Zoe Pilger

Zoe Pilger is an art critic for The Independent and winner of the 2011 Frieze International Writers Prize. Her first novel, Eat My Heart Out, will be published by Serpent's Tail in February 2014. She is also researching a PhD at Goldsmiths, University of London, on the subject of romantic love and sadomasochism in the work of contemporary female artists. She has appeared on BBC's The Review Show and Sky News

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British artist and Turner Prize winner Richard Deacon poses with his sculpture 'Struck Dumb 1988' at Tate Britain
Installation (Blue Pavilion) by Pezo von Ellrichshausen at the Royal Academy of Arts
Alex Van Gelder, Meat Portrait #026, 2012

Alex Van Gelder, Meat Portraits- art review: 'The overwhelming feeling is one of nausea'

Georgia O’Keefe meets the body-preserving anatomist Gunther Von Hagens

Concrete bungle: Exhibition of history of Milton Keynes fails to capture flawed urban experiment

Milton Keynes deserves more than a PR version of its futuristic roots

Miss Pokeno's 'Cake Bed'

Miss Pokeno and The Sisters of Perpetual Resistance: Review - 'militant feminist art'

HQ, London: While female artists a few years ago cynically used feminist imagery but rejected the label, this exhibition is committed

Bruce Munro's 'River of Light' is 'dazzling but not necessarily in a good way'

Arts review: Bruce Munro, Winter Light At Waddesdon

Waddesdon Manor, Buckinghamshire

Bob Dylan's gates are welded out of vintage iron and metal parts

Bob Dylan Mood Swings exhibition: review - Iron gates 'are inoffensive and need some bite'

Bob Dylan's new iron sculpture exhibition is lacking dynamism, but the musician proves himself to be a talented polymath rather than a hobbyist

The bigger picture: Tate Britain’s director Penelope Curtis

Penelope Curtis: Matriarch of the museum

Tate Britain's first female director Penelope Curtis is ready to realise her artistic vision when the gallery reopens next week, after a multi-million pound refurbishment. It's the next stage of her lifelong obsession with the arts, she tells Zoe Pilger

James Balmforth's

Art review: Open Heart Surgery, The Moving Museum, London

The title of this exhibition refers not to a theme of blood-thirsty conceptualism, but the intimate, delicate nature of the artworks included. Art is indeed a painful process, involving much inner probing.

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