decades. What made a difference was that wave of great British sculptors, like Woodrow and Kapoor and Cragg. With this gallery, at last we can really show British artists in depth. It will be an eye-opener for visitors. And of course British people are ready for this. After all, the attendance figures for the Tate Gallery at Millbank have more than doubled in the past 10 years. There are so many signs that the position of visual art in Britain has changed tremendously."

Arts and Entertainment
Lena Headey as Cersei Lannister

TV reviewIt has taken seven episodes for Game of Thrones season five to hit its stride

Arts and Entertainment
Jesuthasan Antonythasan as Dheepan

FilmPalme d'Or goes to radical and astonishing film that turns conventional thinking about immigrants on its head

Have you tried new the Independent Digital Edition apps?
Arts and Entertainment

ebooksNow available in paperback
Arts and Entertainment

Arts and Entertainment
Måns Zelmerlöw performing

Arts and Entertainment
Graham Norton was back in the commentating seat for Eurovision 2015

Arts and Entertainment
Richard Hammond, Jeremy Clarkson and James May on stage

Arts and Entertainment
The light stuff: Britt Robertson and George Clooney in ‘Tomorrowland: a World Beyond’
film review
Arts and Entertainment
Reawakening: can Jon Hamm’s Don Draper find enlightenment in the final ‘Mad Men’?
tv reviewNot quite, but it's an enlightening finale for Don Draper spoiler alert
Arts and Entertainment
Breakfast Show’s Nick Grimshaw

Arts and Entertainment

Arts and Entertainment
'Youth' cast members Paul Dano, Jane Fonda, Harvey Keitel, Rachel Weisz, and Michael Caine pose for photographers at Cannes Film Festival
Arts and Entertainment
Adam West as Batman and Burt Ward and Robin in the 1960s Batman TV show

Arts and Entertainment
I am flute: Azeem Ward and his now-famous instrument
Arts and Entertainment
A glass act: Dr Chris van Tulleken (left) and twin Xand get set for their drinking challenge
TV review
Arts and Entertainment
MIA perform at Lovebox 2014 in London Fields, Hackney

Arts and Entertainment
Finnish punk band PKN hope to enter Eurovision 2015 and raise awareness for Down's Syndrome

Arts and Entertainment
William Shakespeare on the cover of John Gerard's The Herball or Generall Historie of Plantes

Arts and Entertainment

Game of Thrones review
Arts and Entertainment
Grayson Perry dedicates his Essex home to Julie

Potter's attempt to create an Essex Taj Mahal was a lovely treat

Arts and Entertainment
A scene from the original Swedish version of the sci-fi TV drama ‘Real Humans’
Arts and Entertainment
Hugh Keays-Byrne plays Immortan Joe, the terrifying gang leader, in the new film
filmActor who played Toecutter returns - but as a different villain in reboot
Arts and Entertainment
Charlize Theron as Imperator Furiosa in Mad Max: Fury Road
Arts and Entertainment
Jessica Hynes in W1A
tvReview: Perhaps the creators of W1A should lay off the copy and paste function spoiler alert
Latest stories from i100
Have you tried new the Independent Digital Edition apps?

ES Rentals

    Independent Dating

    By clicking 'Search' you
    are agreeing to our
    Terms of Use.

    Blundering Tony Blair quits as Middle East peace envoy – only Israel will miss him

    Blundering Blair quits as Middle East peace envoy – only Israel will miss him

    For Arabs – and for Britons who lost their loved ones in his shambolic war in Iraq – his appointment was an insult, says Robert Fisk
    Fifa corruption arrests: All hail the Feds for riding to football's rescue

    Fifa corruption arrests

    All hail the Feds for riding to football's rescue, says Ian Herbert
    Isis in Syria: The Kurdish enclave still resisting the tyranny of President Assad and militant fighters

    The Kurdish enclave still resisting the tyranny of Assad and Isis

    In Syrian Kurdish cantons along the Turkish border, the progressive aims of the 2011 uprising are being enacted despite the war. Patrick Cockburn returns to Amuda
    How I survived Cambodia's Killing Fields: Acclaimed surgeon SreyRam Kuy celebrates her mother's determination to escape the US

    How I survived Cambodia's Killing Fields

    Acclaimed surgeon SreyRam Kuy celebrates her mother's determination to escape to the US
    Stephen Mangan interview: From posh buffoon to pregnant dad, the actor has quite a range

    How Stephen Mangan got his range

    Posh buffoon, hapless writer, pregnant dad - Mangan is certainly a versatile actor
    The ZX Spectrum has been crowd-funded back into play - with some 21st-century tweaks

    The ZX Spectrum is back

    The ZX Spectrum was the original - and for some players, still the best. David Crookes meets the fans who've kept the games' flames lit
    Grace of Monaco film panned: even the screenwriter pours scorn on biopic starring Nicole Kidman

    Even the screenwriter pours scorn on Grace of Monaco biopic

    The critics had a field day after last year's premiere, but the savaging goes on
    Menstrual Hygiene Day: The strange ideas people used to believe about periods

    Menstrual Hygiene Day: The strange ideas people once had about periods

    If one was missed, vomiting blood was seen as a viable alternative
    The best work perks: From free travel cards to making dreams come true (really)

    The quirks of work perks

    From free travel cards to making dreams come true (really)
    Is bridge the latest twee pastime to get hip?

    Is bridge becoming hip?

    The number of young players has trebled in the past year. Gillian Orr discovers if this old game has new tricks
    Long author-lists on research papers are threatening the academic work system

    The rise of 'hyperauthorship'

    Now that academic papers are written by thousands (yes, thousands) of contributors, it's getting hard to tell workers from shirkers
    The rise of Lego Clubs: How toys are helping children struggling with social interaction to build better relationships

    The rise of Lego Clubs

    How toys are helping children struggling with social interaction to build better relationships
    5 best running glasses

    On your marks: 5 best running glasses

    Whether you’re pounding pavements, parks or hill passes, keep your eyes protected in all weathers
    Joe Root: 'Ben Stokes gives everything – he’s rubbing off on us all'

    'Ben Stokes gives everything – he’s rubbing off on us all'

    Joe Root says the England dressing room is a happy place again – and Stokes is the catalyst
    Raif Badawi: Wife pleads for fresh EU help as Saudi blogger's health worsens

    Please save my husband

    As the health of blogger Raif Badawi worsens in prison, his wife urges EU governments to put pressure on the Saudi Arabian royal family to allow her husband to join his family in Canada