Zoe Pilger

Zoe Pilger (born 1984) is an art critic for The Independent, and winner of the 2011 International Frieze Writer’s Prize. She has written for Frieze and a variety of other publications. She is also researching for a PhD at Goldsmiths, University of London, on the subject of sadomasochism and romantic love in the work of Nathalie Djurberg, Sophie Calle, Tracey Emin, Catherine Breillat, and Mary Gaitskill. She received her BA from Cambridge University in 2007 and her MA from Goldsmiths in 2010

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Jonas Mekas, Serpentine Gallery, London

"Just images, just images," murmurs the narrator of Jonas Mekas’ new 80 minute film Out-takes from the Life of a Happy Man (2012).

The Vivisector: Group show curated by Todd Levin, Sprüth Magers, London

A naked doll with long synthetic hair greets the visitor to this inspired exhibition, which explores "the idea of opening up and exposing a living body".

Josephsohn, Hauser & Wirth, London

"When I was offended in the Nazi era, I couldn’t respond," the late sculptor Hans Josephsohn explained in 2001. "Whenever a Hitler Youth leader insulted me, I wasn’t able to hit him."

Judy Chicago (with works by Tracey Emin, Helen Chadwick & Louise Bourgeois), Ben Uri: The London Jewish Museum of Art, London

“You are here to serve your masters.” This is a line from the S&M classic Story of O (1954), a tale about a career woman who succumbs to sexual slavery in a secluded château at the behest of her lover, René.

The Perfect Place To Grow: 175 Years of the Royal College of Art, Royal College of Art, London

This exhibition borrows its title from a 2001 installation by RCA alumna Tracey Emin, which, unsurprisingly, is categorized in the Personal Expression section.

Exhibition of the week: Kafou: Haiti, Art and Vodou, Nottingham Contemporary

This exhibition is exceptional for many reasons. To collect so many wonderful works in the aftermath of the 2010 earthquake is a feat. Moreover, the artists do not belong to the Haitian elite, trained in European art schools, but to the country's urban and rural poor.

Mel Bochner, If The Colour Changes, Whitechapel Gallery, London

A photograph of Matisse working in his studio as an elderly man inspired the young American conceptual artist Mel Bochner to create Theory of Painting (1970). It was not the woman that Matisse was painting on the canvas that caught Bochner’s attention, however, but the newspapers spread under his feet.  

Kafou: Haiti, Art and Vodou, Nottingham Contemporary, Nottingham

"The history of colonialism is that of a process of generalised zombification of mankind," wrote Haitian intellectual and poet René Depestre.

Kiki Smith: Behold, Timothy Taylor Gallery, London

A woman exhales a cloud of faint colour. Her expression is caught in profile, one feeble hand propping up her chin. She stares into the cloud as though she could divine her future there. While the colours are chimeric – pink, and yellow, and lilac – her face is impassive, even hard. She seems almost bored by her own magical power.

Mark Humphrey: Art in Life, Osborne Samuel Gallery, London

"This is my art," Mark Humphrey announces in a film that accompanies his new exhibition of fashion, furniture, sculpture, architecture, and interior design.

Day In a Page

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Stuart Hogg: Ready to climb his own Everest

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Have US shock jocks gone too far?

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Elmbridge pays more income tax than big cities of the North
Heavenly Bodies

Heavenly Bodies

Michael Landy's artistic marriage made in heaven... and hell