A City high-flyer says domestic appliances provide life's most trying moments. Our writer agrees

A former boss once recommended to me hiring a young man he had met at dinner. My heart sank because I knew this man to be bumptious and not that bright. My boss assured me that I was mistaken. The youth was bold, visionary and going places. "Is that what you thought?" I sighed. "No, that is what he told me," he replied.

David Beckham's admission that he has only three good friends rings true

The thinking man's neglected crumpet Joan Bakewell believes that her ruling-class voice makes her unemployable by the BBC. Look how cockneys dominate the ratings: Benedict Cumberbatch, for instance, or the pearly king himself, David Attenborough.

A piquant gag in The Artist is when the neglected wife of the silent movie star begs him: "We need to talk." Her husband ignores her, demonstrating his modernity in marital relations, if not in movie technology.

The historian Niall Ferguson once complained that schoolchildren are taught only about Henry VIII and the world wars. Yes, but let's face it, these are the blockbusters of British history.

What should you do if someone is foul mannered on public transport? It is spirit-crushing for everyone who witnesses it, yet intervention feels thankless or dangerous. You can report someone swearing or smoking or ranting to an official, but they are as fearful as everyone else. The signs in stations, or hospitals for that matter, warning that staff must not be threatened or abused by passengers or patients, suggest an institutionalised dread of the public. You could call the police, but that means lock-down and nobody getting to work. Furthermore, nobody expects it to lead to a conviction. The result is that we are wretchedly complicit in an uncivil society.

The BBC can be bashful about the place of Christianity in our national life: it recently sanctioned the substitution of the lovely terms Before Christ and Anno Domini by the thumpingly prosaic and Welsh examination boardesque Before Common Era and Common Era.

The inspired casting of Bertie Carvel as Miss Trunchbull in Matilda, one of the year's greatest performances, owes something to the RSC's employment policies. Casting has to be blind to sex and race. Now I am not sure whether a woman could ever play the role again – or, indeed, anyone else but Mr Carvel. It is his role, in the same way that Mark Rylance is now synonymous with Johnny "Rooster" Byron in Jerusalem. The soft-voiced, sadistic, sports-mad headmistress with her leather coat and whistle is a glorious creation.