Zoe Pilger

Zoe Pilger is an art critic for The Independent and winner of the 2011 Frieze International Writers Prize. Her first novel, Eat My Heart Out, will be published by Serpent's Tail in February 2014. She is also researching a PhD at Goldsmiths, University of London, on the subject of romantic love and sadomasochism in the work of contemporary female artists. She has appeared on BBC's The Review Show and Sky News

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Alison Jackson: A world populated by lookalikes

The photographer tells Zoe Pilger how she shoots those disconcerting pictures

The Queen 'cuts' Prince George's umbilical cord in an Alison Jackson lookalike photograph.

Alison Jackson reveals the tricks behind her lookalike celebrity portraits

The photographer shines a light behind the head of her Prince William lookalike to make him appear bald

An image by bureaubetak chosen by Kylie Minogue

Review: Instagram: Power of Beauty - Exhibition fails to put the 'art' in Smartphone

The images curated by the likes of Kylie Minogue and Jared Leto are not art except in the ad-hoc sense that anything can be art with an Instagram filter on it

Going underground: London subculture surfaces in Selfridges

The ICA has taken over Selfridges with a survey of London subculture over the past 30 years. It’s fascinating – until you reach the mid-Nineties and the YBAs, says Zoe Pilger

Jerwood Drawing Prize 2013 winner: Apocalypse (My Boyfriend Doesn’t Care) (2013) by Slovakian artist Svetlana Fialova

Jerwood Drawing Prize 2013: The winning picture by Svetlana Fialova is a canny but misguided choice

Apocalypse (My Boyfriend Doesn’t Care) (2013) by Slovakian artist Svetlana Fialova, 28, has been announced as this year’s winner of the biggest drawing prize in the UK. It is a canny but misguided choice.

Bob Dylan's 'Nina Felix' - part of the exhibition 'Bob Dylan: Face Value' at the National Portrait Gallery

Review: Bob Dylan, Face Value - The musician-turned-artist's portraits have a lyrical side

“The empty handed painter from your streets / Is drawing crazy patterns on your sheets,” Bob Dylan sang on his 1965 hit "It’s All Over Now, Baby Blue". While Dylan, now 72, is loved by millions for creating songs with such depth, anger, and poetry, he has also always been a visual artist, albeit a private one.

Güvenc Özel, Cerebral Hut

Art review: Hugo Boss Red Never Follows, Saatchi Gallery, London

The brand HUGO by Hugo Boss might call to mind duty-free perfume or gaunt models strutting down the catwalk in eye-wateringly expensive outfits to those who aren’t particularly interested in fashion. Indeed, there is a film here that shows gaunt models wearing red suits and red lipstick, bones protruding, subjected to a wind-machine and flashing lights. But that’s about all the fashion there is.

Installation image of Sky Arts Ignition: Memory Palace at the V&A

Art review: Memory Palace, V&A Museum, London

The visitor to this sensational new exhibition is greeted with the words: “My fellow Londoners, can’t you see how we are diminished?” 

Stunningly repugnant: Elpida Hadzi Vasileva's installation for the Republic of Macedonia at Venice Biennale is made from albino rat skins, butterfly cocoons and 4 live rats

Art review: 55th Venice Biennale, Various venues outside the Giardini, Venice

Artist Alfredo Jaar makes the point that while 28 countries own national pavilions inside the Giardini, the remaining 60 are kept outside. Chile, his own country, has to rent its pavilion.

A general view during the press preview of 'Gas Giant' by Jacob Hashimoto, an installation composed of 7500 kites as part of the 55th International Art Exhibition on May 28, 2013 in Venice, Italy.

Review: 55th Venice Biennale Giardini, Venice

While the pavilions at this year’s Biennale attempt to outdo one another in terms of architectural grandeur and artistic wackiness, to wander through them is a joy. And if the colossal range of art isn’t enough, the people-watching is fantastic.

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