Zoe Pilger

Zoe Pilger is an art critic for The Independent and winner of the 2011 Frieze International Writers Prize. Her first novel, Eat My Heart Out, will be published by Serpent's Tail in February 2014. She is also researching a PhD at Goldsmiths, University of London, on the subject of romantic love and sadomasochism in the work of contemporary female artists. She has appeared on BBC's The Review Show and Sky News

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A view of an installation as part of the 'S.A.C.R.E.D' exhibition by Chinese artist Ai Weiwei during the 55th La Biennale of Venice, in the church of Sant'Antonin in Venice May 28, 2013. The exhibition, which runs till September 15, is made up of installations depicting dissident artist Weiwei's 81-day detention in 2011.

Art review: Subodh Gupta, What does the vessel contain, that the river does not, Hauser & Wirth, London

I recently returned from the Keralan coast, South India, where the storms and power-cuts at night made the sea and sky appear as black as each other, and the lights of the fishing boats floated on the horizon like a distant city. The monsoon months are coming.

Art review: Dieter Roth, Diaries, Camden Arts Centre, London

In the early 1980s, German-Swiss artist Dieter Roth was close to death due to his excessive drinking and eating. He spent time in a health clinic in Switzerland, and emerged 30 kilos lighter. His life was saved but he had another problem: his exquisitely tailored Viennese suits no longer fitted him.

Richard Patterson, Christina with green necklace, 2000
Oil on canvas, 36 3/4 x 36 3/4 in. / 93.2 x 93.2 cm

Art review: Richard Patterson, Timothy Taylor Gallery, London

This survey of YBA Richard Patterson’s career so far is bold, sensuous, and feels fresh rather than old hat recycled from the Freeze/Sensation years.

Exhibition of the week: Bernadette Corporation: 2000 Wasted Years, ICA, London SW1

Founded in 1994, their oeuvre spanning fashion, literature, film, and installation, the New York artists' collective Bernadette Corporation plays with ideas of commerce and subversion.

Ilya and Emilia Kabakov, The Happiest Man (****) and Two Mountains (**)

Ambika P3, London/ Sprovieri Gallery, London

BC Reloaded, 2012. Bernadette Corporation with Benjamin Alexander Huseby. Courtesy the artists and Greene Naftali Gallery, New York; Cabinet, London; Galerie Meyer Kainer, Vienna; Galerie NEU, Berlin.

Bernadette Corporation, 2000 Wasted Years, ICA, London

“I had never been cool. I liked the same music as my mother,” writes an anonymous member of Bernadette Corporation, the New York artists’ collective, founded in the early 90s, whose oeuvre spans fashion, literature, film, and installation.

Lost in space: Mark Wallinger’s labyrinths for Tube stations at Oxford Circus

Mark Wallinger, Labyrinth, London Underground Tube Stations, London

“You learn to know where people want to go even if they don’t know themselves,” one tube employee at Bank station told me, as I wandered around the labyrinth of tunnels, escalators, and platforms in search of Mark Wallinger’s own Labyrinth – artwork number 142 out of 270.

Materia i diaris, 2009

Antoni Tàpies, Timothy Taylor Gallery, London

Antoni Tàpies was recovering from a lung infection in a mountain sanatorium during his late teens when he began reading the fiction and philosophy that would shape his later oeuvre. The year was 1942.

1975 Mirage (Jammer) by Rauschenberg

Robert Rauschenberg, Jammers, Gagosian Gallery, London

There is a photograph of American artist Robert Rauschenberg (1925-2008) relaxing on a lilo in the swimming-pool of the Villa de Madame Sarabhai in Ahmedabad, India. The year is 1975.

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