In Association with:
Beautifully free from embellishment
Simon Calder explores an environment where art and nature combine to create an aesthetic all of their own
Simon Calder’s career in travel started at Gatwick Airport, where he cleaned aircraft for Laker Airways and later worked as a security officer. He became The Independent’s Travel Correspondent in 1994, and is known as “the Man Who Pays His Way” because he does not accept free travel facilities. He writes across the Independent titles, as well as for the Evening Standard.
Friday 07 March 2014
In 1815, Sarah Losh and her sister, Katharine, set off on a Grand Tour through Europe. They returned enriched with fresh ideas of art and culture. Two decades later, Katharine died. In her memory, Sarah paid for a church to be rebuilt in Wreay, five miles south of Carlisle. And she insisted on designing a place of worship that comprised an artistic revolution.
St Mary’s looks out of step with other early-Victorian churches, with a semi-circular apse – a style familiar in Italy. As you approach, symbolism from nature begins to appear. Pine cones, representing eternal life, are carved in stone on the outside. Light dapples a rich interior through 84 stained-glass windows. Above the colonnade in the apse is a wall decorated with what looks like a William Morris print. Except that her design pre-dated the Arts and Crafts master by decades.
Head for Tullie House, opposite the Castle in Carlisle. This Jacobean mansion, dating from 1689, was repurposed in 1893 as the city’s Institute of Science, Literature and Art. “It was all part of the Victorian idea of improving cultural life in the provinces,” says Melanie Gardner, the House’s curator of art.
Another radical character took on the inspired work of Sarah Losh: George Howard. He was the ninth Earl of Carlisle – but according to Gardner, “an artist first, rather than an aristocrat”. The Earl invited poets, politicians and painters to his home at Naworth Castle, outside Brampton. Among his guests was the pre-Raphaelite Dante Gabriel Rossetti – an important figure in the movement that rejected the embellishments that followed Raphael.
The pre-Raphaelites celebrated nature. Rural Cumberland provided an inspirational backdrop and Howard proved an enthusiastic patron. He commissioned works from his talented friends, some of which are on display at Tullie House.
Howard’s portrait of William Morris is on show, together with a classic textile design from 1883: Strawberry Thief, inspired by thrushes stealing fruit from Morris’s garden. That the fabric is still in production is a testament to the embrace between nature and art that endures so beautifully in Cumbria.
St Mary’s, Wreay (stmaryswreay.org); open 9am-4.30pm daily. Tullie House (pictured), Carlisle (01228 618718; tulliehouse.co.uk); open 10am-4pm daily (Sunday from noon); from April to October, hours are longer.
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